2019 TONY AWARDS - THE PLAYS
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Award-winning actors Annette Bening and Tracy Letts return to Broadway in the play that launched Arthur Miller as the moral voice of the American Theater. In the aftermath of WWII, the Keller family struggles to stay intact and to fight for their future when a long-hidden secret threatens to emerge - forcing them to reckon with greed, denial, repentance, and post-war disenchantment across generations.
Mark Twain wrote, "There are five kinds of actresses: bad actresses, fair actresses, good actresses, great actresses. And then there is Sarah Bernhardt." In 1899, the international stage celebrity set out to tackle her most ambitious role yet: Hamlet. Theresa Rebeck's new play rollicks with high comedy and human drama, set against the lavish Shakespearean production that could make or break Bernhardt's career. Janet McTeer, "one of the finest classical actresses of her generation" (The Telegraph), brings the legendary leading lady to life. The remaining cast and creative team will be announced soon.
Academy Award nominee Adam Driver (BlacKkKlansman, Star Wars, "Girls") and Golden Globe winner Keri Russell ("The Americans," Waitress, "Felicity") star in the acclaimed drama by Pulitzer Prize winner Lanford Wilson. When a mysterious death brings together two unlikely strangers, their explosive connection sparks a chemistry too fiery to ignore. Directed by Tony winner Michael Mayer (Spring Awakening, Hedwig and the Angry Inch), and co-starring Tony nominees David Furr and Brandon Uranowitz, BURN THIS is a smoldering story of love and raw attraction by one of the most vital playwrights of the modern era.
In Gary, Taylor Mac's singular world view intersects with Shakespeare's first tragedy, Titus Andronicus. In Mac's extraordinary new play, set during the fall of the Roman Empire, the years of bloody battles are over. The civil war has ended. The country has been stolen by madmen, and there are casualties everywhere. And two very lowly servants are charged with cleaning up the bodies. It's only 400 B.C. - but it feels like the end of the world.
Behind closed doors in the state of New Hampshire during the early days of 2008, a former First Lady named Hillary is in a desperate bid to save her troubled campaign for President of the United States. Her husband, Bill, sees things one way; her campaign manager, Mark, sees things another. If any of this sounds familiar, don't be fooled; in a universe of infinite possibilities, anything that can happen, will. In Hillary and Clinton, Lucas Hnath examines the politics of marriage, gender roles, and the limitations of experience and inevitability in this profoundly timely look at an American dynasty in crisis.
It's 1969 London. The brash young Rupert Murdoch purchases a struggling paper, The Sun, and sets out to make it a must-read smash which will destroy - and ultimately horrify - the competition. He brings on rogue editor Larry Lamb who in turn recruits an unlikely team of underdog reporters. Together, they will go to any lengths for success and the race for the most ink is on! Inspired by real events and a recent hit in London's West End, James Graham's electrifying new play comes to Broadway in the exhilarating Almeida Theatre production, directed by Rupert Goold. In its London run, The Guardian called it "riveting," and Time Out hailed it as "an incredibly brilliant stunner."
Glenda Jackson, just coming off her run in Three Tall Women on Broadway, has already set the date of her return. Jackson will appear as the title character in King Lear in the play's Broadway run next year. Jackson is no stranger to this role, playing it previously in 2016 at London's Old Vic. The Broadway production will be entirely different, with new staging.
Tony, Olivier, Emmy and Golden Globe winner Bryan Cranston ("Breaking Bad," All the Way) makes his "electrifying" (The New York Times) return to Broadway in the National Theatre's critically acclaimed production of Network, now a New York Times Critic's Pick. In Lee Hall's adaptation of Paddy Chayefsky's Academy Award-winning film, anchorman Howard Beale (Cranston) unravels live on-screen. But when the ratings soar, the network seizes on its newfound prophet, and Howard becomes the biggest thing on TV. "You owe yourself the thrill of watching Bryan Cranston in Network," raves Ben Brantley of The New York Times. Tony and Olivier winner Ivo van Hove (A View From the Bridge) directs this unique, immersive multimedia spectacle, also starring Tony Goldwyn ("Scandal") and Emmy Award winner Tatiana Maslany ("Orphan Black"). Catch the must-see theatrical event of the season, now through June 8.
Itâ€™s Christmas Eve, and Ed has gathered his three adult sons to celebrate with matching pajamas, trash-talking, and Chinese takeout. But when a question they canâ€™t answer interrupts their holiday cheer, they are forced to confront their own identities. Obie Award-winning playwright Young Jean Lee takes a hilariously ruthless look at the classic American father-son drama. This is one white Christmas like you've never seen before.
In his upper eastside Manhattan apartment, Michael is throwing a birthday party for Harold, a self-awoved "32 year-old, pock-marked, Jew fairy", complete with surprise gift: "Cowboy" a street hustler. As the evening wears on, fueled by drugs and alcohol, bitter, unresolved resentments among the guests come to light when a game of "Truth" goes terribly wrong.
Get tickets now to "the most critically acclaimed play of the season" (Rolling Stone). The Chicago Tribune calls THE FERRYMAN "a sprawling, Shakespearean masterpiece and the best new play of the year." Written by Jez Butterworth and directed Sam Mendes, this "new, instant and monumental classic" (HuffPost) has been ranked on more "Top 10" lists than any other show. New York Times critic Ben Brantley says, "It's the Broadway production of the year." It's 1981 in Northern Ireland, and the Carney farmhouse is a hive of activity with preparations for the annual harvest. A day of hard work on the land and a traditional night of feasting and celebrations lie ahead. But this year they will be interrupted by a visitor. The Hollywood Reporter says, "This crackling thriller positively thrums with life and love. It will leave you breathless." And The New Yorker raves, "As you sit in the audience, you know you are watching theatre history happen." Don't miss THE FERRYMAN - "the must-see drama of the year" (Time Out). Sam Mendes directs, with scenic & costume design by Rob Howell, lighting design by Peter Mumford, sound design & original music by Nick Powell, and choreography by Scarlett Mackmin.
THE LIFESPAN OF A FACT is based on the stirring true story of John D'Agata's essay, "What Happens There," about the Las Vegas suicide of teenager Levi Presley. Jim Fingal, assigned to fact check the piece, ignited a seven-year debate on the blurred lines of what passes for truth in literary nonfiction.
The Nap is a very funny look at the world of snooker - the British version of pool. Dylan Spokes, a fast-rising young star arrives for a championship tournament only to be confronted by the authorities warning him of the repercussions of match fixing. Before he knows it, Dylan's forced into underhanded dealings with a cast of wildly colorful characters that include his ex-convict dad, saucy mum, quick-tongued manager and a renowned gangster, to boot. It's a fast-paced comedy thriller where, in an exciting twist, the tournament unfolds live on stage.
Harper Lee's Pulitzer Prize-Winning American classic To Kill a Mockingbird comes to Broadway in a new adaptation by Aaron Sorkin, Directed by Bartlett Sher. Inspired by Lee's own childhood in Alabama, To Kill a Mockingbird features one of literature's towering symbols of integrity and righteousness in the character of Atticus Finch, based on Lee's own father. The character of Scout, based on herself, has come to define youthful innocence - and its inevitable loss - for generation after generation of readers around the world. Published in 1960, Harper Lee's debut novel To Kill a Mockingbird was an immediate and astonishing success. It won the Pulitzer Prize and quickly became a global phenomenon, with more than 50 million copies in print to date. Considered one of the great classics of modern American literature, the novel has never been out of print since its original publication. Bartlett Sher directs Aaron Sorkin's new adaptation, with scenic design by Miriam Buether, costume design by Ann Roth, lighting design by Jennifer Tipton, sound design by Scott Lehrer, and an original score by Adam Guettel. "The kind of theatrical storytelling you long to sit through again - immediately, even as the curtain comes down." - Sara Holdren, New York Magazine.
Critics have fallen in love with HARVEY FIERSTEIN's TORCH SONG, now on Broadway for a strictly limited engagement. Ben Brantley of The New York Times calls it "Spectacular! A Grade-A energizing joy!" And Entertainment Weekly raves, "TORCH SONG brings laughter and tears simultaneously. It's impossible not to feel electricity in the theater." Don't miss this "profoundly moving" (The Hollywood Reporter) production of the Tony Award-winning play, starring Drama Desk Award winner MICHAEL URIE ("Younger," "Ugly Betty," Buyer & Cellar) and Academy Award and Tony winner MERCEDES RUEHL (The Fisher King, Lost in Yonkers), directed by Tony nominee MOISES KAUFMAN (The Laramie Project, I Am My Own Wife). Hilarious and heart-wrenching TORCH SONG follows Arnold Beckoff's odyssey to find happiness in New York. All he wants is a husband, a child and a pair of bunny slippers that fit, but a visit from his overbearing mother reminds him that he needs one thing more: respect. Join Arnold on this all too human journey about the families we're born into, the families we choose and the battles to bring them all home.
Opposites attack in Sam Shepard's Pulitzer Prize-nominated play about two brothers with more in common than they think. Broadway fireworks don't get more combustible than this powerhouse new production - on Broadway through March 17 only. Two of this generation's hottest actors face off as estranged brothers in an empty California home, and the sparks truly fly. The New York Times says, "Ethan Hawke delivers a faultless performance, probably his best ever onstage," and The Wall Street Journal says, "everything Paul Dano does is excitingly surprising." Don't miss director James MacDonald's suspenseful, smoldering True West. "It's as funny as it is serious, as entertaining as it is profound" (New York Stage Review). James Macdonald directs Ethan Hawke and Paul Dano in the play's first Broadway revival, with set design by Mimi Lien, costume design by Kaye Voyce, lighting design by Jane Cox, hair & wig design by Tom Watson, and original music & sound design by Bray Poor.
Fifteen-year-old Heidi Schreck earned her college tuition money by winning Constitutional debate competitions across the United States. In her boundary-breaking new play, the Obie Award winner resurrects her teenage self in order to trace the profound relationship between four generations of women in her own family and the founding document that dictated their rights and citizenship. This hilarious, hopeful and "achingly human" (Exeunt Magazine) exploration breathes new life into our Constitution and imagines how it will shape the next generation of American women.