East New York, Brooklyn. Nina’s estranged father Kenyatta, a former Black revolutionary and political prisoner, reappears to obtain a coveted piece of her late Mother's legacy. While Kenyatta had visions of changing the world, his daughter became everything he feared. Now he’s at her mercy for his own redemption. This is a story about love, political action, and one woman’s journey from a brutal existence to her own liberation.
Morisseau has become a much better playwright in the decade since she wrote this play. The action in “Sunset Baby” is driven by a plot that’s full of holes: Ashanti left behind a raft of letters that she wrote, but didn’t send, to Kenyatta, which are now in great demand from journalists and academics, who are apparently willing to pay a lot of money for them. Kenyatta wants them too; is it for the money? We aren’t sure at first.
Morisseau is one of those rare playwrights who never lets an audience down. She doesn’t mar her record here. Listening to Kenyatta’s free-association outpouring as it introduces a character in barely contained quiet desperation, I was hooked — and stayed that way, or even more so, for the rest of the 100 intermissionless Sunset Baby minutes.
2024 | Off-Broadway |
Signature Theatre Off-Broadway Production Off-Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2024 | The Lortels | Outstanding Revival | Sunset Baby |
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