Kenneth Branagh will direct and play the title role for 50 performances only at Wyndham’s Theatre from 21 October.
The production feels like an accomplished rhetorical exercise that doesn’t run deep, when this, of all plays, needs to rattle the soul. The litmus test of any “Lear” is whether you emerge from the theater moist-eyed, and my cheeks were dry throughout.
Staged at a hurtling two hours with no interval, it is almost cinematic in its action-packed speed, which on stage appears like haste. Actors barrel from one scene to another with too few pauses. This divests the play of its deep, meditative qualities on the nature of being, ageing and questions of the soul.
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