BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!
It's the best local production of 2017 so far!
Ed Rice, director of electric utilities for the City of Marshall, considers himself a history buff. So, he's enthused about having the Marshall Power House as a special feature of Marshall Historical Society's 53rd Annual Marshall Historic Home Tour September 10th and 11th.
Ed Rice, director of electric utilities for the City of Marshall, considers himself a history buff. So, he's enthused about having the Marshall Power House as a special feature of Marshall Historical Society's 53rd Annual Marshall Historic Home Tour September 10th and 11th.
Music Director Carl St.Clair and Pacific Symphony today unveil the 2016-17 Hal and Jeanette Segerstrom Family Foundation Classical and Sunday Casual Connections series and special events. This season celebrates the orchestra's 38th season and its 10th year in the Renée and Henry Segerstrom Concert Hall. Inaugurated by the Symphony in September 2006, this magnificent venue—with its exceptional acoustics and beautiful architecture—changed the world of symphonic music forever in Orange County. Both the orchestra and its audiences suddenly felt the ceiling to their musical opportunities open up to limitless possibilities. The trajectory of the orchestra sped up, allowing for broader choices in repertoire, greater ensemble excellence and immersive audience experiences—culminating, 10 years later, in this momentous season.
With the continued growth of its celebrated Glorya Kaufman Presents Dance at The Music Center series, and the success of its highly popular participatory dance experiences, The Music Center has become an important hub for dance in Los Angeles. Its 2015-2016 dance season is a prime example of the commitment of The Music Center to present distinctive dance experiences to Southern California audiences, especially by internationally renowned artists in classical ballet and contemporary expression.
With the continued growth of its celebrated Glorya Kaufman Presents Dance at The Music Center series, and the success of its highly popular participatory dance experiences, The Music Center has become an important hub for dance in Los Angeles. Its 2015-2016 dance season is a prime example of the commitment of The Music Center to present distinctive dance experiences to Southern California audiences, especially by internationally renowned artists in classical ballet and contemporary expression.
The Barbican today announced a stellar program of events for spring and summer 2014, pushing the boundaries of all major art forms for its diverse audiences. This new program builds on the most successful year ever for the Barbican, with attendances for events at the Centre exceeding 1 million for the first time, an increase of 36% on 2011/12. In this Olympics year, box office receipts also rose 33%, and the Barbican's commercial income increased by 35%.
This season, patrons will once again be treated to outstanding live theatre at Open Stage of Harrisburg's Angino Family Theatre directed by Founder and Executive Artistic Director Donald Alsedek. The season kicks off in October with Peter Morgan's FROST/NIXON, apropos for this election year. The season continues with a new holiday offering great for the whole family, Truman Capote's A CHRISTMAS MEMORY, a world premiere adapted for Open Stage by Harrisburg's own Jim Woland. Next is JOE TURNER'S COME AND GONE, the 1910's installment of August Wilson's Pittsburgh Cycle of plays that chronicles the black experience in America. Closing the season is Sarah Ruhl's sweet and sexy comedy, IN THE NEXT ROOM or the vibrator play, which is sure to tantalize the patrons of the intimate playhouse on the street leveled of the Walnut Street Garage.
This season, patrons will once again be treated to outstanding live theatre at Open Stage of Harrisburg's Angino Family Theatre directed by Founder and Executive Artistic Director Donald Alsedek. The season kicks off in October with Peter Morgan's FROST/NIXON, apropos for this election year. The season continues with a new holiday offering great for the whole family, Truman Capote's A CHRISTMAS MEMORY, a world premiere adapted for Open Stage by Harrisburg's own Jim Woland. Next is JOE TURNER'S COME AND GONE, the 1910's installment of August Wilson's Pittsburgh Cycle of plays that chronicles the black experience in America. Closing the season is Sarah Ruhl's sweet and sexy comedy, IN THE NEXT ROOM or the vibrator play, which is sure to tantalize the patrons of the intimate playhouse on the street leveled of the Walnut Street Garage.
1910 | Broadway |
Broadway |
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