From four-time Tony Award winner Harvey Fierstein (Kinky Boots, Newsies, La Cage aux Folles) comes CASA VALENTINA, his first play in almost thirty years and his first-ever collaboration with Manhattan Theatre Club. Two-time Tony Award winner Joe Mantello (Take Me Out, Wicked) directs this funny, fascinating world premiere based on actual events.
Back in 1962, most men went to the Catskill Mountains to escape the summer heat, but others took the two-hour drive to escape something else entirely: being men. Nestled in the land of dirty dancing and borscht belt comedy sat an inconspicuous bungalow colony that catered to a very special clientele: heterosexual men whose favorite pastime was dressing and acting as women. It was paradise for these men - white-collar professionals with families - to spend their weekends discreetly and safely inhabiting their chosen female alter egos. But when faced with the opportunity to become an official organization, these "self-made women" had to decide whether public recognition would help them gain a place in open society or spell their own personal disaster.
Infused with Fierstein's trademark wit, this moving, insightful and delightfully entertaining new work offers a glimpse into the lives of a group of unforgettable characters as they search for acceptance and happiness in their very own Garden of Eden.
CASA VALENTINA is a recipient of an Edgerton Foundation New American Plays Award.
Joe Mantello's impeccable production and a cast of outstanding actors make this an engrossing portrait of a marginalized group, but the strong set-up isn't matched by focused follow-through...A beloved Broadway fixture as well as a vocal LGBT rights activist, Fierstein is so perennially busy that it's surprising to realize how long it's been since his last new play...But just as out-of-town tryouts tend to be crucial in fine-tuning a musical, plays need thorough development too, and this one seems a workshop or two away from being fully realized. Which is disappointing, because there's no shortage of snappy comedy, tenderness, highly individualized character studies and thematic ambition here...Under Mantello's sensitive direction, the actors keep us invested in their characters, and there's certainly an inherent fascination in watching this unobserved pre-Stonewall subculture. But the play ends by freezing on a melodramatic gesture. Like a soap opera, it suggests that the story continues, without actually resolving anything.
A quasi-witchhunt follows, setting a violent and sobering climax in motion. In a play full of proud fakeries, the story hits the loudest false note. Fierstein's explosive resolution feels rushed and less authentic to the characters than the Donna Reed wigs on their heads. Still, the most lasting impressions of Casa Valentina are good ones: Fierstein's meticulous dialogue, Joe Mantello's smooth and confident direction, the cast's flawless performances. And if the characters teach us anything, it's that confidence and charm can cover a multitude of imperfections. B+
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