The timeless tale of Ebenezer Scrooge comes to thrilling new life as Tony Award® winner Jefferson Mays (I Am My Own Wife, Gentleman’s Guide…) plays over 50 roles in a virtuosic, master class of a performance that must be seen to be believed. This theatrical achievement comes from the haunting and hope-filled vision of one of Broadway’s most imaginative directors, Michael Arden (Tony-winning Best Revival – Once on this Island).
But those are minor quibbles about the transfixing production with its virtuosic solo performance (another actor, Danny Gardner, appears briefly as “The Spectre”) and dazzling stage wizardry that would give Harry Potter a run for his money. This Christmas Carol may not be the most exuberant or sentimental one you’ve ever encountered, but it will certainly prove one of the most memorable.
And the direction is very fine. Arden has become a Broadway regular since his revival of 'Spring Awakening' in 2015, and 'A Christmas Carol' is his strongest and most confident work to date. Every idea connects seamlessly with the next, and never settles into Scrooge-control. The performance builds and builds, surprising us all along the way. The director also shows a flair for breathtaking stage pictures that was not so evident in his recent City Center revival of 'Parade' that plans to come to Broadway. Even if you're a Scrooge when it comes to annual holiday fare, like I am, 'A Christmas Carol' succeeds as a strong piece of theater.
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