Matthew Ozawa

In Utah Opera's 2024-25 season, four distinct productions will be held at Salt Lake City’s Janet Quinney Lawson Capitol Theatre.  Learn more about the full season lineup here!

Lyric Opera of Chicago has revealed its 2024/25 Season. See the full season lineup and learn how to purchase tickets!

Lyric Opera of Kansas City announces Roméo et Juliette, running March 9-17, 2024 at Kauffman Center for the Performing Arts.

Huang Ruo’s artistically bold, viscerally devastating ANGEL ISLAND had its local debut the other night at BAM’s Harvey Theatre on Brooklyn’s Fulton Street, produced by Beth Morrison Projects (BMP) and BAM. Its New York premiere is part of the annual Prototype Festival of opera theatre-music theatre--co-founded by BMP and HERE--which has been bringing challenging contemporary works of different stripes to town since 2013.

Experience the NY premiere of Huang Ruo's multimedia opera, ANGEL ISLAND, at BAM. This powerful requiem honors the untold stories of Chinese immigrants. Don't miss this captivating production from Jan 11-13.

The Canadian Opera Company's 2023/2024 season launches with Fidelio, the only opera from master composer Ludwig van Beethoven and a work that hasn't been seen on the COC stage in nearly 15 years. The opera, running from September 29 to October 20, 2023, centres on Leonore, a woman who has disguised herself as a man named Fidelio in order to save her husband, imprisoned for his revolutionary political views.

Beethoven’s FIDELIO returns to the COC for the first time in 15 years in a new production directed by Matthew Ozawa. Will justice and freedom prevail against tyranny and corruption?

The Canadian Opera Company announced its 2023/2024 season today featuring a slate of exciting new productions and rare musical gems.

Cincinnati Opera announces updated schedule and cast information for the company's 2023 Summer Festival, taking place June 11–July 29, 2023.

Evans Mirageas, The Harry T. Wilks Artistic Director of Cincinnati Opera, has announced details for the company's 2023 Summer Festival. The season takes place June–July 2023 and features four productions: a romantic thriller, a touching and timely premiere, an effervescent comedy, and an innovative new vision of an operatic classic.

San Francisco Opera presents Christoph Willibald Gluck's eighteenth-century masterwork Orpheus and Eurydice (Orfeo ed Euridice) from November 15–December 1.

The Patrick G. and Shirley W. Ryan Opera Center, the professional artist-development program at Lyric Opera of Chicago, announced the 12 singers who have been selected for its 2023/24 Ensemble at Final Auditions held on September 20 in the Ardis Krainik Theatre.

San Francisco Opera announced a cast change for its upcoming new production of Christoph Willibald Gluck's Orpheus and Eurydice (Orfeo ed Euridice), opening November 15. Soprano Meigui Zhang will make her role debut as Eurydice, replacing Christina Gansch who is expecting her second child and has withdrawn from the production.

OPERA America has selected three accomplished BIPOC professionals in opera as mentees in the 2022‒2023 Mentorship Program for Opera Leaders of Color. The Mentorship Program, now in its second year, advances racial equity in the field by pairing BIPOC administrators with established leaders in the field who can support them in achieving their career goals.

San Francisco Opera celebrates its first 100 years with a blockbuster 2022–23 opera season and an array of opportunities for deep engagement with the Company's history. San Francisco Opera's centennial will be marked by activities designed to commemorate the past and welcome the community into the exciting new era just beginning under the baton of Caroline H. Hume Music Director Eun Sun Kim.

Opera San José has announced the winners of its Irene Dalis Vocal Competition, named for the acclaimed mezzo-soprano Irene Dalis who founded Opera San José. The two-day event came to a dramatic conclusion on May 21, with tenor Kyle van Schoonhoven winning First Place.

Conceived and funded by acclaimed librettist and lyricist Mark Campbell, the Prize is the first award in the history of American opera created specifically to honor the work of opera librettists, and comes with a $7,000 award to support the winner's creative and career development.

OPERA America is pleased to announce the selection of Stephanie Fleischmann as the 2022 Campbell Opera Librettist Prize recipient. Conceived and funded by acclaimed librettist and lyricist Mark Campbell, the Prize is the first award in the history of American opera created specifically to honor the work of opera librettists, and comes with a $7,000 award to support the winner’s creative and career development.

Opera San José has lined up a remarkable panel of celebrity judges for its upcoming Irene Dalis Vocal Competition. Named for acclaimed mezzo-soprano Irene Dalis who founded Opera San José, the competition showcases eleven singers chosen from hundreds of international applicants, giving the nation’s next generation of opera stars a singular opportunity to perform for some of the most important leaders in their field.

Gounod’s overture introduces ROMEO AND JULIET with a prophetic mix of lyrical romance and tragedy. Yves Abel, the Principal Conductor of the San Diego Opera, is an expert in French opera and made sure that resonant brass and lush strings produced the mood a Parisian composer of the time would have favored. The quick pace was especially important in a five-act opera some productions turn into a turgid ordeal. No chance of that with Abel leading the San Diego Symphony.