Photos: (Hadestown's) 'Underworld Orchestra' at Birdland, NYC
The musicians from Broadway's 'Hadestown' create a nightclub band as the 'Underworld Orchestra' and debut at Birdland Jazz Club in NYC. Featuring singers from the current hit Broadway show and showcasing instrumental and vocal R&B and Pop hits from the past 50 or more years...the show's unique arrangements were all created by members of the band.
Photos: Olivia Oguma and Kate Rigg Host DisOrientalism at Joe's Pub
Celebrating Asian American Heritage Month, Comedian Kate Siahaan-Rigg and Olivia Oguma (Mamma Mia, A Christmas Carol) host Disorientalism in Joes Pub at the Public Theatre. Part 4 of their ongoing show. This is a musical and comedic fun filled show featuring New York’s premier Asian American performers including the hosts themselves. The night was vibrant with everyone in good spirits celebrating this special event!
BWW Review: The Road to Hell Feels a Lot Like Heaven With HADESTOWN
The underworld has never felt hotter. The first national tour of Hadestown, the eight-time Tony Award-winning musical by Anaïs Mitchell and director Rachel Chavkin, opened last night, Wednesday, February 9th at the Academy of Music on the Kimmel Cultural Campus and is set to run through Sunday, February 20th
BWW Review: HADESTOWN at Ohio Theater
Even before patrons of the opening night of HADESTOWN arrived at the Ohio Theater (39 E. State Street in downtown Columbus), the lush red seats were being filled. On top of each seat was a red carnation, thanking attendees for returning to the theater after a long shutdown due to the Covid 19 virus.
Review Roundup: HADESTOWN Tour Kicks Off; What Are The Critics Saying?
Hadestown, the 2019 Tony Award-winning Best Musical, officially opened its North American Tour on October 15, at The John F. Kennedy Center for the Performing Arts in Washington, D.C. Kicking off at the Peace Center in Greenville, SC, the tour will visit over 30 cities in its first year. Check out all the reviews...
BWW Review: HADESTOWN at Kennedy Center
It is mere coincidence that Anaïs Mitchell’s remarkable, Tony Award-winning Hadestown, now being given a solid production at the Kennedy Center’s Opera House, debuted on Broadway just before our twenty-month plague began, but it fits. Mitchell’s story is at bottom a moral call to arms, which cleverly mines the saddest tale in all of mythology and marries it to a still older myth – one which was designed to explain the seasons.