Barbara Hatch
Latest News on Barbara Hatch:
ARDEN OF FAVERSHAM Will Be Performed at the International Shakespeare Center This Month (Jul 14, 2021)
BWW Feature: New Mexico Actors Lab Announces Matching Grant for THE CRADLE WILL ROCK (Feb 13, 2020)
BWW Feature: Change in Leadership and 2020 Season Announced at New Mexico Actors Lab (Nov 21, 2019)
ARDEN OF FAVERSHAM Will Be Performed at the International Shakespeare Center This Month (Jul 14, 2021)
BWW Feature: New Mexico Actors Lab Announces Matching Grant for THE CRADLE WILL ROCK (Feb 13, 2020)
BWW Feature: Change in Leadership and 2020 Season Announced at New Mexico Actors Lab (Nov 21, 2019)
Barbara Hatch BIO
Barbara is an actress, director, teacher, and currently teaches theatre at the New Mexico School for the Arts. She was the Managing Director for Theater Grottesco for five years.
Barbara Hatch News
ARDEN OF FAVERSHAM Will Be Performed at the International Shakespeare Center This Month
Arden of Faversham by Anonymous is produced by International Shakespeare Center and directed by Barbara Hatch on July 31 at 7:30pm at the International Shakespeare Center. Tickets are $10 at the door.
Arden of Faversham by Anonymous is produced by International Shakespeare Center and directed by Barbara Hatch on July 31 at 7:30pm at the International Shakespeare Center. Tickets are $10 at the door.
BWW Feature: New Mexico Actors Lab Announces Matching Grant for THE CRADLE WILL ROCK
The New Mexico Actors Lab announced today that they have received a matching grant for their August production of The Cradle Will Rock. This grant - provided by four anonymous donors - totals a fund of $12,500 that will match dollar-for-dollar any other donations they receive for The Cradle Will Rock up to the $25,000 budgeted for this show.
The New Mexico Actors Lab announced today that they have received a matching grant for their August production of The Cradle Will Rock. This grant - provided by four anonymous donors - totals a fund of $12,500 that will match dollar-for-dollar any other donations they receive for The Cradle Will Rock up to the $25,000 budgeted for this show.
BWW Feature: Change in Leadership and 2020 Season Announced at New Mexico Actors Lab
New Mexico Actors Lab founder Robert Benedetti announced today that co-Artistic Director Nicholas Ballas has been named the group's sole Artistic Director, and that Benedetti will now serve as Managing Director in concert with Mr. Ballas.
New Mexico Actors Lab founder Robert Benedetti announced today that co-Artistic Director Nicholas Ballas has been named the group's sole Artistic Director, and that Benedetti will now serve as Managing Director in concert with Mr. Ballas.
BWW Review: STOP KISS at New Mexico Actors Lab
A review of the original 1998 production of Diana Son's Stop Kiss refers to the play as a 'small treasure' - not intended as a slight, but I think in reference to the beautifully, movingly simple nature of the script. I would use the same phrase to describe the New Mexico Actor's Lab production (currently running at Teatro Paraguas) - the play is full of small, gorgeous moments that are masterfully directed and acted, creating a lovely and impactful evening of theatre.
A review of the original 1998 production of Diana Son's Stop Kiss refers to the play as a 'small treasure' - not intended as a slight, but I think in reference to the beautifully, movingly simple nature of the script. I would use the same phrase to describe the New Mexico Actor's Lab production (currently running at Teatro Paraguas) - the play is full of small, gorgeous moments that are masterfully directed and acted, creating a lovely and impactful evening of theatre.
BWW Interview: Jennifer Graves and Patrick Briggs of ROMEO AND JULIET at Santa Fe Classic Theater
When a group of actors with a passion for the classics (who already have a plan for a theater) are presented with the opportunity to present outdoor Shakespeare in what is arguably one of the loveliest venues in Santa Fe, they just have to go for it; even if it means putting together a large scale production of one of Shakespeare's most well known and beloved works in fewer than six months.
When a group of actors with a passion for the classics (who already have a plan for a theater) are presented with the opportunity to present outdoor Shakespeare in what is arguably one of the loveliest venues in Santa Fe, they just have to go for it; even if it means putting together a large scale production of one of Shakespeare's most well known and beloved works in fewer than six months.
BWW Feature: 9 Shows In Santa Fe/Albuquerque To Look Forward To in 2019
2018 was an amazing year for theatre in Santa Fe and Albuquerque, and if the proposed seasons for area theatres are any indication, 2019 is going to be a great one, too. From classic plays to super contemporary ones, and of course, a decent amount of musicals, this year has a lot for theatregoers to look forward to. Here are some productions I'm particularly excited about in the coming months.
2018 was an amazing year for theatre in Santa Fe and Albuquerque, and if the proposed seasons for area theatres are any indication, 2019 is going to be a great one, too. From classic plays to super contemporary ones, and of course, a decent amount of musicals, this year has a lot for theatregoers to look forward to. Here are some productions I'm particularly excited about in the coming months.
BWW Review: THE IMPORTANCE OF BEING EARNEST at The Santa Fe Playhouse
Oscar Wilde's 1895 satire, The Importance of Being Earnest, is arguably his most popular, and almost definitely his most widely performed, work. Director Barbara Hatch's director's note references the daunting nature of taking on the challenge of producing such a beloved and well known work; it is my opinion that, with few minor issues, Ms. Hatch and her cast more than did the piece justice.
Oscar Wilde's 1895 satire, The Importance of Being Earnest, is arguably his most popular, and almost definitely his most widely performed, work. Director Barbara Hatch's director's note references the daunting nature of taking on the challenge of producing such a beloved and well known work; it is my opinion that, with few minor issues, Ms. Hatch and her cast more than did the piece justice.
BWW Interview: Barbara Hatch of YOU CAN'T TAKE IT WITH YOU at New Mexico School For The Arts
Santa Fe is known for its art. It is widely known that the City Different is home to world class visual and performing arts; it is also home to a school that educates high schoolers striving to be part of the next generation of world class artists. That school is the New Mexico School for the Arts, and I had the privilege recently to sit in on a rehearsal of their production of You Can't Take It With You, as well as chat with director and faculty member Barbara Hatch about the show and NMSA in general.
Santa Fe is known for its art. It is widely known that the City Different is home to world class visual and performing arts; it is also home to a school that educates high schoolers striving to be part of the next generation of world class artists. That school is the New Mexico School for the Arts, and I had the privilege recently to sit in on a rehearsal of their production of You Can't Take It With You, as well as chat with director and faculty member Barbara Hatch about the show and NMSA in general.
BWW Reviews: THE HAT Delivers an Engaging Piece of Theatrical Faction
THE HAT, which opened at the Santa Fe Playhouse on March 12, is a personal and highly original tale, dealing with some of the lesser known human stories of world war II. Written by Santa Fe playwright, Dianna Lewis, the play is grounded in historical fact. While the details of this particular story are fictional, the circumstances under which it unfolds are shockingly real.
THE HAT, which opened at the Santa Fe Playhouse on March 12, is a personal and highly original tale, dealing with some of the lesser known human stories of world war II. Written by Santa Fe playwright, Dianna Lewis, the play is grounded in historical fact. While the details of this particular story are fictional, the circumstances under which it unfolds are shockingly real.
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