Jade Kops - Page 6

Justine Clarke is astounding as the PM 570 in JULIA. Writer, Johanna Murray- Smith has eloquently constructed a superb Play that explores Gillard’s journey as the first female Prime Minister in the heavily misogynistic Australian political environment.

Acrobatics, dance, comedy, and physical feats meet in a creative COLLISION. Casus Creations present a troupe of talented young performers in an energetic and spirited night that entertains and astounds.

Stephen Sondheim (Music and lyrics) and James Lapine’s (Book) INTO THE WOODS Is given a small stage adaptation and an Australian voice at Belvoir St Theatre.  Presented as a co-production between Belvoir St Theatre and Hayes Theatre Co, this new production is directed by Belvoir’s Artistic Director, Eamon Flack.

Jay James-Moody’s (adaptor, director, performer) adaptation of Burton Lane (Music) and Alan Jay Lerner’s (Book & Lyrics) ON A CLEAR DAY YOU CAN SEE FOREVER puts a queer lens and feminist undertone to absurd story of past lives and unusual talents.

Philip Quast returns to the Cabaret stage to share more stories from his 40 plus years on stages around the world with PHILIP QUAST: THE ROAD I TOOK. 

David Williamson’s RHINESTONE REX AND MISS MONICA makes a return to the Ensemble Theatre Stage, reuniting Georgie Parker and Glenn Hazeldine in the roles they originated under the new direction of Ensemble’s Artistic Director, Mark Kilmurry.

Janet Anderson shines in Margaret Perry’s (Playwright) award winning solo play COLLAPSIBLE. 

EDWARD ALBEE’S THE GOAT OR, WHO IS SYLVIA? (NOTES TOWARD A DEFINITION OF TRAGEDY) is the latest co-pro between State Theatre Company South Australia and Sydney Theatre Company. 

REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On DADDY

Sydney Symphony Orchestra pairs with MM Creative Productions to celebrate the centenary of the movie and media behemoth Disney with DISNEY 100 THE CONCERT

Nicholas Brown’s (playwright and co-director) new work SEX MAGICK is a brilliant new comedic self-discovery story that has deep conversations of culture and who has a right to practice, promote and profit from it. 

Georgina Hopson and Emily Havea deliver the requisite sass and shine as the leading ladies of GENTLEMEN PERFER BLONDES.

Maeve Marsden’s (playwright) latest work BLESSED UNION captures the humanity of relationship breakdowns by putting a lesbian family on stage, reinforcing that the dissolution of a marriage is traumatic, regardless of how much the participants try to be better than the (hetero) norm.

Christopher Luscombe’s (Director) production of Richard O’Brien’s ROCKY HORROR SHOW returns to Sydney as the rock musical tribute to B-grade science fiction and horror movies celebrates 50 years of shocking and satisfying audiences around the world.

Laurence Connor’s (Director) 2019 London Palladium production of JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT comes to Sydney to share the bright bible story with a new generation. 

HAIRSPRAY THE MUSICAL is given a Sydney Revival over two decades after Jack O’Brien (Original Director) and Jerry Mitchell’s (Original Choreographer) original multi Tony Award, Drama Desk Award and Laurence Olivier Award Winning production opened on Broadway. 

THE MIRROR intrigues and delights with an evening of circus, contemporary dance and modern music as it ‘reflects’ societies views on what entertains and engages the masses. 

FAULTY TOWERS THE DINING EXPERIENCE The best worst meal of your life, divine food, riotous laughs and feel-good fun.

A celebration of fun and high camp with an underlying message of acceptance and family, LA CAGE AUX FOLLES allows audiences to see Paul Capsis take on one of the most iconic musical theatre drag roles.

Sydney Symphony Orchestra, under the baton of Nicholas Buc, continues its journey into the world of the Harry Potter movies with HARRY POTTER AND THE DEATHLY HALLOWS PART 1 IN CONCERT.