Jade Kops - Page 4

Presented as part of Belvoir St Theatre’s 25A series, SATURDAY GIRLS is an honest expression of the teen female experience with the added challenge of sexual discovery. 

Highlighting mature women’s stories, THE WEEKEND is brought to the stage with Sarah Goodes (Director) presentation of Sue Smith’s adaptation of Charlotte Wood’s 2019 novel of the same name.

ELVIS - A MUSICAL REVOLUTION is an enlightening and entertaining new bio-musical about the late Elvis Presley.

Australian singer and actress Bernadette Robinson brings her latest vocal tribute to Sydney with her latest cabaret concert, DIVAS. 

Director Ian Michael delivers a captivatingly beautiful expression of Nick Payne’s contemplation of the effect the theory of multiple universes on a heartbreaking love story in CONSTELLATIONS. 

Debra Oswald’s MR BAILEY’S MINDER has a new resonance in an age when the ‘greats’ are finally held to the same standard as the rest of society and their bad behavior is no longer ignored. 

Victorian Opera’s incoming Artistic Director Stuart Maunder AM revives his a deliciously dark but incredibly clear expression of Stephen Sondheim (Music and Lyrics) and Hugh Wheeler’s (Book) SWEENEY TODD: THE DEMON BARBER OF FLEET STREET – A MUSICAL THRILLER.

Director Kip Williams delivers a captivating production of Tommy Murphy’s adaptation Nevil Shute’s 1957 novel ON THE BEACH.

Erica J. Brennan’s new play THE HERO LEAVES ONE TOOTH reimagines a world where female superpowers are more than just cautionary myths. 

Mike Lew(playwright/adaptor) reworks Shakespeare’s tragedy for a modern audience with TEENAGE DICK.

Michelle Law (playwright) draws on childhood memories of when she finally saw people like herself on screen to create MISS PEONY, a work that celebrates retaining a connection to her heritage while challenging what it means to identify as Chinese in 21st century Australia. 

International icon of intelligent cabaret, Reuben Kaye, has finally been able to present THE BUTCH IS BACK in Sydney and the 1600 strong audience at Enmore Theatre couldn’t have been happier to have the Melbourne born Glamazon grace the Sydney stage after the April show was cancelled due to security and safety concerns.

CITY OF ANGELS bursts onto the Hayes stage with a finely tuned cast and voices to die for. With memorable songs, witty dialogue, and a touch of noir, CITY OF ANGELS offers a captivating exploration of storytelling and the price one pays for success in the City of Dreams.

Disney’s BEAUTY AND THE BEAST: THE MUSICAL returns to Sydney with a refreshed production incorporating new technology to entrance a new generation.

Almost 4 decades after BENEFACTORS premiered in 1984, Michael Frayn’s comic contemplation of the effect of an Architect’s solution to London’s housing crisis on his family and friends retains a relevance as human behavior with regards to giving and taking, supporting and surviving is eternal.

YULDEA is a dance work that explores the history and heritage of Yooldil Kapi and the traditional lands of the Kokatha people. A powerful, contemporary production that excels in design and choreography.

Anchuli Felicia King’s adaptation of Wong Shee Ping’s serialized novel THE POISON OF POLYGAMY helps resurrect a largely forgotten work while providing a cautionary tale for contemporary Australian culture. 

WONDERFULLY TERRIBLE THINGS. Songstress Christine Ibrahim is the mistress of ceremonies with an evening of debaucherous delights, freakish feats and talented bohemians.

In the former Burton Street Baptist Tabernacle the story of a family fleeing religious persecution plays out in DRIFTWOOD THE MUSICAL. 

Director Carissa Licciardello presents David Finnigan’s (Playwright) SCENES FROM THE CLIMATE ERA with a simplicity that allows the series of stories told by five performers to be the focus of the work.