Anna Jensen - Page 3

Anna Jensen

Anna Jensen has a Ph.D. in Theater Studies from UC Santa Barbara. She has translated and adapted plays by Henrik Ibsen, including Hedda Gabler and When We Dead Awaken. She has served as production dramaturg for many productions, some of her favorites include Macbeth (dir. Jonathan Fox), Good People (dir. Jenny Sullivan) and The Baltimore Waltz (dir. Tom Whitaker).






BWW Review: AMERICAN IDIOT at Center Stage Theater
BWW Review: AMERICAN IDIOT at Center Stage Theater
April 11, 2018

The punk rock musical American Idiot, now on stage at Center Stage, gives Green Day fans an opportunity to immerse themselves into the titular album through dance, imagery, and, of course, music. American Idiot does not tell a story so much as it performs the gesture of punk rock: a clench-fisted rebellion against the banality of American society and culture.

BWW Review: THE CRUCIBLE at Marian Theatre, Santa Maria
BWW Review: THE CRUCIBLE at Marian Theatre, Santa Maria
February 21, 2018

It's 1692, 1953, or 2018, or any year, as you see it...

BWW Review: THE CITY OF CONVERSATION at Ensemble Theatre Company
BWW Review: THE CITY OF CONVERSATION at Ensemble Theatre Company
February 13, 2018

Sharon Lawrence stars in The City of Conversation

BWW Previews: EARTH DUET AND OTHER STORIES at Center Stage Theater
BWW Previews: EARTH DUET AND OTHER STORIES at Center Stage Theater
February 1, 2018

DramaDogs presents 'Earth Duet and Other Stories,' a compelling drama of the earth in a musically-informed, physically-centered theatrical presentation.

BWW Review: KING LEAR at UCSB: Performing Arts Theater
BWW Review: KING LEAR at UCSB: Performing Arts Theater
November 24, 2017

Critic A.C. Bradley claimed that of all of Shakespeare's tragedies, King Lear was too sublime for the stage. For Bradley, King Lear's depiction of madness, stormy landscapes, filial deception, and treachery went to extremities best conjured by a reader who can imaginatively fill in the breadth of Shakespeare's vast tragic landscape. The turn-of-the-century stage practice that Bradley would have experienced, however, aspired to visual verisimilitude. In trying to depict everything for the audience's eyes, these theaters could only betray the expansive world of Lear.

BWW Review: AND THEN THERE WERE NONE at San Marcos High School
BWW Review: AND THEN THERE WERE NONE at San Marcos High School
November 18, 2017

Murder and mystery staged by San Marcos High School under the direction of Riley Berris



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