Anna Jensen - Page 2

It is a truth universally acknowledged that women dominate theater audiences, yet lack a proportionate power in theater administration, acting roles, production jobs, as designers and as produced playwrights.

Everything is Illuminated, a play based on the novel by Jonathan Safran Foer, goes onstage at the New Vic in a production by Ensemble Theatre Company beginning April 10th. The story takes the audience on a journey with Jonathan (Jeremy Kahn), an American searching the Ukraine for the woman who may have saved his Jewish grandfather's life during the Holocaust.

The Tony Award-winning musical, Fun Home, will play at Center Stage, April 4-14. Based on the graphic novel by cartoonist Alison Bechdel, Fun Home recounts Bechdel's memories of growing up with her secretive father and later coming out as a lesbian. In the musical, Alison appears as three separate characters: 'Alison' at 43 years old, 'Little Alison' as a young girl and 'Medium Alison' in college. Reviews of the early productions characterize the show as 'ground-breaking' and 'extraordinary.' Fun Home won the Tony for Best Musical in 2015, a New York Drama Critics' Circle Award and was a finalist for the Pulitzer Prize for Drama.

West Side Story: Staging 'America' in a fresh production at Dos Pueblos High School

Sheep in wolves' clothing; wolves in sheep's clothing.

An affecting and thoughtful portrayal of a watershed event

PCPA's current production, Shakespeare in Love, imagines Will Shakespeare's (Yusef Seevers) madcap adventures in London early in his career. Because historians truly do not know much about the personal life of the greatest writer of the English language, his life is a blank page upon which almost anything may be written. In this play, Shakespeare falls in love (at first sight) with Viola de Lesseps (Emily Trask). And, for our amusement, the course of true love does not run smooth.

Stephen Simon's recent play, Heisenberg, opens this week at the Rubicon Theatre. Two strangers meet at a London train station where an unlikely romantic relationship develops between them. Joe Spano plays Alex, an Irish butcher, set in his ways. A complete stranger, Georgie (Faline England), kisses him. Subsequently, Georgie comes careening straight at him like an irresistible force meeting an immovable object. What collision or connection will come next?

'There's little a hot bath can't fix.' -Mothers everywhere 'It is impossible to say just what I mean!' -T.S. Eliot

Springing straight from its production of The Glass Menagerie, Lit Moon Theatre now brings three additional productions to Center Stage: First, Dickens' classic, A Christmas Carol, is retold as Humbug. Then, on January 4th, Lit Moon offers its visually arresting and emotionally captivating production of A Doll House. The next day, 38 actors from Lit Moon's over 25-year history will join together for a brand-new production of The Nina Variations by Steven Dietz.

Santa Barbara theater-goers have had the opportunity to see two plays by Kate Hamill produced this fall. Westmont recently produced Hamill's adaptation of Jane Austen's novel, Pride and Prejudice. Now UCSB gifts us with Vanity Fair, based on William Makepeace Thackeray's 1848 novel. Having seen how 'with-it' Pride and Prejudice's sensibilities were, I anticipated Vanity Fair's modern twists on its classic text. The depth of Vanity Fair was an unexpected delight.

Out of the Box Theatre Company presents Amelie now playing at Center Stage, a musical based on the French film of the same name. The musical follows effervescent spirit and plot of the director Jean-Pierre Jeunet's 2001 film.

Cleverly plotted, delightfully comic, and incessantly thought-provoking, Tom Stoppard's Arcadia, produced by PCPA, is showing now until September 9th in Solvang. The action takes place in a room of the Coverly estate in two different eras: the early 19th century and the present. The plots of the two periods interweave like the interlacing mahogany marquetry that covers the floor of the stately set. The production keeps the audience wondering how these two distinct worlds on their own linear trajectories of time will join together. When they do, they bend time and action into a twirling circle of recurrence.

A musical comedy set to the ebullient music of Swedish pop group, Abba, Mamma Mia! takes audiences on a toe-tapping journey to a wedding on a small island near Greece.

On stage at Solvang's Festival Theater, PCPA presents the comic play Vanya and Sonia and Masha and Spike. The title, a list of the Russian names of the main characters, suggests that it parodies the works of the great Naturalist playwright, Anton Chekhov, author of Uncle Vanya, The Seagull and The Cherry Orchard. The very American-sounding name 'Spike' in the title tips us off to the oddball comic spin that writer Christopher Durang adds to Chekhov's melancholic themes.

PCPA's production of The Hunchback of Notre Dame - A New Musical, now on stage in Solvang's Festival Theater, delights audiences with its overtly theatrical storytelling style. If you are only familiar with the Disney film based on Victor Hugo's epic novel, this Hunchback includes new music, deeper characterizations, and plot elements to suit the taste of today's theater audiences.

A Delightful Southern Treat. SBCC's production of CRIMES OF THE HEART by Beth Henley, Directed by R. Michael Gros. April 11-28, 2018, Jurkowitz Theatre, SBCC West Campus, 900 block of Cliff Dr. 805-965-5935 or www.theatregroupsbcc.com for tickets and information.

A rare treat this weekend only, Opera Santa Barbara presents an evening of one-act comic operas in the intimacy of Center Stage Theater. Leonard Bernstein's Trouble in Tahiti will be performed along with Douglas Moore's broadly comic work, Gallantry. Both showcase the talents of Opera Santa Barbara's Chrisman Studio Artists (Chelsea Melamed, Byron Mayes, Elle Valera, and Jonathan Walker-VanKuren) in featured roles. Opera Santa Barbara's Artistic Director, Kostis Protopapas, praises these singers for their 'charisma and charm combined with impeccable comedic timing.'

Entrancing but, as the kids in theory class say, 'problematic'