It's simply the best! From humble beginnings in Nutbush, Tennessee, to her transformation into the global Queen of Rock 'n' Roll, Tina Turner didn't just break the rules, she rewrote them.
This new stage musical, reveals the untold story of a woman who dared to defy the bounds of her age, abuse, gender, and race. Featuring a book by Katori Hall, direction by Phyllida Lloyd, and unbelievable performances, Tina: The Tina Turner Musical will leave you tapping your toes and exhilarated by a one-of-a-kind theatrical experience.
Foremost, there is Warren, who delivers a performance of superhuman stamina and skill. She's more tightly controlled than the real-life Turner; her movement is sharper, her vocals less raspy, and she barely seems to break a sweat. But she makes the part her own. During the mini-concert that ends the show, in Turner's trademark punk-lioness hair-free from the burden of narrative, and backed by an onstage band-Warren struts with earned confidence. The audience by then is on its feet, and at hers. She has risen.
The impersonation itself isn't perfect. After a run of scenes speaking in Turner's distinctive voice, Warren sometimes sounds like she's lapsing into 'cartoon old lady' instead of Turner's sandy rasp. But who cares? It's never a barrier, and it's all forgotten the moment she sings. Director Phyllida Lloyd has built long, multiscene sequences in Tina that crash like waves, massive song after mammoth hit after monster performance. Warren doesn't bear up under them-she rises up and smashes down too. She's gigantic. She's tidal.
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