See it on Broadway through January 8th only. The Color Purple is the 2016 Tony Award winner for Best Musical Revival. Best Actress Tony Award winner CYNTHIA ERIVO ("an incandescent new star" says The New York Times) leads a powerhouse cast in this epic story of a young woman’s journey to love and joy in the American South. Joining her is Tony and Grammy-winning Broadway legend JENNIFER HOLLIDAY (Dreamgirls). Tony winner JOHN DOYLE directs.
Don't miss two of Broadway's most powerful performers together on one stage in this Tony-winning triumph that New York Magazine calls "one of the greatest revivals ever."
Experience the exhilarating power of this Tony-winning triumph that New York Magazine calls "one of the greatest revivals ever."
In the glorious Broadway revival of The Color Purple (* * * * out of four stars)...leading lady Cynthia Erivo -- remember the name, because you'll be hearing more of it -- speaks mostly in a low, wry voice. 'Speaks' would be the operative word here, because when Erivo raises that voice in song, it soars with a force that seems almost supernatural, but is also distinctly, piercingly human...In Purple, the director confronted a less cohesive score...with lyrics that, like Marsha Norman's book, can flirt with platitudes. Those words and music remain, but under Doyle's guidance...they seem reborn. Melodies float and swing in more R&B-savvy arrangements, providing showcases for the extravagantly gifted singer/actors featured here...The Color Purple is ultimately a story of redemption, and Doyle and his cast do a miraculous job of capturing that essence, down to its spiritual core, without getting preachy or mawkish.
Genuine showstoppers rarely happen in the musical theater, especially in the middle of an act. But when they do, something happens -- maybe to the air pressure in the lungs of theatergoers -- which seems to buoy whole groups of disparate audiences to their feet. It happened at a recent preview of 'The Color Purple' and, chances are, it's happening every night. Edging toward the finale of the show, Cynthia Erivo, a British actress in her thrilling Broadway debut, lays into a song...full of defiant realization for her character Celie after a lifetime of insult, drudgery and self-sacrifice...Director John Doyle's passionate, scaled-down, streamlined, low-frills revival of the 2005 musical adaptation of Alice Walker's 1982 Pulitzer-winning novel is not priming us for big musical-theater gestures. And Erivo, who also played Celie in Doyle's hit London reduction, exquisitely paces the understated character through 40 tumultuous years of male-dominated, post-slavery African-American culture.
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