Dawn O’Keefe is an evangelical Christian teen with a powerful secret not even she understands – when men violate her, her body bites back. Literally. From Pulitzer Prize and Tony-winner Michael R. Jackson (A Strange Loop) and Anna K. Jacobs (POP!), Teeth, based on the cult classic film of the same name, is a fierce, rapturous, and savagely entertaining new musical crackling with irrepressible desire and ancient rage – a dark comedy conjuring the legend of one girl whose sexual curse is also her salvation.
The actors distinguish themselves under Sarah Benson’s direction and Raja Feather Kelly’s abundant choreography. Jacobs and Jackson provide a strong score, a bounce back for Michael “A Strange Loop” Jackson from his White Girl in Danger follow-up. Yes, the occasional lyric may elicit the wrong kind of chuckle. But even if patrons don’t exit Teeth clamoring for the score on an original cast album, many will appreciate it most of the time, as it hurtles along under Patrick Sulken’s conducting. The same can most likely be said for the avenging-women vs. rapacious-men enterprise.
While it’s tempting to go big and brazen, Teeth loses something as it bursts its seams. But what it’s got is still, in so many moments, lava-hot and canines-sharp. Underneath the fire and blood, the mythical battles and severed dicks — inside the promise ring and the cheap paneled walls of the church rec room — is the real horror show.
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