I highly recommend going to see this production for its last couple performances at Capital One Hall, or try to catch a performance in another city that the tour will be visiting.
Macy Medford and Arden Guice may only be college students, but their performances as Violet and Daisy Hilton, the heroines of Side Show - the iconic musical by Bill Russell, Henry Krieger and Bill Condon that debuted on Broadway some 20 years ago - in Belmont University Musical Theatre's production that runs for just one weekend, are nothing less than a professional triumph for each young woman. Thoroughly committed and startlingly focused, Medford and Guice perform an oftentimes tricky, always challenging, task in order that the two young women effectively become their characters, ensuring the musical packs an emotional wallop delivered straight to the collective heart of its audience, while showcasing the evolution of a musical theatre program at the Nashville university, which over the years has gained a national reputation as the training ground of the next generations of Broadway stars yet to be.
Producer David Binder just announced today that Golden Globe Award Winner and Emmy Award Nominee Keri Russell will join three-time Emmy Award nominee Adam Driver in the first revival of Pulitzer Prize Winner Lanford Wilson's BURN THIS. Directed by Tony Award winner Michael Mayer, BURN THIS will begin performances in March 2019 at a Broadway theater to be announced.
San Francisco Opera General Director Matthew Shilvock today announced plans for the 2018 19 Season. The Company's 96th Season will open Friday, September 7 with a gala double-bill performance of Pietro Mascagni's Cavalleria Rusticana and Ruggero Leoncavallo's Pagliacci in Jos Cura's production with an international cast featuring Lianna Haroutounian, Ekaterina Semenchuk, Roberto Aronica, Marco Berti and Dimitri Platanias, conducted by Daniele Callegari. To usher in the new opera season, San Francisco Opera Guild will produce its signature benefit event, Opera Ball 2018.
San Francisco Opera General Director Matthew Shilvock today announced plans for the 2018 19 Season. The Company's 96th Season will open Friday, September 7 with a gala double-bill performance of Pietro Mascagni's Cavalleria Rusticana and Ruggero Leoncavallo's Pagliacci in Jos Cura's production with an international cast featuring Lianna Haroutounian, Ekaterina Semenchuk, Roberto Aronica, Marco Berti and Dimitri Platanias, conducted by Daniele Callegari. To usher in the new opera season, San Francisco Opera Guild will produce its signature benefit event, Opera Ball 2018.
Continuing its 2017 2018 Season, Shakespeare Theatre Company (STC) presents Twelfth Night. Directed by internationally acclaimed director Ethan McSweeny and featuring Antoinette Robinson (previously announced) as Viola and Tony Award-nominee Hannah Yelland as Olivia, Shakespeare's comic tale of unrequited love will run at Sidney Harman Hall (610 F Street NW) from November 14 December 20, 2017.
Rodgers & Hammerstein's CINDERELLA is a 2013 Tony Award winning stage adaptation of the 1957 musical for television starring Julie Andrews, with music by Richard Rodgers and lyrics by Oscar Hammerstein II. The new book by Douglas Carter Beane is based partly on Hammerstein's original 1957 book. The piece was remade twice for television, once in 1965 and again in 1997, and was adapted for the stage in various versions prior to the 2013 Broadway adaptation. The 2013 score features several Rodgers and Hammerstein songs that weren't in any previous version, including one trunk song originally written for, but eventually cut from, South Pacific. The new songs include 'Me, Who Am I?', 'Now Is the Time', 'The Pursuit', 'Loneliness of Evening' and 'There's Music in You'.
The 2015-2016 Orlando Broadway Series kicked off in royal style last night as the wonderful RODGERS & HAMMERSTEIN'S CINDERELLA set up shop at downtown's Dr. Phillips Center for the Performing Arts. This reimagined take on the classic musical will be in town through Sunday, November 15th, and is a gloriously entertaining spectacle that has as many colorful costumes as it does characters. With a fantastic, first-rate cast, the enjoyable family-friendly musical combines the comfortingly nostalgic Rodgers and Hammerstein score with a brand-new, empowering book. R&H's CINDERELLA is an inspiring, must-see hit for theatre fans of all ages.
Molly Smith directs her 30th production as Artistic Director of Arena Stage with a gritty and relevant take on the Tony Award-winning musical Oliver!, blending the chaotic worlds of 19th-century Victorian London with 2015 London. Smith's new in-the-round staging infuses a modern edge to the classic musical about an innocent orphan thrown into the dark world of double-dealing thieves and conmen, highlighting the disparity between classes and dangerous life on London's streets today. Featuring a remarkable score including 'You've Got to Pick a Pocket or Two,' 'Consider Yourself,' 'Where is Love?' and 'Food, Glorious Food,' Oliver! runs October 30, 2015-January 3, 2016 in the Fichandler Stage at Arena Stage at the Mead Center for American Theater.
Second Stage Theatre (Carole Rothman, Artistic Director) has announced two productions for its upcoming 36th season: the first New York production in 23 years of Terrence McNally's acclaimed play, LIPS TOGETHER, TEETH APART, directed by Peter DuBois, and the world premiere of Neil LaBute's dark comedy, THE WAY WE GET BY.
Barrington Stage Company, the award-winning theatre in downtown Pittsfield, under the leadership of Artistic Director, Julianne Boyd, and Managing Director, Tristan Wilson, presents Arthur Miller's landmark American drama ALL MY SONS, from tonight, July 19 through August 4
Barrington Stage Company, the award-winning theatre in downtown Pittsfield, under the leadership of Artistic Director, Julianne Boyd, and Managing Director, Tristan Wilson, presents Arthur Miller's landmark American drama ALL MY SONS, from July 19 through August 4
Following an acclaimed season which included the world premiere of Paul Weitz's Lonely, I'm Not and a critically lauded second staging of Paula Vogel's Pulitzer Prize-winner, How I Learned To Drive, Second Stage Theatre (Carole Rothman, Artistic Director) has just announced two of the four mainstage productions in the company's upcoming 34th season. For subscription or ticket information, please call the Second Stage Box Office at 212-246-4422 or visit the company's website, www.2ST.com. All productions are staged at Second Stage's Tony Kiser Theatre, 305 West 43rd Street (just west of Eighth Avenue).
KVPAC's Encore Players are currently in rehearsal with the transcendently powerful new adaptation by Wendy Kesselman of The Diary of Anne Frank from the original stage play by Frances Goodrich and Albert Hackett. Directed by Tina Morille, this Tony Award and Pulitzer Prize-winning play will run two weekends, February 11-13 and 18-20, 2011. All shows will begin at 8:00pm, except for Sunday's performances which are matinees and will begin at 2:00pm.
KVPAC's Encore Players are currently in rehearsal with the transcendently powerful new adaptation by Wendy Kesselman of The Diary of Anne Frank from the original stage play by Frances Goodrich and Albert Hackett. Directed by Tina Morille, this Tony Award and Pulitzer Prize-winning play will run two weekends, February 11-13 and 18-20, 2011. All shows will begin at 8:00pm, except for Sunday's performances which are matinees and will begin at 2:00pm.
KVPAC's Encore Players are currently in rehearsal with the transcendently powerful new adaptation by Wendy Kesselman of The Diary of Anne Frank from the original stage play by Frances Goodrich and Albert Hackett. Directed by Tina Morille, this Tony Award and Pulitzer Prize-winning play will run two weekends, February 11-13 and 18-20, 2011. All shows will begin at 8:00pm, except for Sunday's performances which are matinees and will begin at 2:00pm.
KVPAC's Encore Players are currently in rehearsal with the transcendently powerful new adaptation by Wendy Kesselman of The Diary of Anne Frank from the original stage play by Frances Goodrich and Albert Hackett. Directed by Tina Morille, this Tony Award and Pulitzer Prize-winning play will run two weekends, February 11-13 and 18-20, 2011. All shows will begin at 8:00pm, except for Sunday's performances which are matinees and will begin at 2:00pm.
KVPAC's Encore Players are currently in rehearsal with the transcendently powerful new adaptation by Wendy Kesselman of The Diary of Anne Frank from the original stage play by Frances Goodrich and Albert Hackett. Directed by Tina Morille, this Tony Award and Pulitzer Prize-winning play will run two weekends, February 11-13 and 18-20, 2011. All shows will begin at 8:00pm, except for Sunday's performances which are matinees and will begin at 2:00pm.
Today, in honor of the DVD release of Rob Marshall's film version of the 1982 Tony-winning Best Musical NINE, Maury Yeston was gracious and generous enough to grant me a few hours in which I could ask him intimate questions about his life, career and the future of theatre itself. Not one to mince words, Yeston is a veritable font of knowledge and it became clear during the interview that he may be as gifted and talented in his educational and mentorship skills as he is as a two-time Tony-winning composer and lyricist. His stage musicals include two Tony-winning Best Musicals, NINE and TITANIC, as well as: IN THE BEGINNING, GRAND HOTEL, PHANTOM, and the forthcoming DEATH TAKES A HOLIDAY, as well as a full-length ballet of TOM SAWYER premiering later this year. From the handwritten letter sent by Katharine Hepburn to Frederico Fellini after seeing the workshop of NINE thirty years ago to this very day when NINE hits DVD, we will take a look at this magnanimous maestro's starry career in this inaugural InDepth InterView. Enjoy!
As we celebrate Christmas and await the New Year, here's a new audio interpretation of 'The Gift of the Magi' by O. Henry, written and recorded by local DC actors and designers who make up The Audible Group. It is Christmas Eve, 1935. In a small apartment in the H Street NE neighborhood of Washington, DC where James and Della Young, a young couple who, though rich in love, but down to their last pennies, still manage to give each other the perfect gift. It will fill you - from head to mistletoe - with the holiday spirit. Listen here
On March 12, 2009 at 7:00 p.m., The Collegiate Chorale appears with The New York City Opera Orchestra at the newly renovated Alice Tully Hall in a performance of Kurt Weill and Ira Gershwin's 1945 Broadway operetta The Firebrand of Florence. The performance, led by guest conductor Ted Sperling, stars baritone Nathan Gunn, soprano Anna Christy, baritone Terrence Mann, and soprano Victoria Clark. Krysty Swann, David Pittu and Patrick Goss complete the cast, and narration will be provided by Stage Director Roger Rees.
Boasting a score by Kurt Weill, lyrics by Ira Gershwin, and a book by playwright and screenwriter Edwin Justus Mayer, The Firebrand of Florence had a short run on Broadway in 1945. The work was subsequently not heard for over a half-century until three presentations - Ohio Light Opera (1999), the BBC Symphony Orchestra in London (2000) and the Radio Symphony Orchestra in Vienna (2000) - shed new light on the relatively obscure work. The performances were not only accepted, but widely acclaimed, thus giving hope for a new life in a new century. Variety's theater critic Steven Suskin says 'I have long believed that Firebrand in concert should be a dazzling delight.'
Benvenuto Cellini, the great Florentine artist, is sentenced to hang, but he is pardoned when the duke realizes that he has not completed a previously commissioned sculpture. Freed, he is able to turn his attention to his favorite model (and object of his affections), Angela. The Duke also is interested in Angela. In a typical operetta plot, Cellini swashbuckles around the stage, keeping the Duke away from Angela, keeping himself away from the Duchess, and escaping yet another death sentence by fleeing to Paris, as the end of the show recapitulates the beginning.
On March 12, 2009 at 7:00 p.m., The Collegiate Chorale appears with The New York City Opera Orchestra at the newly renovated Alice Tully Hall in a performance of Kurt Weill and Ira Gershwin's 1945 Broadway operetta The Firebrand of Florence. The performance, led by guest conductor Ted Sperling, stars baritone Nathan Gunn, soprano Anna Christy, baritone Terrence Mann, and soprano Victoria Clark. Krysty Swann, David Pittu and Patrick Goss complete the cast, and narration will be provided by Stage Director Roger Rees.
Boasting a score by Kurt Weill, lyrics by Ira Gershwin, and a book by playwright and screenwriter Edwin Justus Mayer, The Firebrand of Florence had a short run on Broadway in 1945. The work was subsequently not heard for over a half-century until three presentations - Ohio Light Opera (1999), the BBC Symphony Orchestra in London (2000) and the Radio Symphony Orchestra in Vienna (2000) - shed new light on the relatively obscure work. The performances were not only accepted, but widely acclaimed, thus giving hope for a new life in a new century. Variety's theater critic Steven Suskin says 'I have long believed that Firebrand in concert should be a dazzling delight.'
Benvenuto Cellini, the great Florentine artist, is sentenced to hang, but he is pardoned when the duke realizes that he has not completed a previously commissioned sculpture. Freed, he is able to turn his attention to his favorite model (and object of his affections), Angela. The Duke also is interested in Angela. In a typical operetta plot, Cellini swashbuckles around the stage, keeping the Duke away from Angela, keeping himself away from the Duchess, and escaping yet another death sentence by fleeing to Paris, as the end of the show recapitulates the beginning.
Toby's Dinner Theatres' David Bosley-Reynolds
Manhattan Theatre Club (Lynne Meadow, artistic director; Barry Grove, executive producer) is pleased to announce full casting for the world premiere of LoveMusik, a new musical featuring the songs of Kurt Weill, starring Tony Awardâ winners Michael Cerveris and Donna Murphy.
Baltimore's Cockpit in Court Shows Chutzpah in Presenting Yazbek Musical.
1997 | Off-Broadway |
Off-Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
1997 | Obie Awards | Playwriting | Lanford Wilson |
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