Mr. Saturday Night is the story of Buddy Young Jr., an outrageous and outspoken comedian who found fame, if not fortune, in the early days of television. Now, some 40 years after his TV career flamed out, Buddy seeks one more shot at the spotlight, and while he's at it, one last shot at fixing the family he fractured along the way.
The cast does its damndest. Paymer and Crystal exude palpable brotherly warmth. Graff is the show's most valuable player, her comedic delivery almost upstaging Crystal. Bean sings the bejeezus out of her ballads. The cast members who cover multiple roles - Jordan Gelber, Brian Gonzales and Mylinda Hull - craft incredibly quick, precise sketches of their characters, ranging from Gelber's hulking Rod Steiger impression and slow-shuffling elderly actor to Gonzales' 10-year-old child. Harmon, meanwhile, is a bubbly pleasure, although underused. Scott Pask's scenic design mixes physical sets with helpful projections (the Borscht Belt map illustrations are colourful and zany). Paul Tazewell and Sky Switser's costume designs are accurate and fun, with over-the-top 1950s TV show costumes including a dancing hotdog and pack of cigarettes, and spot-on 1990s-era baby-doll dresses for Susan.
A show about a comedian getting a shot at a new medium - for Buddy, a movie; for Billy, a Broadway musical - has a tidy meta tinge. Billy/Buddy's brand of insult humor and verbal slaps make for a touchy subject in 2022. That's worth noting. Good comic timing, after all, is no joke.
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