Groundhog Day tells the story of Phil Connors (Andy Karl), a disgruntled big-city weatherman mysteriously stuck in small-town America reliving the same day over and over and over again. But when he gets to know associate TV producer Rita (Barrett Doss), he discovers that a day of second, third and fourth chances just might bring him the promise of a lifetime. It's a classic boy meets girl... boy meets girl... boy meets girl story.
Based on the iconic film, Groundhog Day is re-imagined by the award-winning creators of the international hit Matilda The Musical- including director Matthew Warchus and songwriter Tim Minchin- with a book by original screenwriter Danny Rubin. Starring two-time Tony Award nominee Andy Karl, Groundhog Day is the new musical comedy about living life to the fullest, one day at a time.
The creators of 'Matilda' have worked their magic all over again. And again. 'Groundhog Day,' now open at the August Wilson Theatre, is a textured, twisted and ticklish comic musical from composer Tim Minchin and director Matthew Warchus. The book is by Danny Rubin, who also co-wrote the screenplay to the 1993 film starring Bill Murray. With a cast led by Andy Karl, as the cynical TV weatherman stuck in a time warp, 'Groundhog Day' shares with 'Matilda' both an intriguing darkness and enough on-stage razzle-dazzle to seize your attention and hold it across two generally gut-busting acts.
When it comes to credible depictions of small-town Pennsylvania, 'Groundhog Day the Musical' is about as veracious as a woodchuck named Phil is a qualified rodent meteorologist. This British import to Broadway - staged by people for whom small-town America is a typology, rather than a collection of souls - is more Whoville than Punxsutawney. Director Matthew Warchus' overstuffed and near-chaotic production is similarly far from Woodstock, Ill., the doppelganger for exurban insularity used to film the 1993 movie - a film forged in the caustic and improvisational Second City style by the late, great Harold Ramis, with Bill Murray as his melancholic muse. Andy Karl, the handsome, courageous and hugely talented star of these musical proceedings, is closer to the open-face sandwich that is Jim Carrey than to the iconoclastic Cubs fan Murray, benign and dangerous, perplexing and perplexed and a guy who looked like he'd been knocked around by the storms of life. But, you know, this is still a new Broadway musical that works - even one that has a few moments of greatness, replayed and redux.
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