One of Broadway's greatest productions returns! Alan Cumming ("The Good Wife," Roundabout's The Threepenny Opera) reprises his Tony-winning performance as the Emcee in Sam Mendes (Skyfall, American Beauty) and Rob Marshall's (Nine and Chicago, the films) Tony-winning production of Cabaret. Three-time Academy Award nominee Michelle Williams (My Week with Marilyn, Brokeback Mountain) also stars, making her Broadway debut as Sally Bowles, alongside Tony nominees Danny Burstein (Follies, South Pacific) and Linda Emond (Death of a Salesman, Life (x) 3). Right this way, your table's waiting at Cabaret, John Kander, Fred Ebb and Joe Masteroff's Tony-winning musical about following your heart while the world loses its way.
Starting November 11, the Kit Kat Klub welcomes Golden Globe nominee Emma Stone (Easy A, The Help), making her Broadway debut as Sally Bowles for a limited time only.
The riotous fun of the Kit Kat boys and girls is firmly in place, and the joy they all take in playing their instruments is infectious. We need such relief as the book scenes feel a little plodding. High quality global journalism requires investment. Williams plays Sally as a British baby doll. She sings well but not too well. She makes no Liza Minnelli-type pleas for our sympathy. Instead, Williams offers intense desperation. She holds on to the microphone stand as if aware into just what abyss she will spin if she lets go.
Anyone who is unfamiliar with 'Cabaret,' or even just this version of it, should definitely check it out. But as for everyone else, it's really just more of the same. Even a new production that proved to be less innovative would have been more exciting than this rehash. As the Emcee, Alan Cumming retains the sleazy presence that made his performance so entrancing originally. On the other hand, Michelle Williams makes a shaky Broadway debut, coming off as too fragile to portray the sexually aggressive singer Sally Bowles.
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