San Francisco Opera presents Benjamin Britten's masterpiece of law and order on the high seas, Billy Budd, in six performances at the War Memorial Opera House September 7–22. Based on the unfinished novella by Herman Melville and set to a libretto by E.M. Forster and Eric Crozier, Billy Budd returns to the Company's repertory after a 15-year absence in the “powerful” (New York Times) staging by Tony Award-winning director Michael Grandage. Lawrence Renes conducts the San Francisco Opera Orchestra and an all-male cast of 75 artists, including 44 men from the San Francisco Opera Chorus prepared by Chorus Director Ian Robertson and 8 boys from the Ragazzi Boys Chorus. The performances coincide with the Melville bicentennial and the 100th anniversary of the posthumous discovery of the American author's unfinished manuscript ofBilly Budd.
San Francisco Opera presents Benjamin Britten's masterpiece of law and order on the high seas, Billy Budd, in six performances at the War Memorial Opera House September 7a?"22. Based on the unfinished novella by Herman Melville and set to a libretto by E.M. Forster and Eric Crozier, Billy Budd returns to the Company's repertory after a 15-year absence in the a?oepowerfula?? (New York Times) staging by Tony Award-winning director Michael Grandage. Lawrence Renes conducts the San Francisco Opera Orchestra and an all-male cast of 75 artists, including 44 men from the San Francisco Opera Chorus prepared by Chorus Director Ian Robertson and 8 boys from the Ragazzi Boys Chorus. The performances coincide with the Melville bicentennial and the 100th anniversary of the posthumous discovery of the American author's unfinished manuscript of Billy Budd.
The Royal Opera presents a new production of Britten's Billy Budd, nearly 70 years after its Covent Garden premiere in 1951, and almost two decades since the Company's last performances of the work. Acclaimed British director Deborah Warner returns to The Royal Opera for the first time since directing Britten's The Turn of the Screw in 2002. She brings this production to The Royal Opera following its successful stagings by co-producers Teatro Real, Madrid, and Rome Opera.
Des Moines Metro Opera's (DMMO) General and Artistic Director, Michael Egel, has announced the full casting for the Company's 45th Summer Festival Season, which runs from June 23 through July 16, 2017, and offers 17 performances of four different operas.
Des Moines Metro Opera's (DMMO) General and Artistic Director, Michael Egel, has announced the full casting for the Company's 45th Summer Festival Season, which runs from June 23 through July 16, 2017, and offers 17 performances of four different operas.
Conductor James Conlon, Music Director of LA Opera, concludes his three-year commemoration of the centenary of composer Benjamin Britten (1913-1976) and brings the Britten 100/LA celebration to a close in Los Angeles with LA Opera's production of Billy Budd, which opens today, February 22 and continues through March 16, 2014.
Conductor James Conlon, Music Director of LA Opera, concludes his three-year commemoration of the centenary of composer Benjamin Britten (1913-1976) and brings the Britten 100/LA celebration to a close in Los Angeles with LA Opera's production of Billy Budd, which opens on February 22 and continues through March 16, 2014. For more information about this production, please visit www.LAOpera.org.
The centenary of British composer Benjamin Britten (1913-1976) has been observed around the world by musicians and institutions of every kind. Music Director James Conlon, whose lifelong fascination with Britten is reflected in his personal three-year performance cycle of the composer's works in America and Europe, is the inspiration for LA Opera's Britten 100/LA: A Celebration, an extensive collaboration featuring performances, conferences and exhibitions presented by a host of organizations throughout the Southland.
Part child and part saint, endowed with physical as well as spiritual beauty, a young sailor unwittingly undermines the chain of command on the high seas in British composer Benjamin Britten's Billy Budd, returning to LA Opera's stage for six performances, February 22 through March 16.
The centenary of British composer Benjamin Britten (1913-1976) has been observed around the world by musicians and institutions of every kind. Music Director James Conlon, whose lifelong fascination with Britten is reflected in his personal three-year performance cycle of the composer's works in America and Europe, is the inspiration for LA Opera's Britten 100/LA: A Celebration, an extensive collaboration featuring performances, conferences and exhibitions presented by a host of organizations throughout the Southland. Britten's centenary year may be drawing to an end, but Britten 100/LA events will continue into early 2014, culminating in LA Opera's February and March performances of Billy Budd.
Throughout its 2013-2014 season, Carnegie Hall pays tribute to composer Benjamin Britten (1913-1976) in celebration of the 100th anniversary of his birth.
Opera Australia Artistic Director Lyndon Terracini and leading Australian theatre producer John Frost today announced the principal cast for Rodgers and Hammerstein's classic Broadway musical The King and I. Lisa McCune and Teddy Tahu Rhodes will co-star in the Tony Award-winning Australian production, which is being revived next year by the Gordon Frost Organisation and Opera Australia.
Innerhalb der beengten Welt eines Kriegsschiffes treffen in Billy Budd und dem Waffenmeister John Claggart Gut und Böse, Unschuld und strategische Infernalität aufeinander. Zwischen den beiden steht der Kapitän: Ein um Wahrheit Ringender, der zugleich die auf einem Kriegsschiff geltenden unbarmherzigen Gesetze wahren muss.
Innerhalb der beengten Welt eines Kriegsschiffes treffen in Billy Budd und dem Waffenmeister John Claggart Gut und Böse, Unschuld und strategische Infernalität aufeinander. Zwischen den beiden steht der Kapitän: Ein um Wahrheit Ringender, der zugleich die auf einem Kriegsschiff geltenden unbarmherzigen Gesetze wahren muss.
Academy? Award-winners Geoffrey Rush (Shine) as King Berenger and Susan Sarandon (Dead Men Walking) as Queen Marguerite will star in Eugene Ionesco's EXIT THE KING on Broadway. This production marks Rush's Broadway debut. Translated by Neil Armfield and Geoffrey Rush and directed by Neil Armfield, EXIT THE KING will begin performances Saturday, March 7, 2009 at the Barrymore Theatre (243 West 47th Street) and open on Thursday, March 26, 2009. This limited engagement will run for 14 weeks only, through Sunday, June 14, 2009.
Academy? Award-winners Geoffrey Rush (Shine) as King Berenger and Susan Sarandon (Dead Men Walking) as Queen Marguerite will star in Eugene Ionesco's EXIT THE KING on Broadway. This production marks Rush's Broadway debut. Translated by Neil Armfield and Geoffrey Rush and directed by Neil Armfield, EXIT THE KING will begin performances Saturday, March 7, 2009 at the Barrymore Theatre (243 West 47th Street) and open on Thursday, March 26, 2009. This limited engagement will run for 14 weeks only, through Sunday, June 14, 2009.
Academy Award-winners Geoffrey Rush (Shine) and Susan Sarandon (Dead Man Walking) will star in Eugene Ionesco's EXIT THE KING. This production marks Rush's Broadway debut. Translated by Neil Armfield and Geoffrey Rush and directed by Neil Armfield, EXIT THE KING will begin performances Saturday, March 7, 2009 at the Barrymore Theatre (243 West 47th Street) and open on Thursday, March 26, 2009. This limited engagement will run for 14 weeks only, through Sunday, June 14, 2009.
1951 | Broadway |
Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
1951 | New York Drama Critics Circle Awards | Best American Play | Louise O. Coxe |
1951 | Outer Critics Circle Awards | Best Play | 0 |
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