Philip Horst

In anticipation of San Francisco Opera's return to the War Memorial Opera House stage for the opening of its 99th season, beginning with Puccini's Tosca on August 21, the Company has added two weekly, free opera streams for the month of August: Richard Wagner's Die Meistersinger von Nürnberg (August 7–8) and Gaetano Donizetti's Roberto Devereux (August 14–15).

Pacific Opera Victoria has announced the biggest, boldest season in its 40-year history, including main stage company premières of Wagner's Die Walküre and Britten's Death in Venice and a new production of Mozart's Don Giovanni.   All performances take place at the Royal Theatre, 805 Broughton Street, Victoria, BC.

San Francisco Opera presents Benjamin Britten's masterpiece of law and order on the high seas, Billy Budd, in six performances at the War Memorial Opera House September 7–22. Based on the unfinished novella by Herman Melville and set to a libretto by E.M. Forster and Eric Crozier, Billy Budd returns to the Company's repertory after a 15-year absence in the “powerful” (New York Times) staging by Tony Award-winning director Michael Grandage. Lawrence Renes conducts the San Francisco Opera Orchestra and an all-male cast of 75 artists, including 44 men from the San Francisco Opera Chorus prepared by Chorus Director Ian Robertson and 8 boys from the Ragazzi Boys Chorus. The performances coincide with the Melville bicentennial and the 100th anniversary of the posthumous discovery of the American author's unfinished manuscript ofBilly Budd.

San Francisco Opera presents Benjamin Britten's masterpiece of law and order on the high seas, Billy Budd, in six performances at the War Memorial Opera House September 7a?"22. Based on the unfinished novella by Herman Melville and set to a libretto by E.M. Forster and Eric Crozier, Billy Budd returns to the Company's repertory after a 15-year absence in the a?oepowerfula?? (New York Times) staging by Tony Award-winning director Michael Grandage. Lawrence Renes conducts the San Francisco Opera Orchestra and an all-male cast of 75 artists, including 44 men from the San Francisco Opera Chorus prepared by Chorus Director Ian Robertson and 8 boys from the Ragazzi Boys Chorus. The performances coincide with the Melville bicentennial and the 100th anniversary of the posthumous discovery of the American author's unfinished manuscript of Billy Budd.

San Francisco Opera presents Antonin Dvo?ak's Rusalka at the War Memorial Opera House, June 16-28, in David McVicar's "thoughtfully conceived and brilliantly executed" (Chicago Tribune) production. The Czech fairy tale opera features a cast headed by Rachel Willis-Sorensen in her role debut as Rusalka,Brandon Jovanovich as the Prince, Jamie Barton as Ježibaba, bass Kristinn Sigmundsson as Vodnik and Sarah Cambidge as the Foreign Princess. South Korean maestra and Houston Grand Opera Principal Guest Conductor Eun Sun Kim leads the cast and San Francisco Opera Orchestra in her first Company engagement. Chorus Director Ian Robertson prepares the chorus.

San Francisco Opera presents Anton n Dvo k's Rusalka at the War Memorial Opera House, June 16 28, in David McVicar's thoughtfully conceived and brilliantly executed (Chicago Tribune) production. The Czech fairy tale opera features a cast headed by Rachel Willis-S rensen in her role debut as Rusalka, Brandon Jovanovich as the Prince, Jamie Barton as Je ibaba, bass Kristinn Sigmundsson as Vodn k and Sarah Cambidge as the Foreign Princess. South Korean maestra and Houston Grand Opera Principal Guest Conductor Eun Sun Kim leads the cast and San Francisco Opera Orchestra in her first Company engagement. Chorus Director Ian Robertson prepares the chorus.

Beginning June 5 and continuing through the 29th, San Francisco Opera presents a trio of extraordinary lyric works Georges Bizet's Carmen, George Frideric Handel's Orlando and Anton n Dvo k's Rusalka featuring powerful leading women in the title roles. Spanning three centuries and sung in French, Italian and Czech, the 2019 Summer Season repertory will occasion the Company debuts of four conductors, including two women, in productions that are new to the War Memorial Opera House stage. Some casting updates for the repertory were announced today and additional casting of supporting roles will be released at a future date.

San Francisco Opera General Director Matthew Shilvock today announced repertory and casting for the Company's 97th Season, opening Friday, September 6, 2019, with a gala performance of Charles Gounod's Romeo and Juliet (Rom o et Juliette) starring tenor Bryan Hymel and soprano Nadine Sierra in Op ra de Monte-Carlo Director Jean-Louis Grinda's production. In keeping with the Company's time-honored tradition, the new season will be inaugurated with San Francisco Opera Guild's elegant, signature benefit and celebration, Opera Ball 2019.

Under the direction of Bartlett Sher (whose work is currently represented on Broadway with Lincoln Center Theater's revival of The King and I, Charles Gounod's 1867 French opera ROMEO AND JULIET comes to opulent, dramatic life--with the quality and grandiosity that characterize Lyric Opera's productions. This production of Gounod's opera--with libretto by Jules Barbier and Michel Carre and which was first performed at the Lyric in 1981--retains the original Renaissance setting of Shakespeare's classic play and renders it larger-than-life. The inherently dramatic nature of the play makes it a fitting choice for an operatic adaptation--Romeo and Juliet's tragic love story becomes even more heightened when set to Gounod's decadent score.

Lyric Opera of Chicago continues its 61st season with ROMEO AND JULIET in a new-to-Chicago production created by Tony Award-winning director Bartlett Sher, tonight, February 22, through Saturday, March 19 (nine performances). This is the eighth and final mainstage opera production of the widely acclaimed 2015/16 season. BroadwayWorld has a first look at the company in action below!

Lyric Opera of Chicago continues its 61st season with Romeo and Juliet in a new-to-Chicago production created by Tony Award-winning director Bartlett Sher, Monday, February 22 through Saturday, March 19(nine performances). This is the eighth and final mainstage opera production of the widely acclaimed 2015/16 season.

The Merola Opera Program presents Donizetti's Don Pasquale, led by conductor Warren Jones and director Nic Muni, in two performances tonight, August 6 at 7:30pm and Saturday, August 8 at 2pm at the Cowell Theater in San Francisco.

The Merola Opera Program presents Donizetti's Don Pasquale, led by conductor Warren Jones and director Nic Muni, in two performances Thursday, August 6 at 7:30pm and Saturday, August 8 at 2pm at the Cowell Theater in San Francisco.

SAN FRANCISCO, July 1, 2015 – The Merola Opera Program presents Donizetti's Don Pasquale, led by conductor Warren Jones and director Nic Muni, in two performances Thursday, August 6 at 7:30pm and Saturday, August 8 at 2pm at the Cowell Theater in San Francisco. 

SAN FRANCISCO, February 4, 2015 – Twenty-three singers, five apprentice coaches, and one apprentice stage director, representing seven countries, will participate in the 58th season of the Merola Opera Program from June 8 to August 22, San Francisco Opera Center Director Sheri Greenawald announced today. More than 800 artists vied this year for the 29 coveted spots in the highly selective summer opera training program. Nearly one third of this season's artists come from countries outside the United States, including artists from Australia, China, Italy, New Zealand, Russia and South Korea, and the US artists hail from 15 states, including California, New York, Illinois, Michigan, Florida, Texas, Georgia, Pennsylvania, and Idaho.

Seattle—This January, Seattle Opera heats up the winter with one of the most fiery melodramas of all time: Tosca. In this tale, an opera diva must save the man she loves from the clutches of the lecherous police chief whose lust for the leading lady is as strong as his hunger for power. The ultimate, high-stakes love triangle takes audiences on a full-throttle ride toward a shocking and heartbreaking conclusion.

Seattle—This January, Seattle Opera heats up the winter with one of the most fiery melodramas of all time: Tosca. In this tale, an opera diva must save the man she loves from the clutches of the lecherous police chief whose lust for the leading lady is as strong as his hunger for power. The ultimate, high-stakes love triangle takes audiences on a full-throttle ride toward a shocking and heartbreaking conclusion.

The Opera Orchestra of New York continues its 41st season with an opera-in-concert performance of Wagner's Rienzi conducted by Music Director Laureate, Eve Queler at Avery Fisher Hall at Lincoln Center for the Performing Arts on Sunday, January 29, 2012 at 2:00 p.m. The opera, based on the life of Cola di Rienz (1313-1354), the Italian medieval politician and popular leader of the Roman people whose goal was to transform society by raising the power of the people, stars tenor Ian Storey in the title role, with soprano Elisabete Matos as Irene and mezzo-soprano Geraldine Chauvet in her US debut as Adriano. All three artists will be making their Opera Orchestra of New York debuts.

AMERICAN OPERA PROJECTS (AOP) is excited to collaborate with acclaimed Turkish-American Composer Kamran Ince on his latest work and operatic 'first', Judgment of Midas.