Paul Bradley

The Everyman Theatre has announced the release of its new brochure, and unveiled a captivating line up of shows that promises to entertain and inspire audiences throughout the upcoming season. Learn more about the full upcoming production lineup here!

Marshun Entertainment is launching the Beyond the Songbook Series, on Monday, April 24, at The Space, Las Vegas, with a tribute to Henry Krieger, the composer of three Broadway musicals, Dreamgirls, The Tap Dance Kid, and Side Show.

“Angel of Arkansas,” a new show by Richard Oberacker and Robert Taylor, creators of Broadway’s Tony Award-winning musical “Bandstand,” will receive a premiere concert-style presentation at Notoriety Live in the 175-seat Renkus-Heinz Theatre on Sunday, Jan. 30, at 2 p.m. 

Angel of Arkansas, a new show by Richard Oberacker and Robert Taylor, will premiere in the 175-seat Renkus-Heinz Theatre at Notoriety Live at Neonopolis on Jan. 30.

Winsome Pinnock's new political play finally gets a full run at the National, after its Royal Exchange Theatre premiere was curtailed due to Covid. It's apt since Pinnock began work on the play, which won the 2018 Alfred Fagon Award, while on attachment with the National Theatre's New Work Department in 2016.

The National Theatre has released production images for Rockets and Blue Lights. Directed by Miranda Cromwell, the play was first staged at the Royal Exchange Theatre in Manchester before being cancelled due to Covid-19 and will now open in the Dorfman theatre from 25th August to 9th October 2021.

The Charlotte Peters directed play, which follows a father and daughter’s surprising story, is set to make its ‘IRL’ appearance as part of the King’s Head Theatre’s annual festival of new-writing, Playmill, where it runs from Monday 12th to Saturday 17th July. 

The long-running West End production of Agatha Christie's The Mousetrap is currently eyeing a May 17 reopening.

GRAMMY® Award-winning and Country Music Hall of Fame members, The Oak Ridge Boys, released a new video today for “Don't Go Pullin' On Santa Claus' Beard,” the second song from their 8th holiday themed album, Down Home Christmas, from Lightning Rod Records/Thirty Tigers and is available now everywhere music is sold.

After sell out seasons in the West End and through the UK, Anthony Jay and Jonathan Lynn's hit returns to the stage for one week only at Theatr Clwyd this November. Prime Minister Jim Hacker and his long-suffering Cabinet Secretary Sir Humphrey Appleby are back - still morally dubious and spinning the stories - all the while staring disaster and political ruin in the face.

GRAMMY® Award-winning and Country Music Hall of Fame members, The Oak Ridge Boys, will once again celebrate the Christmas season with their timeless hits and holiday classics on their 2019 Down Home Christmas Tour. The Oak Ridge Boys will perform over thirty-one concerts and are set to kick-off on November 13th in Branson, Missouri, playing in 28 cities and 14 states across the U.S. In conjunction with the tour, the Oaks' latest Christmas album, Down Home Christmas, produced by Dave Cobb, will be released by Lightning Rod Records/Thirty Tigers on October 25, 2019.

Fans of farce have plenty to look forward to at the Belgrade Theatre this Spring, with Mischief Theatre's phenomenally successful The Comedy About A Bank Robbery following hot on the heels of the Belgrade's own home-produced show Octopus Soup!

Simon Fielder and the Belgrade Theatre Coventry announce full casting for the world premiere production of Octopus Soup!

The world premiere of Martin McDonagh's A Very Very Very Dark Matter at the Bridge Theatre is directed by Matthew Dunster. The cast comprises Johnetta Eula'Mae Ackles, Alistair Benson, Elizabeth Berrington, Paul Bradley, Noah Brignull, Jim Broadbent, Phil Daniels, Regan Garcia, Leo Hart, Graeme Hawley, Audrey Hayhurst, Kundai Kanyama, Lee Knight, Jamie McKie, Ryan Pope, James Roberts, Alice Selwyn, Austin Taylor, Amelia Walter and Annabelle Westenholz-Smith including nine children who will alternate a variety of roles. The 12-week run will conclude on 6 January 2019. The London Theatre Companyproduction is designed by Anna Fleischle with lighting by Philip Gladwell, music compositions by James Maloney, sound by George Dennis, special effects by Paul Wanklin and video effects by Finn Ross.

London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From gender-flipped Sondheim to David Hare and Martin McDonagh, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld reviews, interviews and features!

Rehearsals begin yesterday for the world premiere of Martin McDonagh's A Very Very Very Dark Matter at the Bridge Theatre. The cast comprises Johnetta Eula'Mae Ackles, Alistair Benson, Elizabeth Berrington, Paul Bradley, Noah Brignull, Jim Broadbent, Phil Daniels, Regan Garcia, Leo Hart, Graeme Hawley, Audrey Hayhurst, Kundai Kanyama, Lee Knight, Jamie McKie, Ryan Pope, James Roberts, Alice Selwyn, Austin Taylor, Amelia Walter and Annabelle Westenholz-Smith including nine children who will alternate a variety of roles.

NBC Sports continues coverage of the Professional Fighters League tomorrow, Thursday, August 16, live at 10 p.m. ET on NBCSN from the Ocean Resort Casino in Atlantic City, N.J.

The first major revival of Charlotte Jones' play Humble Boy is another interesting choice by the Orange Tree's Artistic Director Paul Miller. It is surely a challenge to pull off a play that combines astrophysics, bee-keeping and Shakespearean family angst, but Miller achieves this in a neat and clever way, whilst maintaining tenderness and gentle comedy.

Paul Bradley, Jonathan Broadbent, Selina Cadell, Rebekah Hinds, Belinda Lang and Christopher Ravenscroft will appear in the first major London revival of Humble Boy by Charlotte Jones, directed by OT Artistic Director Paul Miller. The production is designed by Simon Daw, with lighting design by Mark Doubleday and the sound designer and composer is Max Pappenheim.

The British appetite for thrillers is seemingly unquenchable. Agatha Christie's The Mousetrap has now been running for 65 years in London and detective and murder mystery stories are standard Sunday night television fare. Adam Penfold's revival of Ira Levin's 1978 Broadway hit Deathtrap is obviously intended to take advantage to that public craving for a thriller. Unfortunately, after a promising start, this production fails to either shock or thrill.