The National Symphony Orchestra has unveiled its 2024–2025 season. See full programming and learn how to purchase tickets.
La Secretaría de Cultura del Gobierno de México y el Instituto Nacional de Bellas Artes y Literatura (Inbal), en colaboración con el Sistema de Teatros de la Secretaría de Cultura de la Ciudad de México, presentan el concierto El Estudio de la Ópera de Bellas Artes canta con orgullo.
The National Symphony Orchestra has announced its 2023–2024 season led by Music Director Gianandrea Noseda and incoming Executive Director Jean Davidson.
This evening our online show is Los Angeles Opera’s La Traviata from 2006 with: Renée Fleming, Rolando Villazón, Renato Bruson, Suzanna Guzmán, Anna Akhimova, Daniel Montenegro, Philip Kraus, James Creswell, Sal Malaki, and Mark Kelley. James Conlon conducts the Los Angeles Opera Orchestra. The stage director is Marta Domingo. Brian Large directs it for TV.
Los Angeles Opera presents its 2006 rendition of La Traviata by Giuseppe Verdi. The performers are Renée Fleming, Rolando Villazón, and Renato Bruson, James Conlon conducts and Marta Domingo directs.LINK https://www.youtube.com/watch?v=WZywmSJkKYE&t=83s
Doce voces privilegiadas de jóvenes de entre 18 y 35 años darán muestra de lo aprendido en el Estudio de Ópera de Bellas Artes (EOBA) del Instituto Nacional de Bellas Artes y Literatura (INBAL). Los egresados de la sexta generación del EOBA se presentarán mañana a las 19:00 en la Sala Manuel M. Ponce del Palacio de Bellas Artes con un repertorio que incluye ensambles de Il trovatore y Don Carlo de Giuseppe Verdi y de La Clemenza di Tito y Le Nozze di Figaro de Wolfgang Amadeus Mozart, entre otras piezas de compositores como Giacomo Puccini y Francis Poulenc.
Gianandrea Noseda Music Director of the National Symphony Orchestra (NSO) will bring the Orchestra to Carnegie Hall for their first concert together in New York, performing an Italian-themed program that includes Rossini's rarely-performed Stabat Mater and Liszt's thrilling Dante Symphony, Sunday, May 19, 2019 at 2:00PM. Noseda, who earlier this season was extended as NSO Music Director through the 2024-25 season, concludes his second season with the NSO leading an international program highlighted by at the Kennedy Center, June 6, 8, and 9, 2019. This summer, Noseda will lead the NSO at Wolf Trap in July, returns to Lincoln Center's Mostly Mozart Festival in August, and inaugurates his position as music director of the newly-launched Tsinandali Festival and Pan-Caucasian Youth Orchestra in the Republic of Georgia this summer.
Gianandrea Noseda will lead the National Symphony Orchestra (NSO) in their first Carnegie Hall concert together on Sunday, May 19, 2019 at 2:00 p.m. This performance in Stern Auditorium / Perelman Stage marks the Orchestra's first performance in six years at the Hall.
Gianandrea Noseda-Music Director of the National Symphony Orchestra (NSO), Principal Guest Conductor of the London Symphony Orchestra and newly-appointed General Music Director of the Zurich Opera starting in 2021-returns to the Metropolitan Opera for the first time since 2017 to conduct a new production of Cilea's Adriana Lecouvreur starring Anna Netrebko in her house role debut, December 31, 2018 through January 26, 2019. The 2018-2019 season marks Noseda's second as Music Director of the NSO, including a full schedule of subscription concerts that recently included critically-acclaimed performances of Britten's War Requiem in November and Mahler's Symphony No. 1 earlier this month. On May 19, 2019, Noseda will bring the NSO to Carnegie Hall in a program that includes Rossini's rarely-performed Stabat Mater.
Carnegie Hall's has announced some changes to its 2018-2019 schedule. See the newly announced details below!
Carnegie Hall today announced that a performance by the National Symphony Orchestra (NSO), led by its Music Director Gianandrea Noseda, has been added to its 2018-2019 season line-up. The concert, scheduled for Sunday, May 19, 2019 at 2:00 p.m. in Stern Auditorium / Perelman Stage, will be the National Symphony's first Carnegie Hall performance since Mr. Noseda began his tenure as the orchestra's music director in fall 2017.
At the Deutsche Oper Berlin on Saturday night, David Pountney, director of CAV/PAG saddled these beloved works with a concept so profound in its stupidity that it was often mind-blowing and jaw-dropping in its inanity. If there is a special club in Hell exclusively for bad stage directors, Mr. Pountney has earned a lifetime membership.
Washington National Opera (WNO), led by Artistic Director Francesca Zambello, announces its 2018-2019 season, one that continues its focus on bold productions of classic operas, fascinating contemporary perspectives, and the best in American artistry. The season includes a new WNO production of Verdi's classic romantic drama La traviata, the company premiere of Kevin Puts's and Mark Campbell's Pulitzer Prize-winning Silent Night, Tchaikovsky's epic Eugene Onegin, Gounod's devilishly entertaining Faust, and Puccini's towering masterpiece Tosca. The season also features a weekend of four world premieres during the American Opera Initiative Festival; a revival of WNO's hit world-premiere holiday family opera The Lion, the Unicorn, and Me; a special Domingo-Cafritz Young Artist performance of La traviata; and other exciting vocal events, including the annual Mars, lnc.'s Opera in the Outfield.
San Francisco Opera's partnership with the Bay Area's Classical KDFC continues this fall with monthly opera broadcasts beginning September 3with Giuseppe Verdi's Otello in a historic 1978 performance featuring Placido Domingo in the title role and Katia Ricciarelli as Desdemona. From October through December, the broadcasts will feature presentations from San Francisco Opera's 2017 Summer Season: Mozart's Don Giovanni,Verdi's Rigoletto and Puccini's La Boheme. Each broadcast was recorded live at the War Memorial Opera House and features the San Francisco Opera Orchestra and San Francisco Opera Chorus.
San Francisco Opera announces the winner of the 2017 Jan Shrem and Maria Manetti Shrem Emerging Stars Competition. Tenor Arturo Chacon-Cruz, who appeared as Rodolfo in Puccini's La Boheme this summer, was named "2017 Emerging Star of the Year" based on a popular vote conducted online at sfopera.com from July 5-August 15, 2017. Now in its second year, the competition featured rising stars appearing in San Francisco Opera's 2016-17 Season at the War Memorial Opera House.
San Francisco Opera continues its 2017 Summer Season on June 10 at the War Memorial Opera House with Giacomo Puccini's La Boheme. Coinciding with city-wide celebrations of the 50th anniversary of the "Summer of Love," this revival of one of the greatest love stories in the operatic repertory will feature a brilliant cast including sopranos Erika Grimaldi, Julie Adams and Ellie Dehn; tenor Arturo Chacon-Cruz as Rodolfo; and baritone Audun Iversen. Carlo Montanaro conducts the San Francisco Opera Orchestral and Chorus. BroadwayWorld has a first look at the company onstage below!
San Francisco Opera continues its 2017 Summer Season on June 10 at the War Memorial Opera House with Giacomo Puccini's La Boheme. Coinciding with city-wide celebrations of the 50th anniversary of the "Summer of Love," this revival of one of the greatest love stories in the operatic repertory will feature a brilliant cast including sopranos Erika Grimaldi, Julie Adams and Ellie Dehn; tenor Arturo Chacon-Cruz as Rodolfo; and baritone Audun Iversen. Carlo Montanaro conducts the San Francisco Opera Orchestral and Chorus.
San Francisco Opera presents a trio of operatic favorites- Giuseppe Verdi's Rigoletto, Wolfgang Amadeus Mozart's Don Giovanni and Giacomo Puccini's La Boheme-at the War Memorial Opera House from May 31 through July 2.
Ehrenkranz Artistic Director Jane Moss today announced the schedule for Lincoln Center's seventh White Light Festival, running from October 16 through November 16, 2016. The international multidisciplinary festival, which takes its name from a quotation by the Estonian composer Arvo Part, is an annual exploration of the power of art to illuminate our interior and communal lives. 'I could compare my music to white light which contains all colors. Only a prism can divide the colors and make them appear; this prism could be the spirit of the listener.' - Arvo Part
For a director known as opera's bad boy, Calixto Bieito turned to something awfully familiar in CARMEN for his US debut. Then again, he didn't actually show up for it, tied up with a new production of Aribert Reimann's LEAR in Paris and dispatching one of his top collabortors, Joan Anton Rechi, to pull it together.
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