Review: BAD ROADS at Streetcar Crowsnest
It's a fascinating, disturbing work with a powerhouse cast, literally unsettling: never completely relaxing into a style or structure, it stretches deep into the monstrous before snapping back to remind us that the high and low road often originate from the same place.
Review: POST-DEMOCRACY at Tarragon Theatre
Moscovitch’s POST-DEMOCRACY, a new, tight one-hour drama at Tarragon Theatre, bares the seedy, nepotistic underbelly of the glistening penthouse. The bleak hour is gleefully biting in its criticism of a class invulnerable to consequence. However, it bites off a little more than it can chew in addressing the issues implied by its portentous title.
Review: KING LEAR, Shakespeare's Globe
Many great performers tackle Lear every year. From Laurence Olivier and Michael Gambon to Ian McKellen and Simon Russell Beale, it’s become somewhat of a tradition for dramatic actors to take on one of Shakespeare’s biggest challenges once their hair starts to grey. Less often, a female actor comes onto the scene to huge acclaim. Glenda Jackson did so last in a starred performance on Broadway in 2019, but Kathryn Hunter is taking the wretched crown back after her first stint as the destitute monarch 25 years ago.
BWW Review: THE ROYALE Hits Hard on Sport, Sacrifice, and Honour
Written by Marco Ramirez and directed by Guillermo Verdecchia in this Soulpepper production, THE ROYALE is described as a match told in six rounds. What viewers actually get is a 90-minute whirlwind of emotion packed to the brim with subtle self-reference and a gut-wrenching showdown between a rising boxing star and a legend come out of retirement to defend his title.
BWW Review: MA RAINEY'S BLACK BOTTOM at Soulpepper
A layered stage and stellar cast bring dimension to Soulpepper's production of MA RAINEY'S BLACK BOTTOM. Directed by Mumbi Tindyebwa Otu, this adaptation of August Wilson's 1982 play follows an afternoon recording session in 1920s Chicago where the music takes a back seat to discussions of race and human rights.
BWW Review: Soulpepper's IDOMENEUS Resonates Through Jarring Storytelling
'That's not what happened.' Soulpepper's IDOMENEUS tells the story of a famous Greek myth - but plays with the mode of storytelling to create something remarkable. Roland Schimmelpfennig's modern play comes to life in a timeless zone of monochromatic universality in Alan Dilworth's production, designed by Lorenzo Savoini. Using a chorus of voices, the narrative weaves between past and present, fact and fiction - presenting themes that resonate not only within the world of Soulpepper, but within the world at large.
Photo Flash: Sneak Peek at Soulpepper's Upcoming Residency at Signature Theatre
Tickets are on sale for the US debut for SOULPEPPER, Toronto's largest and most celebrated theatre company, in a four-week engagement Off-Broadway at The Pershing Square Signature Center, 480 West 42nd Street in New York City. A true repertory program of plays, musicals and concert performances, featuring a company of over 65 artists, the festival, entitled SOULPEPPER ON 42nd STREET, will be presented July 1-July 29, 2017. BroadwayWorld has a sneak peek at the productions below!