TheatreWorks Silicon Valley 2024-25 Season Equity Principal Actors - TheatreWorks Silicon Valley Auditions

Posted April 26, 2024
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TheatreWorks Silicon Valley 2024-25 Season - TheatreWorks Silicon Valley

TheatreWorks Silicon Valley 2024-25 Season - Redwood City, CA EPA

TheatreWorks Silicon Valley | Redwood City, CA

Notice: Audition Call Type: EPA

AUDITION DATE

Friday, May 10, 2024

3:00 PM - 7:00 PM (P)

APPOINTMENTS

To schedule an audition appointment please go to:


https://forms.office.com/pages/responsepage.aspx?id=MEU3eLcCUU2ioi_ircVNErCfMz3eitAoVgQzSJZgvFUMVk2N1BPTElCUFBMRENRRElIMlJNVlVLWSQlQCN0PWcu .

They will email you a confirmation email with your exact appointment time, directions to the auditions, and other details - it may take upwards of 7 days to get your confirmation email. We'll be taking appointment requests until Tuesday, May 7th at 4pm.

CONTRACT

LORT Non-Rep

$1100 weekly minimum (LORT B)

$1011 weekly minimum (LORT C)

SEEKING

Equity actors for roles in TheatreWorks Silicon Valley's 2024-25 Season (See breakdown).

Some of the roles will be understudied.

PREPARATION

Please prepare EITHER 2 monologues OR a monologue and a short song for a total of no more than 3 minutes. Please bring your sheet music in the correct key. An accompanist will be provided. Also, please bring your headshot and resume stapled together.

LOCATION

TheatreWorks

350 Twin Dolphin Drive

Suite 127

Redwood City, CA 94065

PERSONNEL

Expected to attend:

Casting Director: Jeffrey Lo

Line Producer: Reed Flores

See breakdown for production specific personnel.

OTHER DATES

See breakdown for production specific dates.

OTHER


www.theatreworks.org

An Equity Monitor will not be provided. The producer will run all aspects of this audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Actors and Singers for TheatreWorks' 2024/2025 Season of dramas, musicals, comedies and premieres, as well as projects in our New Works Initiative and Education programs.

BREAKDOWN

TheatreWorks Silicon Valley 2024-25 Season

KING JAMES by Rajiv Joseph

Directed by Giovanna Sardelli

Rehearsals begin: 9/17/24

Performs: 10/9/24 to 11/3/24

Setting: Cleveland Heights, Ohio; 2004-2016

SEEKING:

SHAWN: black (ages 21, 27, 31, and 33).

MATT: white (ages 21, 27, 31, and 33).

MISS BENNET: CHRISTMAS AT PEMBERLEY by Lauren Gunderson & Margot Melcon Directed by Jeffrey Lo

Rehearsals begin: 11/12/24

Performs: 12/4/24 to 12/29/24

Setting: Pemberley, 1815.

SEEKING:

MARY BENNET: 20. Finally coming in to her own, she is no longer the plain, boring girl she once was. She has a fire in her now. She is intelligent, curious, and lively, but her family only sees her as a future spinster. She does not suffer fools. She wants to live.

ARHUR DE BOURGH: 25. A studious, unsociable, only child who has never been around women or large families. He is a loner who prefers books to people. He has recently inherited a large estate and has no idea what to do next.

ELIZABETH DARCY: 22, married to Mr. Darcy. Confident, charming, and witty. She makes a fun and surprising lady of the house. She is best friends with her sister Jane.

FITZWILLIAM DARCY: 30. A loving, generous, and smart (if slightly stiff) husband. He is quiet and vigilant and thus sees what others often miss. He knows what being lovelorn is like.

JANE BINGLEY: 24, married to Mr. Bingley. She is 7 months pregnant with her first child and is sweet and optimistic as ever. The kindest heart in the house.

CHARLES BINGLEY: 25. Gracious, happy, and ever focused on the love of his life, Jane. A good friend and always ready with a smile.

LYDIA WICKHAM: 17. Flirtatious, youthful, self-centered. Her marriage to Mr. Wickham is a sham but she will not admit this. She is the person you want to have at your party: energetic, engaging, unstoppable.

ANNE DE BOURGH: 20s. Only daughter of the late Lady Catherine de Bourgh. Lived in her mother’s very large shadow, never having to ask for anything or speak for herself her entire life. Judgmental and impatient, just like her mother.

HAPPY PLEASANT VALLEY: A SENIOR SEX SCANDAL MURDERY MYSTERY MUSICAL Book, Music, Lyrics by Min Kahng

Directed by Jeffrey Lo

*Co-Production with Center Repertory Theatre

Rehearsals Begin: 2/7/25

Performs: 3/5/25 to 3/30/25

Setting: San Mateo, CA in the late 2010s

SEEKING:

JADE PARK (she/her), 21, Korean American. Vlogger and aspiring influencer, clever and opportunistic, and a very good on-the-spot decisionmaker (aka liar).

JUNE PARK (she/her), 70, Korean American. Jade’s grandmother, former housewife, a homebody who loves mystery books, not particularly social.

DEAN (they/them or he/him), 20s. Jade’s cameraperson, laid-back SoCal vibes, has a crush on Jade. BERNICE (she/her), 70s. Showy and nosy, with a real zest for life.

VICKI (she/her), 70s. Retired park ranger, matter-of-fact and unassuming.

DEEDEE (she/her), 70s. Sweet, but not spineless. Can be passive-aggressive.

MORT (he/him), 70s. Married to DeeDee. Gentle. Takes his wife’s lead on things.

ENSEMBLE 1: SALLY (she/her), 40s-50s, Korean American. Jade’s overly-busy business exec mother. CARA (she/her), 40s. The very serious and intense residence manager at Happy Pleasant Valley Homes. DETECTIVE BROWN.

ENSEMBLE 2: LARRY (he/him), 70s. Slimeball vibes. EDGAR. OFFICER NEWMAN.

Additional roles to be distributed:

JADE BRIGADIERS 1-3

VLOGGER 1-3

CORPORATE EXECUTIVE

THE HEART SELLLERS by Lloyd Suh

Directed by Jennifer Chang

*Co-Production with Aurora Theatre Company and Capital Stage

Rehearsals Begin: 3/21/25

Performs: 4/2/25 to 4/27/25

Setting: mid-sized US city, Thanksgiving evening 1973.

SEEKING:

LUNA. (early 20s) Filipina, female. An immigrant from the Philippines. Very talkative, energetic, and outgoing. Imaginative and longing for a different life. Avoids the heavy reality that she has faced and tries to stay happy with herself.

JANE. (early 20s) Korean, female. Immigrant from Korea; Had a difficult childhood and lost several family members. Shy, reserved, lonely, kind, observant. Takes time to warm up to people but will speak a lot when she is passionate about something.

5 & DIME

Book by Ashley Robinson

Music by Dan G. Sells

Lyrics by Shakina

Directed by Giovanna Sardelli

Rehearsals Begin: 5/23/25

Performances: 6/18/25 to 7/13/25

SEEKING:

MONA (late 30s). Fragile and anxious and clinging to the past. Claims that she was chosen by James Dean, who she worships as a deity, to bear his only son. Think Blanche DuBois.

JOANNE (late 30s) A sultry, worldly, and confident trans woman. She is the force of truth in the story. The only woman in the group who has really changed in any way in twenty years.

JOE (18, nonbinary or trans-masculine) The only apparent boy in “The Disciples of James Dean” group. He struggles to reconcile their love for Mona, with his blossoming sexuality and gender identity. (Note: This actor will also play Mona’s son, Jimmy Dean in the final scene.)

SISSY (late 30s) is a woman who has moved away with big dreams of becoming a country singer and ended up back in her tiny hometown. She loves sex and isn’t shy about it, which has always gotten her in a lot of trouble in this conservative town. She is a breast cancer survivor but keep her mastectomy a secret. She has a huge heart and cares deeply about Mona’s son, Jimmy Dean.

JUANITA (60s) is a stoic woman who really helped raise these girls, as she never had children of her own. Her husband, who she won’t have a word said against, died from drink. She clings to Jesus, the Bible, and her faith to see her through. This crumbling store is all she has left in the world.

STELLA MAY (late 30s) is a too-loud, too-fun millionaire dressed to the hilt and brashly bragging on the oil empire built by her husband. She can’t have children but insists that she’s “happy goddammit!” Probably drinks too much.

EDNA LOUISE (late 30s) is a Mexican-American who was only allowed in the store and in the club with the other girls twenty years ago because she was light skinned and could “pass” for white, thus avoiding the Jim Crow Laws against the Mexican population of Texas. She is simple, shy, and has seven kids and a husband she adores.

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