SANTA CRUZ SHAKESPEARE 2019 SEASON Equity Principal Auditions - Shakespeare Play On DBA Santa Cruz Shakespeare Auditions

Posted January 8, 2019
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SANTA CRUZ SHAKESPEARE 2019 SEASON - Shakespeare Play On DBA Santa Cruz Shakespeare

Santa Cruz Shakespeare 2019 Season - San Francisco EPA

Shakespeare Play On DBA Santa Cruz Shakespeare


AUDITION DATE

Thu, Jan 31, 2019

10:00 am - 6:00 pm (PST)

APPOINTMENTS

auditions@santacruzshakespeare.org

CONTRACT

LOA Minimum - $717/wk

SEEKING

All ethnicities, ages, and gender identities. We are an outdoor repertory company. All actors will be cast in 2 of our 3 summer productions. Please see breakdown for further information.

PREPARATION

2 Monologues, no longer than 2 mins each, 4 mins total, at least one by William Shakespeare. A few bars of a capella song for those who wish to demonstrate singing skill.

LOCATION

Cal Shakes Rehearsal Hall

701 Heinz Avenue

Berkeley, CA 94710

Parking available,check-in at the green room.

PERSONNEL

Mike Ryan, Artistic Director
Kirsten Brandt, Director, THE COMEDY OF ERRORS
Paul Mullins, Director, PRIDE & PREJUDICE
Raelle Myrick-Hodges, Director, THE WINTER'S TALE

OTHER DATES

See breakdown

OTHER

http://santacruzshakespeare.org

An Equity Monitor will not be provided. The producer will run all aspects of audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

BREAKDOWN

June 11, First Rehearsal, PRIDE & PREJUDICE

June 15, First Rehearsal, THE COMEDY OF ERRORS, THE WINTER'S TALE

July 12, Opening, PRIDE & PREJUDICE

July 26, Opening, THE COMEDY OF ERRORS

August 9, Opening, THE WINTER'S TALE

September 1, Closing, PRIDE & PREJUDICE, THE WINTER'S TALE

September 5, Closing, THE COMEDY OF ERROR'S*

* There is a possible three-day extension on CoE to Sept 8.

PRIDE & PREJUDICE

Wickham, Collins, Miss Bingley: Character actor, any gender

Mr. Bennet, Charlotte: as above

Darcy: 40s, Male identifying, rich, proper, socially awkward

Bingley, Mary: Character actor, any gender

Lizzy: 20s, Female identifying, Clever, sharp-tongued, klutzy

Jane, Miss de Bourgh: 20s-30s, Female identifying

Mrs. Bennet: 40s-60s, Female identifying, tempramental, hypochondriac

Lydia, Lady Catherine: Character actor, female identifying

THE COMEDY OF ERRORS

Antiphola of Syracuse/Ephesus: 20s-40s, Female identifying, lead, plays both twins. Excellent comedy and language skills

Dromia of Syracuse/Ephesus: 20s-40s, Female identifying, clown, plays both twins. Excellent physical comedy skills

Adriano: Male identifying, possessive, jealous

Luciana: Female identifying, secretly in love with her brother's wife

Egeon: 40s-60s, Male identifying, the father of the Antiphola, down on his luck

Abbess: 40s-60s, Female identifying, stern, commanding

Duke: 30s+, any gender. Wields status & authority with ease.

THE WINTER'S TALE

Polixines: 40s-50s, King of Bohemia,Male identifying, regal

Antigonus/Old Shepherd: 40s-50s, Character actor, Male identifying, excellent comedic skills

Autolycus: 20s+, a rogue, any gender, excellent comedic skills, singer

Camillo: 30s+, any gender, a loyal and efficient servant

Emilia: 30s-40s, Female identifying, a lady in waiting to Hermione

Paulina: 30s+, Female identifying, forceful personality, does not suffer fools

Perdita: 20s, Female identifying, excellent language skills

Clown: 20s+, Male identifying, excellent comedic skills

Archidamus: 30s+, Kind and humble, a servant to Polixines

Florizel: 20s, Male identifying, impulsive, love-struck

*The roles of Leontes, Hermione, and Mamillius have been cast.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.


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