Rosanna Liuski - Page 4

Rosanna Liuski

Rosanna Liuski has been passionate about theatre for the past decade. Her biggest achievements as an actor have been in Rambo at Finnish National Theatre, directed by Elina Kilkku, 2015; SKAM at Culture House Martinus, Finland's premiere, directed by Tiina Brännare, 2020; On Your Lips short film directed by Joonas Rutanen, Making Movies 2012, that received the best National short -award.

As a critic she always looks for the deeper meanings in the performances, either psychologically, politically or philosophically. "Theatre is for entertainment, a moment for escape, but most importantly for growth; an imaginative pathway to understand the world", is her view on theatre.

Her goal is to become a director in the field, though she is currently studying physiotherapy in Helsinki, Metropolia. She is interested in psycho-physical viewpoint and breathing, which she believes is going to help her to become a succesful director as well.

She has been Finland's admin since Autumn 2018.

If you want Rosanna Liuski to review your show contact her: liuski.broadwayworldfinland@gmail.com , Instagram






VIDEO: Finland's Musical Artists Build A Mash Up Video To Bring People Up From Corona Agony
VIDEO: Finland's Musical Artists Build A Mash Up Video To Bring People Up From Corona Agony
April 26, 2020

'We did this project in coorporation with musical artists of Finland, who because of covid-19 got unemployed. We wanted to come together as a team to cheer everyone up during these difficult times by doing what we love the most. As they say: we are all in this together - Don't stop believin'!' WATCH THE VIDEO

BWW Finland: HITLER JA BLONDI ON DOKUMENTAARINEN, BRECHTILÄISYYDELLÄ MAUSTETTU POHDINTA PAHUUDESTA
BWW Finland: HITLER JA BLONDI ON DOKUMENTAARINEN, BRECHTILÄISYYDELLÄ MAUSTETTU POHDINTA PAHUUDESTA
March 9, 2020

Hitler ja Blondi on esityksenä muotoutuva ja vaatii herkkyyttä ja heittäytymiskykyä katsojassa. Ei siis kannata odottaa jotain helppoa dialogia tai selkeää alkua, keskikohtaa ja loppua. Välillä roolihenkilöt asettuvat katsojan asemaan ja kerronnassa hypitään asioista toiseen, onneksi selkeässä järjestyksessä, 'laulujen muodossa', jotka heijastetaan seinälle, jopa numeroituna yhdestä kolmeentoista.

BWW arvio: KUKA TAHANSA MEISTÄ, Valtsikan Speksi
BWW arvio: KUKA TAHANSA MEISTÄ, Valtsikan Speksi
February 21, 2020

'Speksillä tarkoitetaan opiskelijoiden toteuttamaa musiikkinäytelmää, jossa yhdistyvät draamalliset elementit, musiikki, tanssi, laulu ja improvisaatio. Speksiin kuuluvana improvisaatioelementtinä mukana ovat yleisön omstart-huudot, joiden avulla katsojat voivat vaikuttaa lavan tapahtumiin.' /valtsikanspeksi.com

BWW Review: SAPIENS at the Finnish National Theatre
BWW Review: SAPIENS at the Finnish National Theatre
February 12, 2020

Sapiens got its premiere in Autumn 2019 but was so succesfull that it got more shows in Spring 2020. To put it short I totally recommend this experience, especially if you loved the book or if you love the endearing documentaries narrated by Jarmo Heikkinen.

BWW Arvio: HUMISEVA HARJU ravistelee Helsingin Kaupunginteatterilla
BWW Arvio: HUMISEVA HARJU ravistelee Helsingin Kaupunginteatterilla
February 7, 2020

Maijalan ohjauksessa nautittavia yksityiskohtia on lukuisia. Tietynlaisia fyysisiä eleitäkin on rajatusti, mikä tuo selkeyttä ja yhtenäisyyttä esitykseen: sormella tasapainoteltavaa alkoholia, naaman vääntelyä käsillä, lintuja ja niiden höyheniä sekä kiljuntaa. 

BWW Interview and review: Katie Mitchell behind ARIADNE AUF NAXOS at Finnish National Opera
BWW arvio ja haastattelu: FULL PULL, WOYZECK Teatteri Jurkassa
BWW arvio ja haastattelu: FULL PULL, WOYZECK Teatteri Jurkassa
January 29, 2020

Teatteri Jurkan pieni teatteritila on lavastettu olohuonemaisesti. Muuttolaatikoista hohkaa valoa. Lattialla on kasa kirjoja, joissa komeilee suurmiehien nimiä: Loiri, Jussi Parviainen, Tauno Palo, Dostojevski, Stanislavski, Turkka. Turkan kirja on punainen.

BWW Review: YOUTH ON STAGE: ANNIE the musical at Culture House Martinus
BWW Review: YOUTH ON STAGE: ANNIE the musical at Culture House Martinus
January 13, 2020

All in all Annie is fairly good musical full of surprises, not to mention its humane approach to life: Magical things can happen to us, but if the little details you've longed for so long don't match, it's more than okay to feel sad, though it might feel wrong in the first hand. In the end, tomorrow's only a day away anyways. I love you, tomorrow... And I love you, Vaskivuori!

BWW Review: MEDUSA'S ROOM BY Q-THEATRE at The Finnish National Theatre
BWW Review: I Didn't Like KNIVES OUT And Here's Why
BWW Review: I Didn't Like KNIVES OUT And Here's Why
December 9, 2019

Kinves Out has just recently hit the cinemas. It has gained great reviews from critics and audiences. Unfortunately, there was one fellow who left the cinema with a great sigh. Me, who just two hours earlier had waited for an interesting murder-mystery that would have kept me on the edge of my seat from the beginning to the end like The Prestige (Nolan, 2006) did.

BWW ARVIO: PEPPI PITKÄTOSSU on tehty suurella sydämellä Suomen kansallisbalettiin
BroadwayWorld Arvostelu: OTTEITA Vallilan Konepajassa, Kansallisteatterin Nuortenteatteri
BWW Review: FORK ACAPELLA GROUP'S CHAPTER ONE: THE END at Swedish Theatre Of Helsinki
BWW Review: FORK ACAPELLA GROUP'S CHAPTER ONE: THE END at Swedish Theatre Of Helsinki
November 21, 2019

This was my first time seeing and most of all hearing the FORK acapella group. They started in 1996, so after 22 years of touring they have decided to call it quits. The show had the atmosphere of a funeral in terms of clothing and lighting, but later on after the intermission it rose to celebration, bright colors of beauty and joy of memorial.

BWW Review: FINGERPORI at Helsinki City Theatre
BWW Review: FINGERPORI at Helsinki City Theatre
November 19, 2019

How would I explain Fingerpori to a non-Finnish person... Fingerpori is a popular and well-liked comic strip that appears in a daily magazine. It follows the life of Heimo (Jari Pehkonen) and his friends and colleagues in Fingerpori-city. The comic plays around mainly with puns, word plays, not forgetting about topical comedy. The creator is Pertti Jarla and the stage version has gotten its premiere in February 2019. I saw it on 12th of November.

BWW Review: VIHAINEN LESKI (THE ANGRY WIDOW) at Helsinki City Theatre
BWW Review: VIHAINEN LESKI (THE ANGRY WIDOW) at Helsinki City Theatre
November 2, 2019

All in all Vihainen Leski (the Angry Widow) is a fine play that teaches even the younger generation like me what it is like to be older. To me it told the most about friendships, how dreaming goes on in the older days too, and letting go of the past.

BWW Review: TOTTUMISKYSYMYS (FORCE OF HABIT) MOVIE
Review and Photos: DISNEY'S LITTLE MERMAID PREMIERED AT HELSINKI AND LOOKS MAGICAL
Review and Photos: DISNEY'S LITTLE MERMAID PREMIERED AT HELSINKI AND LOOKS MAGICAL
September 5, 2019

I step into the auditorium. The awaiting audience is as if underwater already because of the lighting that resembles water. As the show starts, we get the logo of 'The Little Mermaid' projected onto otherwise transparent screen. The music plays the classic tunes, for example Part of Your world. It looks 3D! Two little fish puppets swim and seem to fall in love, guiding us into the under sea world and puppetry.

BWW Haastattelu: Katriina Honkanen, Nainen Rosvojen takana
BWW Haastattelu: Katriina Honkanen, Nainen Rosvojen takana
August 12, 2019

Jos ihminen ei anna kaikkeaan lavalla, niin se on tosi surullista, että se pitäisi yrittää ohjaajana sieltä sitten löytää, toteaa Katriina Honkanen

BWW Review: SPAMALOT, FINLAND at Tornava's Summer Theater
BWW Review: SPAMALOT, FINLAND at Tornava's Summer Theater
August 11, 2019

Spamalot at Tornava's Summer Theater is full of physical comedy, keen actors and glee on a cool set design!

BWW Review: MURDER ON THE ORIENT EXPRESS at Suomenlinna
BWW Review: MURDER ON THE ORIENT EXPRESS at Suomenlinna
July 8, 2019

Murder on the Orient Express is a performance filled with excitement, colorful characters and plot that opens up to the audience bit by bit, just at right times. The performance doesn't leave you could though Suomenlinna could, but surely gets you on an emotional ride if you are just willing to take the train.



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