APPLECART ART

by Sarah OHara - May 07, 2024

Currently on tour across the UK, Tim Rice: My Life In Musicals is two hours of musical theatre bliss that you will never forget....

by Cheryl Markosky - May 01, 2024

What can be more cheering on a dreary, wet evening than seeing a jolly Alan Ayckbourn comedy?...

by Alice Cope - April 29, 2024

An intense and well filmed release of an atmospheric production of Macbeth. Showing in cinemas from 2 May....

by Sarah OHara - April 25, 2024

Following its sold out run in 2023, Boys from the Blackstuff has returned to Liverpool’s Royal Court, before the show transfers to the National Theatre in London and Garrick Theatre in the West End....

by Laura Lott - April 24, 2024

“Old friends in the morning, then wanting us dead in the afternoon”, says one of the men in Silence, repeating the line over and over. Decades after the event, he still can’t understand the speed at which hate and violence ignited in the wake of the 1947 Partition of India....

by Mica Blackwell - April 22, 2024

Unlike Firth’s decision to stretch out the film’s first half for the musical, confusingly ending it on the long-awaited calendar photoshoot, his play adaptation allows the audience to see the impact the calendar has on the outside world and the women’s personal lives....

by Cindy Marcolina - April 21, 2024

Spring brings renewed energy into the year. There isn’t a better moment for the Royal Shakespeare Company’s recently appointed Co-Artistic Directors Daniel Evans and Tamara Harvey to launch their vision for the organisation. Led by a big name that will attract new audiences who are probably younger ...

by Laura Lott - April 17, 2024

It's hard to imagine what more an audience could possibly want from a dance show than what Diversity provide in their current tour Supernova. There are stunning, tightly choreographed dance routines, impressive production values, up-to-the-minute technology, music loud enough to reverberate through ...

by Mica Blackwell - April 17, 2024

Much Ado About Nothing is a quintessential Shakespeare farce: mistaken identities, intertwining romances, betrayals and deception all wrapped up with a neat little bow by the end. The same can be said for the screwball comedies that dominated 1930’s and 40’s cinema, so it’s no surprise why Tom Wentw...

by Cindy Marcolina - April 13, 2024

His first publication went viral (once again, in a way) when Mr Jeremy Strong of Succession fame featured it in his GQ interview about his essentials, saying he swears by it. Declan Donnellan succeeds at describing the indescribable, putting the ephemeral art of acting on paper in another gem of a b...