While I find Beckett's plays often too intensely intellectual for my comprehension, this was not the case with Irwin's seemingly effortless way of donning a bowler hat (or 2 or 3), juggling them until the perfect one is atop his head, and then going on to flop around the stage in his baggy pants and oversize shoes as a quintessential clown while explaining his interpretation of passages reflecting a?oethe noise of lifea?? in Beckett's a?oeText for Noting,a?? a?oeWatt,a?? a?oeWaiting for Godot,a?? a?oeEndgame,a?? and a?oeThe Unnamable.a?? It was an extraordinary evening of watching a master of the stage interpret the life and brilliance of a theatre legend.
Broadway fans had plenty of reasons to celebrate this year, with dozens of shows having opened since January, hundreds of actors having made their debuts, and many more having returned to the stage for critically acclaimed performances. Not all news was good though, as we also suffered a loss of an incredible amount of talent.
Below, BroadwayWorld sends a fond farewell to those who passed away in 2014.
What do a small town girl flirting with a satellite, a robot giving a lecture about transhumanism, and a man uploading his consciousness into the digital ether all have in common? Love. Love Machine is created to reflect the current trend of the way humans have come to rely on technology. Below, BroadwayWorld has a first look at the piece, debuting at Incubator Arts Project on May 10!
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