The Body Beautiful Photos - Broadway

Another lovely early evening of pure dance bliss. Sun still shining on another ideal California spring day; the final performance in the three-part dance series by nine talented and soul-sharing dancers included Shari Washington Rhone, Justin Edmonson, Latrice Postell, Kacy Keys, Chris Smith, Tashara Gavin-Moorehead, Laura Ann Smyth, Alex Rasmussen and Bernard Brown; all a part of JazzAntiqua Dance & Music Ensemble. They performed mainly outside on the grounds surrounding the Library.​​​​​​​ This was the third and final performance of the Brand Associates Dance series that included Nickerson-Rossi Dance, Tropicaleiza and 4 weekends of workshops. Pat Taylor is a master at her craft. She created and is Artistic Director/Choreographer for the prestigious jazz dance company established in 1993. She not only chooses her music, dancers, production people, etc. to gel with her initial idea for a dance piece; she develops it with input from all the dancers as well, and creates through her emotions, her knowledge, love and history in Dance, and what she draws from each of her full-of-joy/life dancers... and they are into it! The program consists of excerpts from a new work they are now continuing to develop, after a three-year hiatus due to the pandemic, entitled “Songs My Mother Taught Me,” which, Pat Taylor explained, “celebrates music and reflections by renowned African-American women that are jazz artists, activists and engagers. It is a celebration of community, and a soul-stirring shout-out to living, learning and loving.

Georgia Ensemble Theatre (GET), the professional North Fulton theatre company, continues its 27th season this October-November with Night Must Fall, a chilling experience just in time for the spooky season of the year. The production will be directed by Shannon Eubanks and run October 24th through November 10th, 2019, at the company's home in the Roswell Cultural Arts Center.

A story relevant to generations past and present, Shakespeare's cautionary tale of love serves as a modern metaphor for the influence of society over individual freedom. For although the personal journeys of Romeo & Juliet are integral to the tale, this is a love story within a clear social and political context - the collective identity of the group is considered more important than the desires of its citizens, dooming the young lovers from "opposite sides of the tracks" to their tragic end as their personal lives are molded by the hostilities of the previous era. Beginning in the 1930s during a time when a rigid dictatorial system had taken over the country, the Capulet family represents the upper-class conservatives with stiff, militaristic movement, while the Montagues represent the liberal low and middle classes, danced with loose, flowing motions laced with pedestrian naturalism.