Bob Fosse’s Dancin’ is Fosse’s full-throated, full-bodied celebration of the art form he loved, practiced, and changed forever. Transformed by director Wayne Cilento for 21st-century audiences, Dancin’ brims with Fosse’s warmth, emotion, color, and endlessly influential style rarely seen in modern interpretations of his work. Featuring an eclectic score that spans a multitude of musical genres and an extraordinary cast of Broadway’s most accomplished dancers, Dancin’ delivers the quintessential Broadway experience for Fosse fans and first-timers alike. You’ve never seen Dancin’ like this.
Anyone attending Bob Fosse’s Dancin’ hoping to get a fresh gander at adored numbers like “Steam Heat” or “Rich Man’s Frug“ or “All That Jazz” or you-name-it – that’s to say, anyone waiting with bated breath for this supposed salute to eight-time Tony-winning choreographer Bob Fosse – is best advised to have second thoughts. Nothing like those kinds of re-creations is coming your way.
I don’t recall how Fosse ended his “Dancin’.” Cilento ends his with a real flourish. He gives each of his nearly two dozen dancers the full-star treatment, complete with his, her or their name emblazoned (lighting by David Grill) in tall letters on the upstage wall. Cilento, who appeared in the original company of “A Chorus Line,” presents the anti-“Chorus Line” with this extended curtain call. These quick solo turns feature some of the evening’s best choreography. Here and elsewhere in the show, Dylis Croman, Jovan Dansberry, Pedro Garza, Jacob Guzman, Mattie Love, Nando Morland and Ron Todorowski grab our attention to mesmerize. Now, that’s entertainment.
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