How Do You Do, I Love You 1967 - Articles Page 6

This is one fast and furiously entertaining show!

After wowing audiences at the Menier Chocolate Factory, Trevor Nunn's production of Fiddler on the Roof is going from strength to strength in its stint at the West End's Playhouse Theatre; not only has it extended its run until November, but it has now welcomed two new stars to Anatevka. Maria Friedman and Anita Dobson replace Judy Kuhn and Louise Gold as Yente and Golda, respectively, joining a cast led by Andy Nyman as Tevye.

This summer, Sierra Stages brings the legendary musical "Cabaret" to Nevada City with an all-local Nevada County production playing from July 11 through August 3 at the historic Nevada Theatre. With a book by Joe Masteroff, music by John Kander and lyrics by Fred Ebb, this musical masterpiece marks the 11th annual summer musical presented by Sierra Stages. "Cabaret" is based on the play by John Van Druten and stories by Christopher Isherwood.

High-minded ideals are put to the test in Guess Who's Coming to Dinner, a play with a refreshing yet familiar take on race and interracial relationships.

It all stems straight from the heart. Nashville-based songstress Lucie Silvas unapologetically personifies a spirit of freedom. Like a well-traveled rolling stone, her music threads together an Americana patchwork of retro-fitted pop and countrified rock, echoing sweet Motown soul, dripping dirty Delta blues, and reflecting Laurel Canyon bliss. However, her independence behind-the-scenes makes such sonic fearlessness possible in the first place.

Celebrating its 37th anniversary, Outfest - the Los Angeles-based nonprofit organization promoting equality by creating, sharing, and protecting LGBTQ stories on the screen - today announced the complete programming lineup for the 2019 Outfest Los Angeles LGBTQ Film Festival, presented by HBO. The nation's leading LGBTQ festival will be held July 18-28, 2019.

Lily Tomlin, upon accepting her award, remarked 'My partner Jane and I are honored and want to thank you for this award. It is amazing to see this whole outpouring for the LGBT community. Jane, couldnt be here tonight, but asked that I share her remarks 'We love the thought of being called Trail-Blazers. It makes us feel current and something out of Marvel Comics.'  Neither of us has a good sense of direction, so we thought being called trail-blazers implies that we somehow new where we were going. So thank you for thinking of us as trail-blazers, rather than as museum pieces.  Of course, there were times, Im afraid, we got lost on that trail and were more bewildered than blazing.  We are still blazing, but we have had to cool down a bit. After all, we need to take care not to add to global warming.'

Producer Kevin McCollum announced today that the new musical, Mrs. Doubtfire, will premiere at Seattle's 5th Avenue Theatre this fall on route to Broadway.  The musical features a book Karey Kirkpatrick and John O'Farrell and music and lyrics by Wayne Kirkpatrick and Karey Kirkpatrick, the Tony Award nominated team behind Something Rotten!  Four-time Tony Award winner Jerry Zaks (Hello, Dolly!) will direct and Lorin Latarro (Waitress) will choreograph.  Ethan Popp (Tina) will serve as Music Supervisor.

I must applaud Everyman Theatre's Artistic Director Vince Lancisi for having the brilliant idea of ending its season with two plays by Caleen Sinnette Jennings in repertory: QUEENS GIRL IN THE WORLD and QUEENS GIRL IN AFRICA. What a genius!

In the latest North American touring production of what continues to be one of Broadway's laudable theatrical staples, FIDDLER ON THE ROOF's amiable patriarch Tevye is now being played by Israeli-born actor Yehezkel Lazarov, who gives the iconic role a fresh, less geriatric delivery that still shines with old-world charm, nuanced depth, and a down-to-earth, relatable persona. Lazarov--who leads this touring non-Equity iteration of the Bartlett Sher-directed 2015 Broadway revival--provides just one of the many reasons to reacquaint yourself with this enduring stage classic, now finishing up its limited engagement at Segerstrom Center for the Arts through May 19, 2019. Sill lively and emotionally poignant--and quite relevant and timely to see through the lens of the uneasy times we live in--the stage musical offers a safe, if slightly sanitized view into the lives of poor Jewish families in turn-of-the-century Russia where the looming assault of pogroms are about to threaten their very lives and existence.

1969 marked a year that was full of both trepidation and excitement for Stax Records. Just one year before, the Memphis soul outlet ended its relationship with musical giant Atlantic Records, effectively leaving the label as an independent entity, without a music catalog (which had previously included a formidable collection of hits by Otis Redding, Carla Thomas and Sam & Dave, among others). Under the guidance of co-owner Al Bell, the label proceeded to rebuild and release an impressive collection of 27 albums and 30 singles in just a handful of months—a period known as “Soul Explosion.” The gamble paid off, and at the 1969 Stax sales summit—themed “Getting It All Together”—the label reaffirmed its place as a soul powerhouse. Craft Recordings celebrates the 50th anniversary of this prolific, make-or-break moment for Stax—and its enduring legacy—with a wide selection of physical and digital reissues. Additionally, Craft will pay tribute to the label throughout the year with a series of playlists, original content, contests and more.

tars of the show and co-conceivers of this new production, Lauren Molina (who plays Lucy) and Nick Cearley (who plays Linus) took the time to answer a few questions about the show.

Was the pairing of Iain Bell and Mark Campbell--respectively, composer and librettist of New York City Opera's (NYCO) world premiere STONEWALL--'love at first sight”? I asked them. We were at the workshop in New York earlier this month that allowed them and director Leonard Foglia to cross the t's and dot the i's (and hear their new work performed).

'Ain't Too Proud - The Life and Times of The Temptations' opened March 21, at Broadway's legendary Imperial Theatre. However, many fans of the Temptations music may not know the group's long and complicated history. 

From the Motor City to the Valley of the Sun: My conversation with Director Ralph Remington and Executive Director David Hemphill and their conjoined forces bringing Dominique Morisseau's Detroit '67 to Phoenix.

Well, my little piggies and wolves, the next CDs I'm eliminating from my apartment are all the recordings of all the versions of Into The Woods. I'm talking London cast, movie version, Broadway revival and ouch, the one that's gonna leave a gaping hole in my heart, that beautiful Original Broadway Cast Recording starring Joanna Gleason, Chip Zien, Tom Aldredge, Robert Westenberg and above them all as the Witch (receiving the deal-breaking top billing the producers previously refused Patti LuPone when they offered her the role) Bernadette Peters.

'Bring it On' meets 'Dreamgirls' in the girl-group musical, 'Betty and the Belrays' by William Electric Black aka Ian Ellis James, which will be presented by Theater for the New City January 31 to February 17. The piece tells the story of three white female singers from Detroit who struggle to change a racially divided society by singing for a black record label. Book and lyrics are by William Electric Black. Music is by Black, Valerie Ghent (arranger/keyboards for Ashford & Simpson) and Gary Schreiner. Choreography is by Jeremy Lardieri. Director is Mr. Black.

'Bring it On' meets 'Dreamgirls' in the girl-group musical, 'Betty and the Belrays' by William Electric Black aka Ian Ellis James, which will be presented by Theater for the New City January 31 to February 17. The piece tells the story of three white female singers from Detroit who struggle to change a racially divided society by singing for a black record label. Book and lyrics are by William Electric Black. Music is by Black, Valerie Ghent (arranger/keyboards for Ashford & Simpson) and Gary Schreiner. Choreography is by Jeremy Lardieri. Director is Mr. Black.

This quote is the opening sentence from the author of the book and the words that inspired, created and catapulted The White Album -- a theatrical representation in full of Didion's autobiographical, literary essays of the same name published in 1979 but focused on the tumultuous period of time between 1966 (though it was officially started in 1968) and 1971, which had an engagement as part of BAM's Next Wave Festival November 28 - December 1, through collaborators between Lars Jan/Early Morning Opera, Mia Barron (who portrayed Didion herself), and multiple commissioners and supporters including Center Theatre Group, arts centers at CalArts, UCLA, Ohio State University and the UCross Foundation, amongst others.

'This is Us' returned to formula this week with a bittersweet look into our characters' mental health, passions, and problems.

Edward Albee, author of 'Who's Afraid of Virginia Woolf,' now in production at Beck Center for the Arts, is one of the best known Theatre of the Absurd American writers. This form of theatre, which was at its apex shortly following World War II, is based, in part on philosophical existentialism, which asks 'what is the purpose of existence?'

Joe's Pub at The Public presents the North American premiere of Murray Hill: About To Break, a new comedy and theatrical event, running September 20-22 and 27-29. About To Break is written and performed by Hill and directed and developed with Tony Award-winning lyricist, writer, and director Scott Wittman. Renowned as a comic host around the world, this new show is a departure, putting Hill center stage in the first major dedicated solo show of his long, storied career. Musical direction is by Paul Leschen with original music by Hill with Wittman, Marc Shaiman, Kyle Forrester, Eric Kornfeld, Jesse Elder, and Leschen.

Joe's Pub at The Public presents the North American premiere of Murray Hill: About To Break, a new comedy and theatrical event, running September 20-22 and 27-29. About To Break is written and performed by Hill and directed and developed with Tony Award-winning lyricist, writer, and director Scott Wittman. Renowned as a comic host around the world, this new show is a departure, putting Hill center stage in the first major dedicated solo show of his long, storied career. Musical direction is by Paul Leschen with original music by Hill with Wittman, Marc Shaiman, Kyle Forrester, Eric Kornfeld, Jesse Elder, and Leschen.