Industry Pro Newsletter: New Study Looks to the Preparedness of Arts Orgs to Face Future Challenges
by Alex Freeman
- Apr 8, 2024
In a sign of an industry on the rebound, Center Theatre Group in Los Angeles is getting ready to announce a return of programming at the Mark Taper Forum, where production was paused last year while the organization went through a budget crunch. Additionally, following the casting of a Black actress in the role of Juliet, an upcoming West End production of Romeo and Juliet from the Jamie Lloyd Company started dealing with racist backlash online - we’ll show you how the company responded.
The 15 Best Cities Around the World to See Theatre
by Sidney Paterra
- Apr 6, 2024
Ready for a vacation and want to fit some theatre-going into your itinerary? You're in luck, because all the world's a stage. Literally! BroadwayWorld has pulled together a list of the fifteen best cities around the world for seeing theatre.
Industry Pro Newsletter: Grants and Government Spending Impact on Arts Budgets
by Alex Freeman
- Apr 1, 2024
This week, stories abound about the impact funding can have on the arts - from the UK, an editorial about how the collapse of funding for the creative industry was predictable. In the US, we have stories of large gifts making a huge impact - no-cost rentals at 59E59 - as well as changes to the way Florida is apportioning their arts budget.
Industry Pro Newsletter: Subscription Study in Pittsburgh
by Alex Freeman
- Mar 25, 2024
The storm of openings has begun on Broadway, as we prepare for what will be an even busier April leading into the conclusion of the 2023-2024 Broadway season. Amidst that storm, great work continues off-Broadway, as Cara Joy David reminds us when she pays a visit to Dead Outlaw.
Industry Pro Newsletter: Public Declines to Recognize Union
by Alex Freeman
- Mar 18, 2024
As the unionization wave continues to move through theatrical workers across the country, two developments last week highlighted the movement: the Public Theatre declined to voluntarily recognize the unionization effort of their workers, and workers at the Goodman Theatre sought their own union affiliation.
Review: THE PENELOPIAD at Goodman Theatre
by Rachel Weinberg
- Mar 17, 2024
Goodman Theatre Artistic Director Susan V. Booth puts her own spin on Margaret Atwood’s decidedly feminist tale THE PENELOPIAD. As with her famous novel THE HANDMAID’S TALE, Atwood uses THE PENELOPIAD as a device to convey the horrors and abuse committed against women. Atwood’s points are valid and mirror the gender inequalities and abuse women still experience now (the original novella was penned in 2005). But THE PENELOPIAD’s feminist argument isn’t revelatory. Instead of providing truly new insight or perspective, the play rather reinforces existing (though rightfully undeniable) points.
Chicago's Goodman Theatre Workers Seek Union Representation with IATSE Local 2
by Joshua Wright
- Mar 12, 2024
IATSE Local 2 has officially filed a petition to organize the front-of-house, box office, and concession staff at Chicago’s prestigious Goodman Theatre. The move mirrors successful unionization efforts at other leading nonprofit arts organizations in the city, including the Steppenwolf Theatre.
TRW Plays Acquires GOOD NIGHT, OSCAR and DOWNSTATE
by Stephi Wild
- Mar 4, 2024
TRW Plays, a division of Theatrical Rights Worldwide, has acquired the global licensing rights for two new plays by Pulitzer Prize-winning authors, GOOD NIGHT, OSCAR by Doug Wright and DOWNSTATE by Bruce Norris. Learn more about both plays here!
Photos: The Cast of THE WHO'S TOMMY Meets the Press
by Bruce Glikas
- Feb 29, 2024
A newly reimagined production of The Who’s TOMMY is headed to Broadway, beginning previews performances next week. The cast and creative team recently met the press and BroadwayWorld was there for the big day. Check out photos here!
Review: THE MATCHBOX MAGIC FLUTE at Goodman Theatre
by Rachel Weinberg
- Feb 28, 2024
Director Mary Zimmerman returns to the Goodman with the whimsical and inventive THE MATCHBOX MAGIC FLUTE. Zimmerman’s adaptation of Mozart’s iconic opera is lively and accessible; this would be a great introduction for those new to the opera.
|
|