EVENT: NDI Celebrates Jacques' Art Nest XVIII: Balanchine's Ballerinas (2/4)
by A.A. Cristi
- Jan 17, 2019
National Dance Institute (NDI), the non-profit arts education organization that has transformed the lives of millions of public school children through the arts, will host Jacques' Art Nest XVIII: Balanchine's Ballerinas on Monday, February 4th at the NDI Center in Harlem. Merrill Ashley, Gloria Govrin, Allegra Kent, and Kay Mazzo, four shining stars in a brilliant constellation of ballerinas who danced for George Balanchine, will take center stage in this next installment of Jacques' Art Nest. Moderated by Wendy Whelan, they will discuss what it was like to work with Mr. B, and will share their memories of the master and their time touched by his genius. The extraordinary Isabella Boylston, Sterling Hyltin, and Teresa Reichlen, with Jared Angle and Daniel Ulbricht, will perform the iconic roles made famous by our guests of honor. And, of course, no event would be complete without the exuberant dancing children of NDI!
Jacob's Pillow Dance Festival Closes With Stars Of American Ballet & ODC/Dance
by A.A. Cristi
- Aug 14, 2018
Bringing together some of today's most remarkable ballet talents, Daniel Ulbricht's Stars of American Ballet returns to Jacob's Pillow, appearing in the Ted Shawn Theatre August 22-26. A principal dancer with New York City Ballet since 2007, Ulbricht is lauded as "one of the best male ballet dancers in New York" (Dance Magazine). As Artistic Director, curator, and performer, Ulbricht brings a unique vision and perspective to performance. With a cast highlighting 14 powerhouse dancers of New York City Ballet, this collective celebrates the legacy of choreographic legend Jerome Robbins with a program of his masterpieces on the occasion of his centennial, augmented by two Robbins-related PillowTalks.
BWW Review: NEW YORK CITY BALLET'S Swan Lake Features World Class Dancing but Lackluster Decor and Costumes
by Sondra Forsyth
- Sep 22, 2017
In my 2015 review of the Peter Martins version of Swan Lake for the New York City Ballet, I focused on my dismay about the d cor and costumes by Per Kirkeby that strip this classic of its time and place. Yet because I was prepared for that disappointment this time around, I was able to find more to like about the production on the evening of September 20th 2017 when I attended at the Koch Theater in Lincoln Center.
Casting Announced for Bolshoi Ballet, New York City Ballet, and Paris Opera Ballet's JEWELS at Lincoln Center Festival
by BWW
News Desk
- Jul 20, 2017
Lincoln Center Festival Director Nigel Redden today announced casting for the unprecedented, international presentation of George Balanchine's Jewels . The Bolshoi Ballet, New York City Ballet, and Paris Opera Ballet will share the stage where the masterpiece first premiered on April 13, 1967, for five historic performances celebrating one of the greatest creative artists of the 20th century and the global recognition the work has received.
Jacques d'Amboise's National Dance Institute Shares The Power of Movement with Millions
by Christina Pandolfi
- May 25, 2017
It's May 8, 2017 and I'm sitting in the National Dance Institute Center for Learning & the Arts' quaint auditorium in Upper Manhattan, waiting for the students to take the stage. As part of the celebrated Art Nest series, this evening's mixed medium program centers on the loneliest woman in mythology: Medusa. But as the audience quiets for NDI Founder Jacques d'Amboise's speech, it is exactly the opposite feelings of community and togetherness that drum up pure joy.
New York City Ballet Presents its Here and Now Festival
by Rose Marija
- May 19, 2017
New York City Ballet continues to include new choreographies in its repertoire, billed this season as the Here and Now Festival. On May 12, 2017 NYCB performed four newer works created in 1994, 1998, 2006, and a world premiere.
Casting Announced for Bolshoi Ballet, New York City Ballet, and Paris Opera Ballet's JEWELS at Lincoln Center Festival
by BWW News Desk
- May 17, 2017
Lincoln Center Festival Director Nigel Redden today announced casting for the unprecedented, international presentation of George Balanchine's Jewels . The Bolshoi Ballet, New York City Ballet, and Paris Opera Ballet will share the stage where the masterpiece first premiered on April 13, 1967, for five historic performances celebrating one of the greatest creative artists of the 20th century and the global recognition the work has received.
BWW Review: New York City Ballet's SLEEPING BEAUTY
by Barnett Serchuk
- Feb 22, 2017
When Aurora makes her first appearance in SLEEPING BEAUTY, the audience usually sits up-there's a murmur, an anticipation. THE STAR is here, and she's in charge for the next two hours. And THE STAR had better be ready. The audience is watching her every move, not to mention her every mishap.
BWW Review: New York City Ballet's ALL BALANCHINE PROGRAM, Winter 2017
by Barnett Serchuk
- Jan 24, 2017
George Balanchine said that 'Allegro Brillante' contained everything he knew about classical ballet in 13 minutes. I would say a bit more, depending on the tempo the conductor is taking for the evening. But putting tempos aside, 'Allegro Brilliante' offers a ballet so rich in form and steps that it's hard to take it all in. I've been watching the ballet for over 30 years, and I still marvel and its invention and the sheer stamina it takes to perform the work.
BWW Dance Review: City Ballet Miscasts the Founder's Classics
by Juan Michael Porter II
- Oct 17, 2016
The state of any company's dancing can be gauged by looking at how it performs its founder's work. Of course that is no easy feat to assess with City Ballet, what with its glorious repertoire. All the same, Wednesday October 12th's program found the company disconcertingly off the mark. In politics, we follow the money; in ballet, we follow the casting.
BWW Review: Shimmering Dancers in New York City Ballet's JEWELS
by Marsha Volgyi
- Oct 7, 2016
Jewels, choreographed by George Balanchine, performed on Friday September 30, 2016 at The Koch Theater was a wonderful beginning to the weekend. This ballet is a truly priceless gem in the repertoire of the New York City Ballet. The three-act storyless ballet is quite distinctive with its style and music.
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