Steven Miller News

International best-selling crime thriller novelist Peter James has had his work produced for the stage for the very first time. The Perfect Murder has been adapted by award winning writer Shaun McKenna and can be seen on Coventry's Belgrade Theatre Main Stage from Monday 24 February - Saturday 1 March.

International best selling crime thriller novelist Peter James - who has sold over 15 million books of his Roy Grace series and been published in 36 languages - has had his work produced for the stage for the very first time. The Perfect Murder, which spent 15 weeks at No.1 in the book charts, has been adapted by award winning writer Shaun McKenna.

Miller Theatre at Columbia University School of the Arts presents a three-part special event STEVEN SCHICK: SOLO, a portrait of an artist and an art form that have grown up together. Percussion legend Steven Schick celebrates with two epic solo concerts and a 'Town Hall' of percussion talk.

Miller Theatre at Columbia University School of the Arts presents a three-part special event STEVEN SCHICK: SOLO, a portrait of an artist and an art form that have grown up together. Percussion legend Steven Schick celebrates with two epic solo concerts and a 'Town Hall' of percussion talk.

Miller Theatre at Columbia University School of the Arts presents a three-part special event STEVEN SCHICK: SOLO A portrait of an artist and an art form That have grown up together

The oft-attempted rocky road to country music success is met with tears, rivalry and intense scrutiny in the all-new Lifetime docu-series Chasing Nashville, premiering tonight, October 22, at 10:00pm PT/ET. Through extensive access to the home and budding professional lives of four ambitious teen singers from Appalachia, the series will follow the high drama and competition they encounter like no other singing show as they, and their equally determined families, lay everything on the line in pursuit of fame and fortune in country music.

The oft-attempted rocky road to country music success is met with tears, rivalry and intense scrutiny in the all-new Lifetime docu-series Chasing Nashville, premiering Tuesday, October 22, at 10:00pm PT/ET. Through extensive access to the home and budding professional lives of four ambitious teen singers from Appalachia, the series will follow the high drama and competition they encounter like no other singing show as they, and their equally determined families, lay everything on the line in pursuit of fame and fortune in country music.

International best selling crime thriller novelist Peter James - who has sold over 15 million books of his Roy Grace series and been published in 36 languages - is to have his work adapted for the stage for the very first time. The Perfect Murder, which spent 15 weeks at No.1 in the book charts, has been adapted by award winning writer Shaun McKenna and will open at the Orchard Theatre, Dartford on Wednesday 8th January 2014, before touring to venues such as the Theatre Royal in both Bath and Brighton.

On Thursday, January 30 and Saturday, February 1, 2014 at 8:00pm, Miller Theatre at Columbia University presents STEVEN SCHICK: SOLO, a two-night percussion extravaganza that will encompass the world of solo percussion composition from its beginnings in the 1950's avant-garde, to the current day.

High Fell Productions in association with Neil McPherson for the Finborough Theatre presents THE BLOOD IS STRONG by David Hutchison. Directed by Bruce Guthrie, the show is designed by Gabriella Slade with lighting by Humphrey McDermott and sound by Josh Richardson. Just announced, the cast will feature: Janet Amsden, Margaret-Ann Bain, Martin Buchan, Alistair Findlay, Neil McNulty and Steven Miller in this World Premiere.

High Fell Productions in association with Neil McPherson for the Finborough Theatre presents THE BLOOD IS STRONG by David Hutchison. Directed by Bruce Guthrie, the show is designed by Gabriella Slade with lighting by Humphrey McDermott and sound by Josh Richardson. Just announced, the cast will feature: Janet Amsden, Margaret-Ann Bain, Martin Buchan, Alistair Findlay, Neil McNulty and Steven Miller in this World Premiere.

Go along with these mountain men in HILLBILLY BLOOD, returning for a second season tonight, April 13 at 10 and 10:30pm E/P on Destination America, with a special 3net 3D simulcast.

Go along with these mountain men in HILLBILLY BLOOD, returning for a second season on Saturday, April 13 at 10 and 10:30pm E/P on Destination America, with a special 3net 3D simulcast.

Victory Gardens Theater announces a generous $350,000 gift from Steven and Diane Miller. President of the Victory Gardens Board since July 2012, Steven Miller has been involved with the organization since the late 1990s, joining as a board member in 2008. His gift marks the single largest individual contribution in the Theater's thirty-eight year history.

With under a week to go before the 2012 HighTide Festival gets underway, Artistic Director Steven Atkinson has announced full casting for HighTide Festival 2012. Familiar names include Louise Brealey, Brendan Coyle, Russell Floyd, Elizabeth Hopper, Danny Kirrane, Lesley Nicol, Abi Titmuss, Rosie Wyatt, andMatilda Ziegler. Also announced are the guests for the HighMind Talks at the Festival, including Alan Bissett, Will Gompertz, Ben Hammersley, Owen Jones, Juliet Stevenson and Griff Rhys Jones.

Even though three couples are the focus of Richard Maltby (lyrics), David Shire (music) and Sybille Pearson's (book) musical called BABY, there's a very good reason the title is singular and not plural. I mention that only to let you know that the play, as charming and engaging as it is, has some moments of drama present as well. This production by Citilites Theatre is nicely done, with a well cast group of couples, and splendid direction by Nick Moramarco, who also did the musical direction and accompanies the group on piano.

Citilites Theatre presents a late night show, making a sort of double bill for theatre patrons after they take in THE CRUMPLE ZONE, with the short musical, SONGS FROM AN UNMADE BED. Fortunately, it's well worth staying over for (although I took in a Sunday matinee performance), featuring a terrific performance from Justin Ivan Brown. It's a collection of eighteen songs by various composers, but all featuring the pithy and amusing lyrics of Mark Campbell. The brevity of the show, which runs about an hour, is perfectly suited to the material, and easily outshines the production that plays before it.

Buddy Thomas takes the typical trappings of a romantic triangle and places them in a rundown New York apartment somewhere in Staten Island, with the twist here being that all the participants (in the triangle) are gay. THE CRUMPLE ZONE certainly has some entertaining moments and a few memorable lines, but unfortunately, it fails to spark. Part of this is the play itself, which recycles the situation with little verve or panache, and part of it is due to a lackluster presentation that's just a little too loose in execution, despite a fairly sharp cast, to succeed. Citilities Theatre is currently producing this fairly recent work as part of a double night of theatre, with SONGS FROM AN UNMADE BED taking the stage about a half hour after the initial show ends. I didn't see it in that manner, but those who do will find the latter far more engaging.

An array of warrior princesses, ninjas waging epic battles, hungry ghosts, birds and beasts-shape shifters all- will greet visitors at the Frye Art Museum from March 19 to June 19, 2011 when the groundbreaking Seattle performance company Degenerate Art Ensemble (DAE) will be celebrated for the first time in a museum exhibition.

The idea of following the stories of four young gay men who are raised as members of a Baptist church in Texas is certainly fertile enough stuff for a play on its own. But, with SOUTHERN BAPTIST SISSIES, playwright Del Shores muddies this basic premise with a non-linear, and at times illogical, presentation that generates a modicum of laughs, but misses the mark dramatically. Although I'm usually a fan of unconventionality, I think Shores pushes too hard here, and the opportunity to create something truly memorable is lost in the process. However, Citilites Theatre has put together a fitfully funny and heartfelt production that makes the most of this decidedly uneven material, and it benefits greatly from a number of strong performances as well.