Robert Watson News

The Jewish/Yiddish event of the year will take place virtually from September 7-13 when the Yiddishkayt Initiative hosts its 'Inaugural International VIRTUAL YI Love YiddishFest.'

Until the curtain rises again, the Kravis Center for the Performing Arts in West Palm Beach is entertaining its patrons with Kravis @ Home featuring a curated selection of virtual concerts, lectures, dance performances and arts educations activities, as well as original programs and presentations. 

For the first time in a generation, The Dallas Opera is proud to present Giuseppe Verdi's towering nineteenth-century masterpiece, Don Carlo, in four performances, March 20 through March 28, 2020 at the Margot and Bill Winspear Opera House, AT&T Performing Arts Center, in Dallas, Texas.

Today, the Metropolitan Opera announced its 2020-21 season, the first in which Yannick Nézet-Séguin assumes his full breadth of musical duties as the company's Jeanette Lerman-Neubauer Music Director, conducting six productions. His schedule includes the Met premiere of Jake Heggie's Dead Man Walking, the first contemporary opera conducted by the maestro on the Met stage, as part of his ongoing commitment to opera of our time at the Met, which will expand in the seasons to come.

Initial casting is announced today for the West End transfer of Laura Wade's The Watsons, following sold-out runs at both Chichester Festival Theatre and the Menier Chocolate Factory. Samuel West directs Sam Alexander (Robert Watson), Sally Bankes (Nanny), Jane Booker (Lady Osborne), Elaine Claxton (Mrs Edwards), Ralph Davis (Lord Osborne), Tim Delap (Mr Howard), Sophie Duval (Mrs Robert), Louise Ford (Laura), John Wilson Goddard (Mr Watson), Rhianna McGreevy (Margaret Watson), Grace Molony (Emma Watson a?" she was Evening Standard Award nominated for her performance), Elander Moore (Bertie), Paksie Vernon (Elizabeth Watson) and Cat White (Miss Osborne), who reprise their roles. Full casting will be announced shortly.

The Raymond F. Kravis Center for the Performing Arts has announced a change in the Lunch & Learn scheduled for Monday, February 24.

The Raymond F. Kravis Center for the Performing Arts is launching into Leap Year with 23 dazzling shows, concerts and special events for every entertainment preference, from classical music to Broadway razzle dazzle, including the return of Michael Feinstein and the Kravis Center Pops Orchestra, the 13th annual Palm Beach Wine Auction Dinner & Live Auction, and the local premiere of HAMILTON, the biggest blockbuster of the past decade.

Chichester Festival Theatre and Menier Chocolate Factory today presents the London première of Olivier Award-winner Laura Wade's The Watsons at the Menier.

Chichester Festival Theatre and Menier Chocolate Factory present the London première of Olivier Award-winner Laura Wade's The Watsons at the Menier.

Chichester Festival Theatre and Menier Chocolate Factory today announce the full cast for the London première of Olivier Award-winner Laura Wade's The Watsons at the Menier. Samuel West directs original cast members Sam Alexander (Robert Watson), Sally Bankes (Nanny), Joe Bannister (Lord Osborne), Jane Booker (Lady Osborne), Elaine Claxton (Mrs Edwards), Tim Delap (Mr Howard), Sophie Duval (Mrs Robert), Louise Ford (Laura), John Wilson Goddard (Mr Watson), Grace Molony (Emma Watson), Elander Moore (Bertie), Paksie Vernon (Elizabeth Watson), Cat White (Miss Osborne) and Laurence Ubong Williams (Tom Musgrave), who are joined by Rhianna McGreevy (Margaret Watson), with Isaac Forward, Sonny Fowler and Teddy Probets sharing the role of Charles Howard for the run at the Menier. The Watsons played to critical acclaim at Chichester Festival Theatre in 2018. The production opens at the Menier on 30 September, with previews from 20 September, and runs until 16 November.

Chichester Festival Theatre and Menier Chocolate Factory today announce the full cast for the London première of Olivier Award-winner Laura Wade's The Watsons at the Menier. Samuel West directs original cast members Sam Alexander (Robert Watson), Sally Bankes (Nanny), Joe Bannister (Lord Osborne), Jane Booker (Lady Osborne), Elaine Claxton (Mrs Edwards), Tim Delap (Mr Howard), Sophie Duval (Mrs Robert), Louise Ford (Laura), John Wilson Goddard (Mr Watson), Grace Molony (Emma Watson), Elander Moore (Bertie), Paksie Vernon (Elizabeth Watson), Cat White (Miss Osborne) and Laurence Ubong Williams (Tom Musgrave), who are joined by Rhianna McGreevy (Margaret Watson), with Isaac Forward, Sonny Fowler and Teddy Probets sharing the role of Charles Howard for the run at the Menier. The Watsons played to critical acclaim at Chichester Festival Theatre in 2018. The production opens at the Menier on 30 September, with previews from 20 September, and runs until 16 November.

Puccini's story of the strong-willed diva returns to the Kennedy Center stage in WNO's Tosca, from May 11 25, 2019. Tickets start at $35.

San Diego Opera is the 13th company since 2011 to cast mezzo-soprano Ginger Costa-Jackson in the title role of Bizet's Carmen. Her voice, sultry looks, and sensuous flamenco dancing are perfect for the role. She even manages castanets in perfect rhythm without missing a step. The considerable powers of persuasion she brings to Carmen make it easy to accept that the malleable young Corporal Don Jose would desert his childhood sweetheart, not to mention his loving mother and the army, to be with her and a band of smugglers in a cold and dangerous mountain lair. A less naive man might have realized he couldn't compete for ever with a bold, dashingly handsome matador.

Since 2011 Mezzo-soprano Ginger Costa-Jackson has sung the title role in 12 different productions of Bizet's Carmen. She will star in yet another this month for San Diego Opera. From here it's on to rehearsals for nine performances of Bizet's masterwork at Seattle Opera. Is the singer tiring of Carmen? Not even close. She loves the character's sense of freedom and empowerment, and works with each new director to make her performance even more convincing.

Lynn University's College of Arts and Sciences today announced the second production by its new Bachelor of Fine Arts (B.F.A.) in drama program. The B.F.A. in drama is the most prestigious undergraduate degree available for theater students. Lynn's program offers students concentrated theatrical training that prepares them to work professionally in theater, movies, television and musicals.

Once a year, indie theatre (barely) gets its shit together and gives out some goddamn awards. This is a once-a-year, one-night-only party where we come together to honour and heckle hustlers in Toronto's independent theatre community.

Anyone who has ever been involved in a volunteer theatrical production will certainly understand the craziness associated with amateurs attempting to put on a play due to both their lack of acting experience, taking direction, or the maddening interference from its meddling playwright who drops in at every rehearsal with newly revised and/or added scenes which contradict what they have already been rehearsing. Such is the case in Rick Abbot's comedy PLAY ON! which is currently being presented at Theatre Palisades as the second show of its 2018 season, directed by Sherry Coon and produced for the community theater group by Martha Hunter and Sue Hardie.

The San Diego Opera's 2018-19 season will feature three grand operas at the city's Civic Center and three smaller-scale productions at other venues. Seasoned opera buffs are likely to fill the 3000-seat Civic Center for The Marriage of Figaro, Rigoletto, and Carmen. But elaborate three-hour productions are a hard-sell for inexperienced listeners, many of whom believe that 45-seconds is about right for 'in-depth' news reporting. That's where the opera company's highly successful 'Detour Series' of shorter and more contemporary-feeling performances comes in. The two operas in that series next season are an English adaption of Engelbert Humperdinck's Hansel and Gretel, and Three Decembers, a chamber work by Jake Heggie, one of today's most successful operatic composers. The Detour series and the season conclude with 'One Amazing Night,' a recital devoted largely to Puccini and Verdi.

Washington National Opera (WNO), led by Artistic Director Francesca Zambello, announces its 2018-2019 season, one that continues its focus on bold productions of classic operas, fascinating contemporary perspectives, and the best in American artistry. The season includes a new WNO production of Verdi's classic romantic drama La traviata, the company premiere of Kevin Puts's and Mark Campbell's Pulitzer Prize-winning Silent Night, Tchaikovsky's epic Eugene Onegin, Gounod's devilishly entertaining Faust, and Puccini's towering masterpiece Tosca. The season also features a weekend of four world premieres during the American Opera Initiative Festival; a revival of WNO's hit world-premiere holiday family opera The Lion, the Unicorn, and Me; a special Domingo-Cafritz Young Artist performance of La traviata; and other exciting vocal events, including the annual Mars, lnc.'s Opera in the Outfield.