Barrington Stage's A LITTLE NIGHT MUSIC and More Take Home 2022 Berkshire Theatre Awards
by Stephi Wild
- Nov 15, 2022
At an SRO ceremony held at Zion Lutheran Church in Pittsfield, the Board of the Berkshire Theatre Critics Association (BTCA) presented the Berkshire Theatre Awards on the evening of Monday, November 14, 2022. This was the fifth time the awards have been presented to honor and celebrate the excellence and diversity of theatre in the greater Berkshire region.
Review: WAITING FOR GODOT at Barrington Stage Company
by Marc Savitt
- Aug 28, 2022
Where most productions paint the duo as downtrodden and rather depressed, here the two main characters are painted with s sense of comedic timing and light-heartedness that almost seems choregraphed. A performance harkening back to some of the greatest comedic duos. The likes of Lewis and Martin, Abbott and Costello, Laurel and Hardy.
Untitled Theater Company No. 61 Presents World Premiere of DOCTORS JANE AND ALEXANDER
by Chloe Rabinowitz
- Dec 12, 2019
Untitled Theater Company No. 61 (UTC61) presents a new play by Edward Einhorn about his grandfather, Alexander S. Wiener, who discovered the Rh Factor in Blood. Told through the lens of interviews with his mother, Jane Einhorn, a PhD psychologist and visual artist who had recently experienced a stroke at the time of the interviews. The play uses a mixture of verbatim/found text and invented dialogue to examine Wiener's legacy, both scientific and familial. How does it change your life to have a world famous father...or grandfather? How does that legacy continue through the generations?
BWW Review: Dazzling and Uplifting INDECENT at Center Stage
by Jack L. B. Gohn
- Mar 8, 2019
Indecent is about the power of theater to dazzle and uplift. Playwright Vogel has discussed plays that make the hair stand up on her neck. That is exactly what Indecent does: makes the hairs stand up on the back of the neck, and we may be at a loss to explain.
BWW Review: INDECENT at Center Stage
by Jack L. B. Gohn
- Mar 11, 2019
Paula Vogel's 2015 play Indecent, in a production now arrived at Center Stage after stops at D.C.'s Arena Stage and the Kansas City Rep, is a staggering tour de force of playwriting prowess that is also a tour of a largely forgotten world: international Yiddish theater shortly after the turn of the last century. A play about a play about a play, it follows Sholem Asch's God of Vengeance on a circular path, from Lodz, Poland in 1906 to Warsaw, to various stages in Europe, through Ellis Island and various New York theaters, culminating with an abortive stay on Broadway, and thence back to Lodz once more, at the peak of the Holocaust. And then, in a sort of coda, it concludes in Connecticut with the last days of Mr. Asch. All these parts are contained within an initial framing device in which, like Pseudolus in A Funny Thing Happened on the Way to the Forum, a stage manager named Lemml (Ben Cherry), introduces the players and musicians, apparently members of a turn-of-the-century Yiddish theater troupe, and identifies the kinds of parts they will play (like male and female Ingenues). Everything that follows, i.e. a play about presenting a play, is presented as a play performed by this troupe.
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