Jacques Imbrailo News

The world premiere production of Bel Canto the Opera - recorded in Chicago last January - airs on Great Performances Friday, January 13 at 9 p.m. on PBS.

Lyric's world premiere production of the opera Bel Canto - recorded in Chicago last January - will air nationally on Great Performances Friday, January 13 at 9pm CST on PBS (Check local listings). B

The life-long friendship of Nadir and Zurga has survived their precarious existence on the treacherous sea-shore. But with the arrival of Leila, a grave threat to the bond between them is about to be unveiled. Can their friendship survive? Only if one of them is willing to sacrifice all.

You have to get through an awful lot of shell to even glimpse the jewel at the core of The Pearl Fishers. Bizet's opera is much more than just a good duet - the score is glossy with melody, propelled along by some rollicking choruses - but the situation is so awkward, the plot so absurd (yes, even by operatic standards) that getting to the good stuff can prove almost impossible. Penny Woolcock's 2010 production, revived here for the second time, does a seductive visual dance in a desperate attempt to distract from the opera's flaws, but ends up just drawing more attention to them.

Lyric Opera of Chicago is excited to announce that Thirteen Productions LLC for WNET New York has selected the world-premiere production of Bel Canto – The Opera to be part of the prestigiousGreat Performances series on PBS. The WNET team will be in Chicago to film performances tonight, January 5, and January 8. Bel Canto will air nationally during the 2016/17 television season. 

Lyric Opera of Chicago is excited to announce that Thirteen Productions LLC for WNET New York has selected the world-premiere production of Bel Canto – The Opera to be part of the prestigiousGreat Performances series on PBS. The WNET team will be in Chicago to film performances January 5 and 8. Bel Canto will air nationally during the 2016/17 television season. 

Lyric Opera of Chicago presents the eagerly awaited world premiere of Bel Canto. This is Lyric's seventh full-length operatic world premiere.  Check out a first look below!

Lyric Opera of Chicago presents the eagerly awaited world premiere of BEL CANTO tonight, December 7. This is Lyric's seventh full-length operatic world premiere. BroadwayWorld has a first look at the cast in action below!

CHICAGO – Lyric Opera of Chicago presents the eagerly awaited world premiere of Bel Canto, which opens on Monday, December 7 for seven performances. This is Lyric's seventh full-length operatic world premiere. Composer Jimmy López (music) and Pulitzer Prize-winning playwright Nilo Cruz(libretto) are the creators of Bel Canto. Lyric's music director Sir Andrew Daviswill conduct the new opera, which was curated by Lyric's creative consultant Renée Fleming. Bel Canto is based on the best-selling novel of the same name by Ann Patchett. The production will be directed by Kevin Newbury.

Lyric Opera of Chicago will begin a new chapter in its history with its 61st season - the first to be fully planned by general director Anthony Freud and music director Sir Andrew Davis. Lyric's two artistic leaders announced the repertoire and casting for the 2015-16 season today.

The January broadcasts of The New York Philharmonic This Week - the weekly radio series of concerts and recordings by the New York Philharmonic, hosted by Alec Baldwin - begin with Alan Gilbert leading the Orchestra in an all-Mozart program: the Mass in C minor, Great, and Piano Concerto No. 22, featuring Emanuel Ax as soloist. The Mass features soprano Jennifer Zetlan, mezzo-soprano Jennifer Johnson Cano, tenor Paul Appleby, baritone Joshua Hopkins, and the New York Choral Artists, directed by Joseph Flummerfelt.

The January broadcasts of The New York Philharmonic This Week - the weekly radio series of concerts and recordings by the New York Philharmonic, hosted by Alec Baldwin - begin with Alan Gilbert leading the Orchestra in an all-Mozart program: the Mass in C minor, Great, and Piano Concerto No. 22, featuring Emanuel Ax as soloist. The Mass features soprano Jennifer Zetlan, mezzo-soprano Jennifer Johnson Cano, tenor Paul Appleby, baritone Joshua Hopkins, and the New York Choral Artists, directed by Joseph Flummerfelt.

Tenor Norman Reinhardt will sing the role of Ferrando in Houston Grand Opera's production of Così fan tutte, it was announced today by HGO Artistic and Music Director Patrick Summers. He replaces Stephen Costello, who has withdrawn due to illness. Mr. Reinhardt is in Houston to perform the role of Cassio in Verdi's Otello and will play Ferrando concurrently. Otello opens October 24, and Cosi fan tutte opens October 31.

Stephen Costello looks forward to a number of important firsts in 2014-15. Besides creating the role of Michele in San Francisco Opera's world premiere production of Two Women, the Tucker Award-winning tenor returns to the Metropolitan Opera for a pair of house role debuts, reprising his star turn as Alfredo -- also seen this season at the Vienna State Opera -- in La traviata, and singing Camille in Susan Stroman's new staging of The Merry Widow. He makes his professional role debut as Ferrando in Così fan tutte at Houston Grand Opera, and house debuts at both Austin Lyric Opera, in the title role of a new Roméo et Juliette, and London's Wigmore Hall, where he launches the season with a solo recital in the prestigious Rosenblatt Series. Costello also joins his wife, soprano Ailyn Pérez, for romantic duets from their recent hit album, Love Duets, with the BBC Symphony at London's Barbican Hall, and on a U.S. duo recital tour to the opera houses of Washington, Dallas, San Diego, and Philadelphia.

Houston Grand Opera's 2014–15 season, the company's 60th anniversary season, includes the world premiere of A Christmas Carol by Iain Bell—the company's 55th new commission —from award-winning Dickens authority Simon Callow; the continuation of HGO's first Ring cycle, with the American premiere of La Fura dels Baus's groundbreaking take on Die Walküre; the American premieres of Sir Nicholas Hytner's The Magic Flute and Lee Blakeley's Sweeney Todd; a 60th Anniversary Gala Concert featuring mezzo-soprano (and HGO Studio alumna) Joyce DiDonato; and a host of career-shaping role debuts that speak to Patrick Summers's gift for casting. Together with the company's first presentation of John Cox'sOtello, and the returns of Göran Järvefelt's beloved Così fan tutte and Michael Grandage's hit staging of Madame Butterfly, these rich offerings serve once again to illustrate some of the ways that HGO—still the only opera company with two Grammys, two Emmys, and a Tony—epitomizes “one model of what a forward-looking opera company could be” (Greg Sandow, Arts Journal).

Houston Grand Opera capped a financially and artistically successful 2013–14 season by presenting Mieczyslaw Weinberg's The Passenger —the Polish-Jewish composer's long-suppressed Holocaust opera—to wide acclaim at New York's Park Avenue Armory as part of the Lincoln Center Festival, July 10–13. Earlier this year, HGO gave the American premiere of the work in Houston with the same cast. There was special praise for the production and performances, conducted by HGO Artistic and Music Director Patrick Summers. New York magazine described David Pountney's staging as “a multi-story set so vivid you can practically smell the machine oil and coal smoke,” while the Financial Times said: “The production, imported from Houston, is imposing in every way.” The New York Times called the cast “flawless,” adding: “The conductor, Patrick Summers, drew a surging, textured, richly detailed performance of this challenging score (lasting three hours) from the inspired musicians of the Houston Grand Opera.” WQXR's Operavore summed up the import of the performances: “The Passenger shows how a Holocaust opera can hold the stage while examining important, complex issues—and could certainly point the way for future composers to deal with such important but delicate subject matter.”

The esteemed classical sacred music foundation Soli Deo Gloria-'to God alone be the Glory'-named for the Latin inscription frequently used by Johann Sebastian Bach on his manuscripts, has chosen to celebrate its 20th anniversary in early May in New York City with major performances of two significant commissions.

Music Director Alan Gilbert will conduct the New York Philharmonic in the New York Premiere of The Marie-Josee Kravis Composer-in-Residence Christopher Rouse's Requiem with baritone Jacques Imbrailo, the Westminster Symphonic Choir directed by Joe Miller, and the Brooklyn Youth Chorus directed by Dianne Berkun-Menaker.

Music Director Alan Gilbert will conduct the New York Philharmonic in the New York Premiere of The Marie-Josee Kravis Composer-in-Residence Christopher Rouse's Requiem with baritone Jacques Imbrailo, the Westminster Symphonic Choir directed by Joe Miller, and the Brooklyn Youth Chorus directed by Dianne Berkun-Menaker. The concert, Monday, May 5, 2014, at 7:30 p.m., will open the Spring For Music festival at Carnegie Hall, for which North American orchestras are invited to present one-night-only performances of unusual programming. The concert will be broadcast live on WQXR 105.9 FM and wqxr.org at 7:30 p.m., hosted by WQXR's Elliott Forrest and David Garland. WQXR will make it available for on-demand listening for one year following the stream on wqxr.org.

Music Director Alan Gilbert will conduct the New York Philharmonic in the New York Premiere of The Marie-Josee Kravis Composer-in-Residence Christopher Rouse's Requiem with baritone Jacques Imbrailo, the Westminster Symphonic Choir directed by Joe Miller, and the Brooklyn Youth Chorus directed by Dianne Berkun-Menaker. The concert, Monday, May 5, 2014, at 7:30 p.m., will open the Spring For Music festival at Carnegie Hall, for which North American orchestras are invited to present one-night-only performances of unusual programming.