Emeric Pressburger News

To Save and Project, MoMA's international film preservation festival, celebrates its ninth year with gloriously preserved masterworks and rediscoveries of world cinema. This year's festival comprises over 35 films from 14 countries, virtually all of them having their New York premieres, with some shown in versions never before seen in the United States. Guest presenters include Douglas Crimp, Joe Dante, Walter Hill, Alejandro Jodorowsky, Elaine May, Mario Montez, Thelma Schoonmaker, and Martin Scorsese, and highlights include films by Roger Corman, Forugh Farrokhzad, George Kuchar, Claude Lanzmann, Alberto Lattuada, Louis Malle, Agnes Martin, Georges Méliès, Michael Powell and Emeric Pressburger, Jean Rouch, Raúl Ruiz, and Seijun Suzuki.

The Museum of Modern Art will present To Save and Project: The Ninth MoMA International Festival of Film Preservation, the annual festival of preserved and restored films from archives, studios, and distributors around the world, from October 14 through November 19, 2011.

The Chicago Dancing Festival, co-produced by internationally renowned choreographer and Chicago native Lar Lubovitch and highly esteemed Chicago dancer Jay Franke, celebrates its 5th Anniversary season with expanded programming to include five days of free dance-related events, in venues throughout downtown Chicago, August 23 - 27, 2011.

The Chicago Dancing Festival, co-produced by internationally renowned choreographer and Chicago native Lar Lubovitch and highly esteemed Chicago dancer Jay Franke, celebrates its 5th Anniversary season with expanded programming to include five days of free dance-related events, in venues throughout downtown Chicago, August 23 - 27, 2011.

Carolina Ballet invites you to a special one-night-only screening of the digitally restored and re-mastered print of The Red Shoes, co-directed and produced by Michael Powell and Emeric Pressburger.

Carolina Ballet invites you to a special one-night-only screening of the digitally restored and re-mastered print of The Red Shoes, co-directed and produced by Michael Powell and Emeric Pressburger.

David Niven (1910-1983) was an actor of such diverse talents and charm that he is often categorized using clichéd phrases like 'urbane light comedian' or 'leading man.' These descriptions are indeed accurate, but one does not survive before the camera for a half-century on charm alone. The problem-if you can call it that-is that Niven made it all look too easy. Like Phileas Fogg in Around the World in 80 Days, he took everything in stride, unflappably and (seemingly) effortlessly playing his part, always prepared for whatever came his way. He was, after all, originally a military man by profession. He then chose to 'bum' around America, eventually winding up in Hollywood. Just as his film career began to blossom, he was one of the first to answer Britain's call when World War II broke out, serving on active duty for the duration and rising to the rank of colonel. He even made two propaganda films during brief leaves, including The Way Ahead, which is included in this series. After making his return in Michael Powell and Emeric Pressburger's masterpiece A Matter of Life and Death (Stairway to Heaven), he resumed a glorious career in film, theater, television, and writing with his typical debonair insouciance. This series aims to recapture some of the special glory that was David Niven.

David Niven (1910-1983) was an actor of such diverse talents and charm that he is often categorized using clichéd phrases like 'urbane light comedian' or 'leading man.' These descriptions are indeed accurate, but one does not survive before the camera for a half-century on charm alone. The problem-if you can call it that-is that Niven made it all look too easy. Like Phileas Fogg in Around the World in 80 Days, he took everything in stride, unflappably and (seemingly) effortlessly playing his part, always prepared for whatever came his way. He was, after all, originally a military man by profession. He then chose to 'bum' around America, eventually winding up in Hollywood. Just as his film career began to blossom, he was one of the first to answer Britain's call when World War II broke out, serving on active duty for the duration and rising to the rank of colonel. He even made two propaganda films during brief leaves, including The Way Ahead, which is included in this series. After making his return in Michael Powell and Emeric Pressburger's masterpiece A Matter of Life and Death (Stairway to Heaven), he resumed a glorious career in film, theater, television, and writing with his typical debonair insouciance. This series aims to recapture some of the special glory that was David Niven.

David Niven (1910-1983) was an actor of such diverse talents and charm that he is often categorized using clichéd phrases like 'urbane light comedian' or 'leading man.' These descriptions are indeed accurate, but one does not survive before the camera for a half-century on charm alone. The problem-if you can call it that-is that Niven made it all look too easy. Like Phileas Fogg in Around the World in 80 Days, he took everything in stride, unflappably and (seemingly) effortlessly playing his part, always prepared for whatever came his way. He was, after all, originally a military man by profession. He then chose to 'bum' around America, eventually winding up in Hollywood. Just as his film career began to blossom, he was one of the first to answer Britain's call when World War II broke out, serving on active duty for the duration and rising to the rank of colonel. He even made two propaganda films during brief leaves, including The Way Ahead, which is included in this series. After making his return in Michael Powell and Emeric Pressburger's masterpiece A Matter of Life and Death (Stairway to Heaven), he resumed a glorious career in film, theater, television, and writing with his typical debonair insouciance. This series aims to recapture some of the special glory that was David Niven.

The Outfest Legacy Project, a collaboration between the UCLA Film & Television Archive and Outfest, is proud to announce its 5th Anniversary. "The Outfest Legacy Project is the only program in the world dedicated to saving and protecting LGBT moving images and in just five short years, we have made great strides in addressing the growing crisis of LGBT films and moving image media that are threatened by deterioration and neglect," said Kirsten Schaffer, Executive Director of Outfest.

The Red Shoes, the newly restored 1948 masterpiece from directors Michael Powell and Emeric Pressburger, made its U.S. premiere at the Directors Guild of America on July 29 of this year after a world premiere at the Cannes Film Festival in May. The film will premiere tonight, November 6 and the Film Forum in Manhattan at 7:00pm.

'The Red Shoes,' the newly restored 1948 masterpiece from directors Michael Powell and Emeric Pressburger, will have its U.S. premiere at the Directors Guild of America on July 29. The film underwent an extensive 2-year 4K digital restoration by the UCLA Film & Television Archive and The Film Foundation, in association with the British Film Institute, ITV Global Entertainment Ltd and Janus Films.

'The Red Shoes,' the newly restored 1948 masterpiece from directors Michael Powell and Emeric Pressburger, will have its U.S. premiere at the Directors Guild of America on July 29. The film underwent an extensive 2-year 4K digital restoration by the UCLA Film & Television Archive and The Film Foundation, in association with the British Film Institute, ITV Global Entertainment Ltd and Janus Films.

The National Theatre has selected nine new plays to be presented as part of its NT Connections program, which features plays commissioned for and about young people.