David Belasco News

The Public Theater presents the New York premiere of HEAD OF PASSES, part of Oskar Eustis' 10th anniversary season. Written by Tarell Alvin McCraney and directed by Tina Landau, Head of Passes officially opens tonight, Monday, March 28. Let's see what the critics had to say...

Berkshire Opera Festival (BOF) has announced that tickets are on sale beginning today for its inaugural production of Giacomo Puccini's MADAMA BUTTERFLY.

San Francisco Opera General Director David Gockley and Music Director Nicola Luisotti today announced the Company's 2016–17 Season repertory and roster of international guest artists, conductors and creative teams scheduled to appear at the War Memorial Opera House, as well as initial programming for SF Opera Lab 2017 presentations at the Diane B. Wilsey Center for Opera's Taube Atrium Theater. The Company's 94th Season will also mark Matthew Shilvock's inaugural year as San Francisco Opera's new general director, succeeding his mentor and internationally respected impresario, David Gockley, who will step down on July 31, 2016.

Feinstein's/54 Below, Broadway's Supper Club, presents GHOST LIGHT: SONGS AND CREEPY STORIES FROM BROADWAY AND BEYOND TO GET YOU IN THE HALLOWEEN SPIRIT, starring Daisy Eagan (Tony Award winner, The Secret Garden), Christina Sajous (SpiderMan: Turn Off The Dark, Baby It's You), Doreen Montalvo (On Your Feet!, In The Heights), Brian Losoya (Lindsay Mendez & Ryan Scott Oliver's 'Actor Therapy'), and more.

This week FEINSTEIN'S/54 BELOW, Broadway's Supper Club, presents some of the brightest stars from Broadway, cabaret, jazz and beyond. To purchase tickets or for more information, visitwww.54Below.com/Feinsteins or call (646) 476-3551.

Craving a show after the show? FEINSTEIN'S/54 BELOW, Broadway's Supper Club, is bringing its popular late-night series with fresh faces and hot new performances to keep the party buzzing into the wee hours. To purchase tickets or for more information, visit www.54Below.com/Feinsteins or call (646) 476-3551. FEINSTEIN'S/54 BELOW welcomes you to loosen your tie and embrace the night at its upcoming event:

Broadway's 40 theatres aren't the only places to catch performances from your favorite stars! Well after Broadway orchestras begin their overtures, ensemble members take their dance breaks, and performers belt out their eleven o'clock numbers, the party continues at various cabaret venues throughout New York City. Below, BroadwayWorld brings you some cabaret highlights for this week as picked by our theatre editors, including: Show Biz After Hours with Frank DiLella Featuring Laura Osnes and Corey Cott; Classic Broadway at the Metropolitan Room; Comfort Women In Concert; GHOST LIGHT: Songs and Creepy Stories from Broadway and Beyond To Get You In The Halloween Spirit; and Into Sweeney Todd's Woods.

Feinstein's/54 Below, Broadway's Supper Club, presents GHOST LIGHT: SONGS AND CREEPY STORIES FROM BROADWAY AND BEYOND TO GET YOU IN THE HALLOWEEN SPIRIT, starring Daisy Eagan (Tony Award winner, The Secret Garden), Christina Sajous (SpiderMan: Turn Off The Dark, Baby It's You), Doreen Montalvo (On Your Feet!, In The Heights), Brian Losoya (Lindsay Mendez & Ryan Scott Oliver's 'Actor Therapy'), and more.

A mediocre production of a great musical is highlighted by Kristin Chenoweth's superlative turn.

Moffatt Oxenbould's (Director) staging of MADAMA BUTTERFLY is revived by Matthew Barclay (Revival Director) to share this doomed love story with new audiences. Whilst other operas presented by Opera Australia in their 2015 season have been re-imaginings, changing locations and eras, MADAMA BUTTERFLY has been left in its early 1900's time-period and house on a hill in Nagasaki setting.

Today we are talking to the gifted composer and lyricist behind the earth-shattering score for Broadway's biggest recent hit, HEDWIG & THE ANGRY INCH, the versatile and passionate Stephen Trask. Shedding considerable light on the development of the idiosyncratic rock musical, Trask discusses his influences and the organic way in which the outre show developed from humble beginnings at downtown bar Squeezebox in the mid-1990s, to Off-Broadway hit at the turn of the new century all the way to the rapturously received feature film adaptation, and, now, the 2014 Broadway production. Trask also details his affection for Tony Award-winning lead actor Neil Patrick Harris and looks ahead to the new leading man donning the titular wig, Andrew Rannells. Additionally, Trask also shares news on the forthcoming sequel to HEDWIG currently being developed with John Cameron Mitchell and teases some of what we can expect from the hotly anticipated theatrical experience. Furthermore, Trask reflects on his own upbringing and musical influences and how that informed the composition of the score for HEDWIG, as well as his own favorite performers. Plus, Trask reflects on his fruitful career as a movie scorer in Hollywood and comments on his upcoming musical endeavors, including two original stage musicals - JUST THE BLACK KEYS, a real-life inspired original musical potentially involving Peter Askin and Michael Mayer, as well 15 MINUTES, a Studio 54-centric period piece written with Rick Elice - as well as much, much more.

This spring, Amore presents Madama Butterfly by Giacomo Puccini (1858-1924) in a JapaneseKabuki inspired production. Conducted by Douglas Martin with stage direction by Nathan Hull, Madama Butterfly opens tonight, May 9, at The Connelly Theater in New York City and runs for twelve performances through May 25, 2014.

This spring, Amore presents Madama Butterfly by Giacomo Puccini (1858-1924) in a JapaneseKabuki inspired production. Conducted by Douglas Martin with stage direction by Nathan Hull, Madama Butterfly opens on May 9at The Connelly Theater in New York City and runs for twelve performances through May 25, 2014.

American soprano Patricia Racette, known throughout the world for her portrayal of Cio-Cio-San (a.k.a. Madama Butterfly), will star in the Lyric Opera of Chicago production of Puccini's ever-popular masterpiece, Madama Butterfly, which opens at Lyric tonight, January 11. There will be six performances - Jan. 11, 14, 17, and 20 beginning at 7:30pm, and Jan. 23 and 26 beginning at 2pm.

American soprano Patricia Racette, known throughout the world for her portrayal of Cio-Cio-San (a.k.a. Madama Butterfly), will star in the Lyric Opera of Chicago production of Puccini's beloved masterpiece, Madama Butterfly, which opens at Lyric with a new cast this Saturday, January 11. There will be six performances - Jan. 11, 14, 17, and 20 beginning at 7:30pm, and Jan. 23 and 26 beginning at 2pm.

American soprano Patricia Racette, known throughout the world for her portrayal of Cio-Cio-San (a.k.a. Madama Butterfly), will star in the Lyric Opera of Chicago production of Puccini's ever-popular masterpiece, Madama Butterfly, which opens at Lyric on Saturday, January 11. There will be six performances – Jan. 11, 14, 17, and 20 beginning at 7:30pm, and Jan. 23 and 26 beginning at 2pm.

For the first time since the 1985-86 season, a new-to-Chicago production of Puccini's beloved Madama Butterfly is about to open its wings at Lyric Opera of Chicago.

Christel Schmidt, an OSU alum now a film historian for the Library of Congress, will give a brief introduction to this year's CAPA Summer Movie Series silent film selection, The Little American (1917), starring 'America's Sweetheart,' Mary Pickford. Schmidt's specialty is the history of silent film with a focus on the life and career of Mary Pickford, and she will provide some insight on the actress, the pre-screening 14-minute fund-raising short for the US' Fourth Liberty Loan Drive in WWI titled One Hundred Percent American (1918) starring Pickford, and the series premiere of this feature film restoration print from the UCLA Film & Television Archive.

Christel Schmidt, an OSU alum now a film historian for the Library of Congress, will give a brief introduction to this year's CAPA Summer Movie Series silent film selection, The Little American (1917), starring 'America's Sweetheart,' Mary Pickford. Schmidt's specialty is the history of silent film with a focus on the life and career of Mary Pickford, and she will provide some insight on the actress, the pre-screening 14-minute fund-raising short for the US' Fourth Liberty Loan Drive in WWI titled One Hundred Percent American (1918) starring Pickford, and the series premiere of this feature film restoration print from the UCLA Film & Television Archive.

Today we are talking to a terrifically talented stage and screen performer who has appeared in dozens of film, TV and stage projects over the course of his forty-year career, the thoughtful and charming Treat Williams. In this all-encompassing conversation, Williams and I discuss the many stages of his career thus far, from his early roots co-starring alongside the likes of John Travolta and Marilu Henner in GREASE and OVER HERE! on Broadway in the 1970s, to leading the film adaptation of Terrence McNally's THE RITZ to headlining Milos Foreman's stirring film version of HAIR to starring in handful of other iconic films from his heydey at the top of the Hollywood heap - Steven Spielberg's 1941, Sergio Leone's ONCE UPON A TIME IN AMERICA and Sidney Lumet's PRINCE OF THE CITY included - and even working with Woody Allen on the caustic HOLLYWOOD ENDING. In addition to sharing candid and observant behind-the-scenes stories from the sets of those landmark properties, Williams also reveals his role in the STAR WARS sequel THE EMPIRE STRIKES BACK and reflects on his brief time in London with Carrie Fisher, George Lucas and company. Plus, Williams shares his recollections of working with many of his most memorable theatrical collaborators, with some especially intriguing anecdotes surrounding his time spent playing Buddy in the 2001 Roundabout revival of Stephen Sondheim & James Goldman's FOLLIES - with some tales involving the man behind the musical, as well as the ghost of David Belasco - and his insights into his work with David Mamet on OLEANNA, BOBBY GOULD IN HELL, TEXAN and others. As if all of that were not enough - most pertinent of all - Williams gives us the 411 on his season-long arc on USA's hit nighttime drama WHITE COLLAR and imparts his enthusiasm for working with similarly multi-talented many-format star Matt Bomer and the rest of cast and crew while also revealing some details on where his dastardly character is headed in tonight's episode and all the way into 2013 when the show picks up after the hiatus coming up. Also, Williams sheds some light on his spate of upcoming projects. All of that and much, much more!