VIRGINIA REPERTORY THEATRE 2017-18 SEASON Equity Principal Auditions - Virginia Repertory Theatre Auditions

Posted May 10, 2017
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VIRGINIA REPERTORY THEATRE 2017-18 SEASON - Virginia Repertory Theatre

Virginia Repertory Theatre 2017-18 Season - Richmond VA EPA

Virginia Repertory Theatre


AUDITION DATE

Jun 08, 2017 WITH Accompanist

9:00 am - 5:00 pm (EDT)

Lunch 1 to 2

Jun 09, 2017 NO Accompanist

9:00 am - 5:00 pm (EDT)

Lunch 1 to 2

APPOINTMENTS

Appointments may be made by e-mailing casting@virginiarep.org. Members without appointments will be seen throughout the audition day as time permits.

CONTRACT

SPT SPT Tier 6; 2017-18 salary pending; 16-17 was $443/week min

SEEKING

Equity performers for various roles in the upcoming 2017-18 season.

PREPARATION

1) a brief song (not to exceed 2 minutes; please bring sheet music in your key; (an accompanist will be provided on Thursday 6/8 ONLY), OR
2) a brief monologue (not to exceed 2 minutes), OR
3) 16 bars of a song and a brief monologue.

Bring picture and resume.

LOCATION

November Theatre

114 West Broad St

Richmond, VA 23220

PERSONNEL

Managing Director/Producer: Phil Whiteway
Artistic Director: Nathaniel Shaw
Associate Artistic Director: Chase Kniffen

OTHER

An Equity Monitor will not be provided. The producer will run all aspects of this audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

BREAKDOWN

SHAKESPEARE IN LOVE (PLAY)
Director: Jen Wineman
Venue: The November Theatre
First Rehearsal: August 14, 2017
Run: Sept 13 – Oct 8, 2017

seeking:

WILL SHAKESPEARE, poet and playwright

KIT MARLOWE, colleague, friend, and inspiration

FENNYMAN, the money

LAMBERT and FREES, Fennyman’s henchmen

HENSLOWE, owner and manager of the Rose Theatre

Richard BURBAGE, lead actor of the Chamberlain’s Men

MISTRESS QUICKLY, wardrobe mistress

Actors playing VALENTINE and PROTEUS

Burbage’s HEAVIES (2)

QUEEN Elizabeth I

EDMUND TILNEY, the Lord Chamberlain

VIOLA, disguises herself as actor Thomas

KENT NURSE, servant to Viola

ROBERT DE LESSEPS, Viola’s father

Lord WESSEX, betrothed to Viola

CATLING, guard at De Lesseps Hall

RALPH, novice actor, plays Nurse and Petruchio

NOL, novice actor, plays Benvolio and Samson

ROBIN, novice actor, plays Lady Capulet

ADAM, novice actor, plays Gregory, Benvolio, and Servingman

JOHN WEBSTER, street urchin, aspires to be a player

WABASH, novice actor, Henslowe’s stammering tailor

NED ALLEYN lead actor of the Admiral’s Men, plays Mercutio

SAM, actor, plays Juliet

PETER, actor, plays Tybalt
____________________________________________

MARY POPPINS (MUSICAL)
Director: Chase Kniffen
Venue: The November Theatre
First Rehearsal: Oct 16, 2017
Run: Nov 15 – Dec 30, 2017

seeking:

Bert, The narrator of the story, is a good friend to Mary Poppins. He has charm, speaks with a Cockney accent and is a song-and-dance man.

George Banks, The father to Jane and Michael Banks, is a banker to the very fiber of his being.

Winifred Banks, George's wife and Jane and Michael's mother. She has great warmth and simplicity to her tone. This role is cast.

Jane, The high-spirited daughter of Mr. and Mr. Banks, is bright and precocious but can be willful and inclined to snobbishness.

Michael, The cute and cheeky son of Mr. and Mrs. Banks. Excitable and naughty, he adores his father and tries to be like him. Both he and Jane misbehave in order to get the attention of their parents.

Mary Poppins, Jane and Michael Banks's new nanny. She is extraordinary and strange, neat and tidy, delightfully vain yet particular, and sometimes a little frightening but always exciting. She is practically perfect in every way and always means what she says. This role is cast.

Bird Woman, Covered in a patchwork of old shawls, and her pockets are stuffed with bags of crumbs for the birds. This role is cast.

Miss Andrew, George's overbearing and scary nanny. A soprano with an alto belt, there can be some heaviness to her voice along with range. This role is cast.

Ensemble
____________________

A RAISIN IN THE SUN (PLAY)
Director: Tawnya Pettiford-Wates
Venue: The November Theatre
First Rehearsal: Jan 22, 2018
Runs: Feb 14 – Mar 11, 2018

seeking:

Walter Lee , a dreamer, whose big plans and schemes are fueled by his aspirations and ambitions to become something in the world.

Beneatha , Walter Lee’s younger sister, college student studying to be a doctor; bright, confident, opinionated, and extremely intelligent; fully invested in exploring new ideas about her identity, heritage and religion

Lena Younger, Walter Lee’s mother and the Matriarch of the Younger family; straightforward, honest, and principled; a strong woman who worked her entire life, against incredible odds, to create a safe and loving home where her children could flourish.

Ruth Younger, married to Walter Lee; pragmatic, strong, and hard-working, is exhausted from bearing the weight of running a family, working a full-time job, and managing their tight finances

Travis Younger, energetic, clever, honest, but not above manipulating the adults around him to get what he wants; looks up to his father and adores the women in his life, a city kid who never had a yard to play in, but finds a world of fascination in the street outside his apartment building

Joseph Asagai, a Nigerian student in love with Beneatha, intelligent, thoughtful, charming, with the assurance and charisma of a revolutionary

George Murchison, a fellow student and suitor of Beneatha’s, smooth, confident, cocky, comes from a wealthy family, carries with him a sense of entitlement

Karl Lindner, an emissary sent from the Clybourne Park Improvement Association to visit the Youngers; intelligent, political, and diplomatic
_______________

RIVER DITTY (WORLD PREMIER PLAY)
Director: Nathaniel Shaw
Venue: The November Theatre
First Rehearsal: Mar 19, 2018
Runs: April 18 – May 6, 2018

seeking:

ARLO: Twenties. Boyish good looks, but a sophisticated manner. A terrible romantic. Self educated. Something of a dandy. He has maintained an exuberance and optimism that could be called naive, if it weren’t so earnest. A storyteller. A young soul.

SUNSHINE (DITTY): Twenties. A beautiful fierce creature. Looks you square in the eyes. It is a joy to hear her laugh. She has navigated a violent environment by being something of a chameleon. Madame of the Gilded Lily Saloon. An old soul.

HARLAN: Twenties. A mountain sized man. Hardened both by his environment and his upbringing. Has lived off the land all of his life, often in solitude. A keen observer. A quiet strength. No stranger to violence, however, abhors violence. A lonely soul.

OWEN: Twenties. Comes from a long line of lawmen, and has fashioned himself in the image of the heroes of penny westerns. Easy in his skin, but a live-wire just below the surface. Quick with humor, and quick on the draw. A restless soul.

TOE: Fifties or older. Harlan’s father. A moonshiner. A degenerate. Twisted by poverty, he spitefully believes the world owes him something and will get his by whatever means is necessary.

LILY FAIR: Forties. A survivor. A mother and a prostitute. Has negotiated a history among violent men by becoming a shrewd manipulator. Fiercely loyal.

ATTICUS DYE: Fifties. Proprietor of the Gilded Lily Saloon and Dance Hall. A self made man. Confident and masculine. Intelligent enough to be truly cruel. He values loyalty above all. Ambition and the will to do what others won’t lifted him out of the poverty and depravity of his family’s name.
______________

WEST SIDE STORY (MUSICAL)
Producer: Virginia Repertory Theatre
Director: Nathaniel Shaw
Venue: The November Theatre
First Rehearsal: May 21, 2018
Runs: Jun 20 – Jul 29, 2018

seeking:

Riff, A spritely, quick-tempered leader. He seeks to eliminate the Sharks and establish his own gang's dominance. Tony's best friend, he is eventually murdered by Bernardo.

Tony, A romantic young man and former leader of the Jets, he has found a new lifestyle now. Tony finds himself violently torn between his friendships and love. Falls in love to Maria and meets an untimely death. Genuinely sweet and sincere.

Bernardo, A proud, strong, handsome Puerto Rican man. Bernardo seeks to carve out territory as a sense of identity for he and his friends. Maria's brother and Anita's boyfriend. Leader of the Sharks.

Maria, A hopeless romantic and innocent young girl. She falls in love with Tony and finds herself at the center of the violent conflict between the two gangs. Bernardo's sister. Puerto Rican.

Anita, Feisty and assertive. She dispenses older sister advice to Maria and tries to shield her from the dangers of the gangs. Bernardo's girlfriend and Maria's friend. Puerto Rican.

Chino, An angry and, at times, naive Shark who turns murderous and vengeful. Suitor to Maria and friend of Bernardo's.

Anybodys, A spunky tomboy who is desperate to become a member of the Jets. The other Jets mock her for her ambitions, but generally appreciate her company. Full of energy and heart.

Doc, The owner of the candy store where the Jets hang out. He tries to guide the Jets youthful angst and provides a safe haven for Tony. Old fashioned and wise in his ways.

Schrank, A local police detective frustrated by the ongoing violence between the Jets and Sharks. Blunt, brash, and unapologetic.

Krupke, The local beat cop. He has no patience for the gangs conflict and tries to keep tensions from erupting between them. Regularly mocked by the local gangs.

Ensemble
Jets, Sharks, Jets Girls, Sharks Girls


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.

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