UTAH SHAKESPEARE FESTIVAL 2020 SEASON Equity Chorus Call Male Singers - Utah Shakespeare Festival Auditions

Posted October 30, 2019
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UTAH SHAKESPEARE FESTIVAL 2020 SEASON - Utah Shakespeare Festival

Utah Shakespeare Festival 2020 Season - Los Angeles ECC Male Singers

Utah Shakespeare Festival


AUDITION DATE

Tue, Nov 05, 2019

10:00 am (PDT)

APPOINTMENTS

ECC rules in effect. In-person sign-up begins at 9:30AM on 11/5/19.

CONTRACT

LORT Rep LORT B, D Minimums - $969/wk,$717/wk

SEEKING

Actors for upcoming 2020 Season. See breakdown.

PREPARATION

Shakespeare verse monologue, contemporary contrasting monologue, song (16 bars)
Accompanist will be provided - please bring sheet music.

LOCATION

Actors' Equity Association LA Audition Center

5636 Tujunga Ave

North Hollywood, CA 91601

PERSONNEL

Brian Vaughn - Artistic Director, Utah Shakespeare Festival

OTHER DATES

Contract #1: April 30 - October 10, 2020 LORT D
Contract #2: May 11 - September 5, 2020
Contract #3: May 11 - October 10, 2020
Contract #4: June 10 - October 10, 2020

OTHER

www.bard.org

ECC Procedures are in effect for audition.

An Equity monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

BREAKDOWN

Utah Shakespeare Festival 2020 Season

All PRODUCTIONS PLAY IN FULL ROTATING REP

USF is in reference to a LORT B and D agreement Actors are cast in multiple productions

Desperate Measures

Book and Lyrics by Peter Kellogg, Music by David Friedman

First Reh – April 30 / Opening June 6 / Closing Oct 10

LORT D company in Rep with Cymbeline and Shakespeare’s Worst

Johnny Blood; a hot-headed young cowboy; 21-25; Tenor

Father Morse; Franciscan Priest; Irish; 40-50; Baritone; also plays Big Swede and Bartender

Sheriff Martin Green ; Mid to late 30’s; Baritone

Susanna – aka – Sister Mary Jo; a novice nun and Johnny’s sister; 19 - 25; Soprano

Governor Von Richterhenkenpflichtgetruber; German; 40 – 50; Baritone

Bella Rose; A saloon girl in love with Johnny 20 – 30’s; Belt

Cymbeline – by William Shakespeare

First Reh – April 30 / Opening June 5 / Closing Oct 10

LORT D company in Rep with Cymbeline and Shakespeare’s Worst 6-8 actors playing the following roles:

Cymbeline

Posthumus Leonatus

Iachimo

Belarius

Pisanio

Guiderius

Cloten

Arviragus

Caius Lucius

Cornelius

Philarmous

Philario

Imogen

Queen

Helen

Lords/Messengers/Guards/Soldiers

Shakespeare’s Worst by Mike Reiss with Nick Newlin

First Reh – July 8 / Opening Aug 8 / Closing Oct 9

LORT D Company in Rep with Desperate Measures and Cymbeline

Launce/Crab

Valentine

Proteus

Speed/Duke

Lucetta/Silvia

Julia/Sebastian

The Comedy of Errors by William Shakespeare

First Reh – May 11 /Opening- June 25 / Closes Sept 4 LORT B

Duke Solinus

Egeon

Antipholus of Ephesus

Antipholus of Syracuse

Dromio of Ephesis

Dromio of Syracuse

Balthazar

Angelo

Doctor Pinch

First Merchant

Second Merchant

Emelia

Adriana

Luce

Courtesan

Officer

Jailor

Richard III by William Shakespeare

First Reh – May 12 / Opens June 27 / Closes Sept 5 LORT B

Richard of Gloucester

King Edward IV

Queen Elizabeth

Clarence

Duchess of York

Lady Anne

Margaret

Edward

Richard Duke of York

Elizabeth Plantagent

Rivers

Grey

Jane Shore

Hastings

Buckingham

Stanley

Catesby

Ratcliffe

Lord Lovell

Richmond

Oxford

Blunt

Brakenbury

Lords/Soldiers/Messengers

Pericles by William Shakespeare

First Reh – May 11 / Opening June 26 / Closing Sept 3 LORT B

Gower

Pericles

Antiochus

Helicanus

Escanes

Simonides

Cleon

Lysimachus

Cerimon

Thaliard

Leonine

Pandar

Boult

Daughter of Antiochus

Dionyza

Thaisa

Marina

Lychorida

Bawd

Diana

Lords/Soldiers/Messengers

The Pirates of Penzance by Gilbert & Sullivan

First Reh May 11 / Opening July 2 / Closing Sept 5 LORT B

The Pirate King

Samuel

Frederic

Ruth

Major General Stanley

Mabel

Edith

Kate

Isabel

Celia

Daphne

Sergeant of Police

Ensemble

Pirates/Police

One Man Two Guvnors by Richard Bean

First Reh May 11 / Opening July 3 / Closing Oct 10 LORT B -

Francis Henshall – 20 -50 – Essex - Energetic, dexterous, able to improvise,– (Truffaldino)

Stanley Stubbers - 20 – 30 – Home Couties - The 2nd Guvnor. Privately educated, more than a touch of the upper class twit. A criminal (Florindo Aretusi)

Rachel Crabbe – 20 - 30 – London - 1st Guvnor. Disguised as her deceased twin brother, spends the play dressed a fashionable young man. (Beatrice Rasponi)

Harry Dangle – 50 - 60 – Crooked Solicitor – Rottingdean/tries to be posh Brighton (Lombardi)

Charlie “The Duck” Clench – 50 - 60 – Brighton Based, originally London (Pantaloni)

Lloyd Boateng – 40 – 50 – Friend to Clench – Ex London/Jamaican (Brighella)

Pauline Clench – 20+ not too bright daughter to Clench, recently engaged to Alan– Brighton (Clarice)

Alan – 20 - 39 – Son of Dangle, an aspiring actor given to dramatic poses, engaged to Pauline– (Silvio)

Dolly – 30 - 50 -Employee of Clench– (Smeraldina)

Alfie – Waiter

Gareth – Waiter

Ensemble

Ensemble

Ensemble

Ensemble

Into the Breeches – by George Brandt

First Reh – June 10 / Opening July 29 / Closing Oct 10 LORT D

Maggie Dalton – 50’s / Director / Plays The Chorus

Celeste Fielding – 50’s / the Diva / Plays Henry 4th and 5th

Winifred Snow – 50’s / Plays Falstaff

Ida Green – African American / 30’s / Plays Hotspur

June Bennett – 20’s / Ingenue/ Plays the Kate’s

Grace Richards – 30’s / Plays Henry 4th & 5th

Ellsworth Snow – 60’s / Board President

Stuart Lasker – 40’s / Stage Manager / Plays Mistress Quickly


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.

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