THE PLAY THAT GOES WRONG Equity Principal Audition - Various Producers Auditions

Posted June 30, 2022
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THE PLAY THAT GOES WRONG - Various Producers

THE PLAY THAT GOES WRONG - FORT WORTH EPA

Various Producers

AUDITION DATE

Sat, Jul 09, 2022

1:00 pm - 6:30 pm (CST)


APPOINTMENTS

To make an appointment, please sign up at https://www.signupgenius.com/go/805084aaca62baafc1-theplay .



CONTRACT

SPT $523 weekly minimum (SPT 6)



SEEKING

Equity actors for roles in THE PLAY THAT GOES WRONG to be produced by Stage West and WaterTower Theatre (see breakdown).

Stage West and WaterTower will require COVID-19 vaccinations from all artists in the production group. This is a condition of employment. Team members will be required to submit a photo or scan of their vaccination card, including proof of booster.

If you are unable or do not wish to attend the in-person audition, you may submit a self-tape of one of the sides provided at https://stagewest.org/auditions to https://airtable.com/shrWvZxmHO44DBZXD .



PREPARATION

Auditions will involve cold readings from the script. If you would like to peruse the script prior to the auditions, copies will be available at Stage West.


LOCATION

Stage West

821 W Vickery Blvd

Fort Worth, TX 76104-1144

The Evie Theatre.


PERSONNEL

Viewing auditions:
Director - Harry Parker
Stage West Executive Producer - Dana Schultes
Stage West Associate Producer - Garret Storms
WaterTower Producing Artistic Director - Shane Peterman
WaterTower Associate Producer - Elizabeth Kensek



OTHER DATES

See production dates in breakdown.


OTHER

stagewest.org / watertowertehatre.org

An Equity Monitor will not be provided. The producer will run all aspects of audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.


BREAKDOWN

Synopsis: Welcome to the opening night of The Murder at Haversham Manor, where things are quickly going from bad to fiasco. With an unconscious leading lady, a corpse that can’t play dead, and actors who trip over everything (including their lines), the whole evening is a disastrous smash. Chock-full of mishaps and madcap mania, this classic murder mystery is sure to bring down the house!

Rehearsals (subject to change):

Begin at WaterTower on Tuesday, January 10, 2023. Rehearsal schedule is Monday through Saturday with Sundays off.

Rehearsal times are Monday through Friday 6:30-11:00pm, Saturdays 11:00am-6:00pm, Sundays off, although there may be slight flexibility.

Pick up rehearsals for performances at Stage West will be February 14 and 15, 2023 from 7p-12a at Stage West.



Performances:

At WaterTower: Wednesday, February 1, 2023 through Sunday, February 12, 2023 at WaterTower Theatre. [Note: performances at WaterTower will be Wednesday and Thursday nights at 7:30pm, Friday and Saturday nights at 8:00pm, and Saturday and Sunday matinees at 2:00pm]


At Stage West: Thursday, February 16, 2023 through Sunday, March 5, 2023 at Stage West. [ Note: performances at Stage West will be Wednesday and Thursday nights at 7:30pm, Friday and Saturday nights at 8:00pm and Saturday and Sunday matinees at 3:00pm]

Seeking:

In reference to the character descriptions below—most characters we encounter currently are on the binary and are written with he/him or she/her pronouns and you will see that in the following descriptions. But how ever limiting the descriptions are, our casting seeks to be as inclusive as possible and we invite gender non-conforming, genderqueer, transgender and non-binary actors to submit for the roles they most identify with. We will also list race/ethnicity when specific to the character but are otherwise seeking all races and ethnicities. Let us know if you have any questions, concerns, or if there are any accommodations we can provide (Language developed by Kevin Kantor and Emily Tarquin from the Actors Theatre of Louisville).

Annie - Female. 25-40. The company stage manager. She has the biggest journey of any of the characters. When Sandra is indisposed Annie, who cannot bear to be on stage, must step in. Initially terrified by acting, she is willing to kill for it by the end of the play. Her initial terror turns to joy, then to fury. She starts small but grows and grows. Standard American accent.

Trevor - Male. 25-45. The company lighting and sound operator. He simply wants to get on with the show. Curmudgeonly and doesn’t care for actors. He is easily distracted and does many things he shouldn’t, including engaging with the audience. When things go really sideways, he is forced to act in the play. He hates acting. Standard American accent.

Chris - Male. 30-45. The head of the company. High status clown. Rigid, uptight, everything really matters. He is the director of the play and plays Inspector Carter, the esteemed local inspector. this is the biggest day of his life. Everything is riding on this. It is a nerve wracking and exciting night. His pain is evident and every time someone laughs the pain deepens. He has equal amounts of contempt for his fellow actors and the audience watching the play. RP accent.

Jonathan - Male. 25-35. A member of the company. He plays Charles Haversham, the deceased. A bit bland, but sees himself as a James Bond type. Excited and having fun, but not naïve. He technically has to drive the show. He cares about the play, but not to the same extent as the others. Very physical role. RP accent.

Robert - Male. 30-45. A member of the company, plays Thomas Colleymoore, Charles’ old school friend. Wants to be Richard Burton, as evidenced by his declamatory style. He is, however, not a parody of a bad actor. He is unaware of others around him. He does not feel badly when things go wrong and never learns from his mistakes. There is a power struggle between Robert and Chris to be president of the Cornley Poly Drama Society (a position that matters a great deal to Robert). Has real vocal power. RP accent.

Dennis - Male. 25-35. A member of the company, plays Perkins, Charles’ butler. He has no real desire to be involved in the theatre, he just wants to make friends (of which he has none). He believes if he does well in the show, he will be more successful socially. Laughter from the audience is agony for him. He may be slightly oblivious but understands when he gets things wrong. The laughter is a personal tragedy/failure. RP accent.

Max - Male. 25-35. A member of the company, plays Cecil Haversham, Charles’ brother and Arthur the Gardner, the gardener at Haversham Manor. He has never been on stage before. He learned his lines and does exactly what he’s told to do. He has zero connection with any of the other actors, but when he gets a laugh he breaks the 4th wall to engage with the audience. Childlike and naïve. His mistakes are fundamental. he doesn’t think anything through, just looks for approval. RP accent.

Sandra - Female. 25-35. A member of the company, plays Florence Colleymoore, Charles’ fiancée and Thomas’ sister. She is vain and possesses a huge ego. Wants to be loved. Has ambitions to go to Hollywood and will hurt anyone standing in the way of what she wants but is smart enough to stay on the good side of someone who can help her (like the director). You know the type. The stakes are high for her. Very physical role. This role will appear in less than full costume with some sort of underwear revealed - this will not be prurient, but comic. RP accent.

Requirement for proof of vaccination/negative test:

Everyone entering the audition venue (i.e., venue employees, Equity members, non-members, casting personnel, creatives, producers, musicians, COVID Safety Managers, etc.) will be required to undergo a symptom check and provide one of the following prior to entry into the venue:

Proof of full vaccination. “Fully vaccinated,” as defined by the CDC, is more than 14 calendar days following receipt of a final dose of an FDA or World Health Organization authorized or approved vaccine.

(OR)

Proof of a negative PCR test result taken no earlier than 48 hours prior to entry into the audition venue.

(OR)

Proof of two negative antigen test results (e.g., the first taken the night before and the second taken no less than 2 hours) prior to entry into the venue. Results of non-proctored at-home antigen tests will not be accepted.

Two-ply cloth face masks, surgical masks, singer’s masks and respirators (N95, KN95 or KF94) will be allowed for face coverings. Single-ply face masks, gaiters and bandanas are not acceptable face coverings. Everyone in the holding room and audition room will always wear a face covering as described above, except for the actor when they are actively auditioning. The time spent unmasked should be as minimal as possible. Face coverings must be worn correctly (covering the nose and mouth). Singer’s masks can be found at www.broadwayreliefproject.com/singersmask.

If the risk level for Tarrant County is trending upwards and may rise to High (Red) we will contact members with appointments at least 24 hours before the first audition appointment time to let them know there is a chance that the auditions may need to be postponed or cancelled. All members with appointments will be notified if the auditions must be postponed or cancelled.

We encourage members to prepare for their audition at home, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms. Additional information required in notice:

Holding/Audition room information:

The audition room is 2100 square feet and can accommodate no more than 21 individuals at a time.

The holding room is 1500 square feet and can accommodate no more than 15 individuals at a time

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