Stages St. Louis 2023 Season Equity Principal Actors - STAGES St. Louis Auditions

Posted January 5, 2023
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Stages St. Louis 2023 Season - STAGES St. Louis

Stages St. Louis 2023 Season - Chesterfield, MO EPA (Non singing)

STAGES St. Louis | Chesterfield, MO

Notice: Audition Call Type: EPA

AUDITION DATE

Thursday, January 26, 2023

9:30 AM - 4:30 PM (C)

APPOINTMENTS

To sign up for an appointment slot, please visit
https://www.signupgenius.com/go/10C0F44A
https://www.signupgenius.com/go/10C0F44A CA92AA2F4C70-stages beginning on Monday, January 9, 2023 at 10:00 am CT. This appointment sign up will close on January 23, 2023 at 5:00pm CT.

CONTRACT

LOA

$641 weekly minimum (Ref. COST)

SEEKING

Equity actors for roles in Stages St. Louis' 2023 Season (See breakdown).

NON-SINGING DAY

PREPARATION

Please prepare sides that can be found at:
https://www.signupgenius.com/go/10C0F44A
https://www.signupgenius.com/go/10C0F44A CA92AA2F4C70-stages .

LOCATION

STAGES St. Louis Kent Center for Theatre Arts

1023 Chesterfield Parkway East

Chesterfield, MO 63017

PERSONNEL

Executive Producer: Andrew Kuhlman Casting: The Wojcik Casting Team/ Holly Buczek, CSA

Expected to attend:

Artistic Director: Gayle Seay

Artistic General Manager: Alicia Scott-Aune Director of AIDA: Luis Salgado

Director of CLUE: Steve Bebout

SEE

BREAKDOWN

for production specific personnel.

OTHER

DATES

CLUE:

Rehearsals: July 4, 2023 – July 20, 2023

Performances: July 21, 2023 – August 20,

2023

MILLION DOLLAR QUARTET:

Rehearsals: August 22, 2023 – September 7, 2023

Performances: September 8, 2023 – October 8, 2023

SCHEDULE:

Rehearsals:

Tuesday - Sunday

10:00 am - 6:30 pm

Evening Performances:

Tuesday, Wednesday, Thursday: 7pm

Friday & Saturday: 8pm

Sunday: 7pm – Weeks 1 & 2 only

Matinee Performances:

Wednesday: 2pm – Weeks 3 – 5 only

Thursday: 2pm – Week 3 only

Saturday: 3pm

Sunday: 2pm

OTHER


http://stagesstlouis.org" target="_blank">stagesstlouis.org

Singing audition day - 1/27


An Equity Monitor will not be provided. The producer will run all aspects of this audition. Equity’s contracts prohibit discrimination.

Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

BREAKDOWN

Equity encourages everyone participating in the auditions to wear a two-ply cloth face mask, surgical mask, singer’s mask or respirator (N95, KN95 or KF94). Single-ply face masks, gaiters and bandanas are not recommended. Singer’s masks can be found at www.broadwayreliefproject.com/singersmask.

We encourage members to prepare for their audition prior to arriving at the audition venue, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms.

The maximum capacity in the holding room is: 110

The maximum capacity in the audition room is: 250

CLUE:

Director: Steve Bebout

Playwright: Sandy Rustin with additional materials by Hunter Foster and Eric Price Adapted from the screenplay by: Jonathan Lynn

SEEKING

:

Wadsworth: (He/Him, 30s-50s, Any Ethnicity) A traditional British butler in every sense: uptight, formal and “by the book.” He is the driving force in the play.

Yvette: (She/Her, 20s, Any Ethnicity) A loyal and sexy, French Maid.

Miss Scarlett: (She/Her, 30s-40s, Any Ethnicity) A dry, sardonic D.C. Madam, more interested in secrets than sex.

Mrs. Peacock: (She/Her, 40s-60s, Any Ethnicity) The wealthy wife of a Senator. A bit batty, neurotic, and quick to hysteria.

Mrs. White: (She/her, 40s-50s, Any Ethnicity) A pale, morbid, and tragic woman. Mrs. White may or may not be the murderer of her five ex-husbands.

Colonel Mustard: (He/Him, 40s-60s, Any Ethnicity) A puffy, pompous, dense, blow-hard of a military man.

Professor Plum: (He/Him, 30s-50s, Any Ethnicity) Arrogant, academic, and easily impressed by himself.

Mr. Green: (He/Him, 20s-40s, Any Ethnicity) A timid, yet officious, rule follower. He’s awfully anxious.

Ensemble Woman (THE COOK, SINGING TELEGRAM GIRL, AUXILIARY SCARLET): (She/Her, 20s-40s, Any Ethnicity) THE COOK - A gruff woman with a threatening presence. (Alive and Dead). SINGING TELEGRAM GIRL - A tap dancer with a heart of gold. (Alive and Dead). *AUXILIARY SCARLET - The back of Miss Scarlet during a scene of theatrical trickery.

Ensemble Man 1 (MR. BODY, THE MOTORIST, CHIEF OF POLICE): (He/Him, 30s-50s, Any Ethnicity) MR. BODDY – A slick, Frank Sinatra, film noir-esque type fella. (Alive and Dead). THE MOTORIST - A benign gentleman who rings the wrong doorbell. (Alive and Dead). CHIEF OF POLICE - A cop who helps to save the day.

Ensemble Man 2 (THE BROKEN DOWN CAR COP, BACKUP COP, AUXILIARY MUSTARD): (He/Him, 30s-50s, Any Ethnicity) THE BROKEN DOWN CAR COP -- A “Regular Joe.” (Alive and Dead). BACKUP COP - Backup for the chief. *AUXILIARY MUSTARD - The back of Colonel Mustard during a scene of theatrical trickery.

MILLION DOLLAR QUARTET:

Music By: Elvis Presley, Johnny Cash, Jerry Lee Lewis, & Carl Perkins

Book By: Colin Escott & Floyd Mutrux

Director & Choreographer: Keith Andrews

Music Director: Dave Sonneborn

SEEKING

:

Sam Phillips: (He/Him, 30s) “Father of Rock’n’Roll” and founder of Sun Records who discovered Elvis Presley, Johnny Cash, Jerry Lee Lewis, Carl Perkins, and many others including Roy Orbison and B.B. King; a towering and charismatic figure in American music.

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