SOUTH PACIFIC Equity Performer Auditions - McCoy Rigby Auditions

Posted November 29, 2017
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SOUTH PACIFIC - McCoy Rigby

South Pacific - La Mirada EPA/ECC Singers

McCoy Rigby


AUDITION DATE

Mon, Dec 04, 2017

11:00 am - 7:00 pm (PST)

APPOINTMENTS

EPA rules in effect. In person sign-up begins at 10:00Am on 12/4/17.

CONTRACT

COST Minimum - $835/wk

SEEKING

See breakdown.

PREPARATION

Please prepare a song in an appropriate genre. Character driven. Must bring sheet music. You can also sing from the show. Non singing roles can prep an appropriate monologue.

LOCATION

La Mirada Theatre Rehearsal Space

15519 Phoebe Ave

La Mirada, CA 90638

This address is not the La Mirada Theatre.

PERSONNEL

Music Director/Accompanist: Brent Crayon
Casting Director: Julia Flores
Other members of the Creative Team may stop by, but are not scheduled for the duration.

OTHER DATES

Rehearsals in La Mirada: 3/27-4/8
Valley Performing Arts Center in Northridge:
Tech: 4/9-4/13
Open: 4/13
Close 4/15
La Mirada Theatre:
Tech: 4/16-4/20
Open: 4/20
Close: 5/13
MUST BE AVAILABLE FOR ALL DATES

OTHER

PRODUCERS: Tom McCoy and Cathy Rigby
Director: Glenn Casale
Choreographer: Peggy Hickey

EPA Procedures are in effect for this audition.

An Equity monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

BREAKDOWN

NELLIE FORBUSH: Mezzo. Late 20’s – 30’s. An optimistic and uncomplicated Navy nurse from Arkansas who falls in love with Emile. When she learns of his past and his family, Nellie struggles with her conflicting views on race and marriage, and must learn compassion and acceptance to lead the life she feels is right. Must be a strong actor/singer who has subtle comedic timing and moves very well.

BLOODY MARY: Mezzo. Late 30’s – Mid 50’s. A shrewd Tonkinese souvenir dealer who is trying to find her daughter an American husband. She is a brassy, self-confident hustler holds her own amongst the cocky American soldiers. Must be a strong comedian.

LUTHER BILLIS: Baritone. 30’s – Early 40’s. A masculine, yet mediocre entrepreneur and sailor. He has an eye for Nellie, whose friendship reveals his sensitive, puppy dog side. Must be a strong comedian.

STEWPOT: Baritenor. Mid 20 – Mid 30’s. Billis’ daft, yet funny sailor cohort.

PROFESSOR: Ensemble Singing. Mid 20’s – Mid 30’s. The studious and diligent sailor and part of Billis’ gang.

LT. JOSEPH CABLE: Tenor. 20’s. A young, formal, masculine, and attractive officer who falls in love with Liat. His rejection of her forces him to come to grips with this own prejudices and insecurities.

CAPT. GEORGE BRACKETT: Non-Singing. Mid 40’s – Late 50’s. The highest ranking officer on the base. Although he is pompous and referred to as Old Iron Belly, he is competent and hides a heart of gold.

CMDR. WILLIAM HARBISON: Non-Singing. Mid 30’s – Late 40’s. Brackett’s confident and down to business second-in-command and right hand man.

LIAT: Non-Singing. Must play believable Late Teens. Blood Mary’s heartbreakingly delicate, pure, and beautiful Tonkinese daughter. Must move very well.

ENSEMBLE

*The role of Emile de Becque has been cast.


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.

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