MOSAIC THEATER CO OF DC 2018-19 SEASON Equity Principal Auditions - Mosaic Theater Company of DC Auditions

Posted January 23, 2019
Copy Link
MOSAIC THEATER CO OF DC 2018-19 SEASON - Mosaic Theater Company of DC

Mosaic Theater Co of DC 2018-19 - DC EPA

Mosaic Theater Company of DC


AUDITION DATE

Wed, Apr 11, 2018

10:00 am - 6:00 pm (EDT)

lunch tbd


Fri, Apr 13, 2018

10:00 am - 6:00 pm (EDT)

lunch tbd

Sun, Apr 15, 2018

10:00 am - 6:00 pm (EDT)

APPOINTMENTS

AEA members may schedule an appointment at: . Alternative sign up: Please send email casting@mosaictheater.org requesting day and morning/afternoon/late afternoon. We’ll write you back to confirm appointment day and time.


CONTRACT

SPT SPT 7 and 8; $530 and $601/week mins


SEEKING

Equity actors for various roles in the upcoming 2018-19 Season. See breakdown.


PREPARATION

Please prepare a brief monologue and bring a physical copy of your headshot/resume.


LOCATION

Atlas Performing Arts Center

1333 H St NE

Washington, DC 20002-4446

(Please use the “Actors Lobby” entrance.)


PERSONNEL

Auditors in attendance will be Casting Assistant Lina Khawalda and either: Managing Director/Producer Serge Seiden, Founding Artistic Director Ari Roth, or Associate Artistic Director Victoria Murray-Baatin.


OTHER

An Equity Monitor will not be provided. The producer will run all aspects of this audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.


BREAKDOWN

Mosaic Theatre Co. of DC 2018-19 Season

Mosaic Performance Schedule: Wednesday-Friday 8pm; Saturday at 3pm and 8pm; Sunday at 3pm

MARIE AND ROSETTA
By George Brandt
Directed By Sandra Hollaway
1st Rehearsal Monday July 23, 2018
1st Preview Wednesday August 22, 2018
Closing Sunday September 30, 2018
Lang Theater, Atlas Performing Arts Center
Small Professional Theater Contract Level 8

Takes place in 1946 in modest funeral home as the two characters prepare to go on tour together.

Seeking:

SISTER ROSETTA THARPE (Understudy)
Role is CAST. Seeking Understudy. An African-American woman in her early 30’s. Pretty, vivacious, an irrepressible spirit. A mean guitar player with a bluesy voice. Plays spirituals that swing. Tharpe was a legend in her time, bringing fierce guitar playing and swing to gospel music. Tharpe was the queen of ‘race records’ in the 30’s and 40’s, who performed mornings at churches and evenings at the Cotton Club, who was a big enough star to fill a baseball stadium for her third wedding, Sister Rosetta Tharpe was a huge influence on Elvis Presley, Johnny Cash, Ray Charles and Jimi Hendrix.

MARIE KNIGHT
An African-American woman in her early 20’s, but looks younger. A more traditional alto gospel singer, plays staid piano. Gorgeous, on her way to being a spiritual star. Was Sister Rosetta’s young protege.
________________

THE AGITATORS
By Mat Smart
Director TBD
1st Rehearsal Monday September 24, 2018
1st Preview Wednesday October 24, 2018
Closing Sunday November 4, 2018
Lang Theater, Atlas Performing Arts Center
Small Professional Theater Contract Level 8

The Agitators tells the story of Susan B. Anthony and Frederick Douglass’ long friendship. Young abolitionists when they met in 1849, they were full of hopes, dreams and a joint purpose. Great allies and at times, great adversaries. Throughout their 45-year friendship, they agitated the nation, they agitated each other and, in doing so, they helped shape the Constitution and the course of American history.

Seeking:

SUSAN B. ANTHONY
A Caucasian female, mid 30’s- early 40’s. Starts as an underpaid school teacher and ends up a social reformer and women’s rights activist. Susan is strong and resilient with a quick mind and tongue. She possesses incredible inner strength. A sturdy and grounded woman, she is able to emotionally and physically withstand the challenges of being on the road for months at a time. She is unapologetic and commits her life to the women’s suffrage movement. As she is married to the cause she never enters into a marriage. Requires an experienced actress of extreme charisma who is able to carry a play.

FREDERICK DOUGLASS
An African-American male, mid 30’s- early 40’s. A refined and elegant man, who is extremely charismatic and a powerful public speaker. Frederick is a courageous and brilliant academic, author, and abolitionist. An excellent father and husband, he struggles to find the balance between being an activist for his cause, always on the road, while still being present for his family. He is strong yet unmasked in his vulnerability. He is a self taught violinist. Actors who play violin are helpful, but not necessary. Requires an experienced actor of extreme charisma who is able to carry a play.
_______________

OH, GOD
By Einat Gov
Directed By Michael Bloom
1st Rehearsal Friday November 16, 2018
1st Preview Wednesday, December 12, 2018
Closing Sunday January 6, 2018
Sprenger Theater, Atlas Performing Arts Center
Small Professional Theater Contract Level 7

It’s no joke when God becomes so depressed he’s ready to end it all—“all” being humankind, his greatest and most disappointing creation. Can Ella, a therapist with doubts about her own faith, talk him out of it in a single session? God only knows. Part of the Voices from a Changing Middle East Festival.

Seeking:

GOD:
Role is CAST. Seeking Understudy. Male, Any ethnicity, intelligent, proud, boastful, confused, 40’s-60’s.

ELLA:
Role is CAST. Seeking understudy. Female, Any ethnicity, therapist, mother, intelligent, full of both doubt and desire to believe.

LIOR: Male, any ethnicity, 16 years old, Ella’s autistic son.
______________

SHAME
Part of the Voices from a Changing Middle East Festival
By Einat Weitzman and Mourad Hassan
Adapted By Ari Roth
Directed By John Vreeke
1st Rehearsal Tuesday December 18, 2018
1st Preview Wednesday Wednesday January 16, 2019
Closing Sunday February 3, 2019
Sprenger Theater, Atlas Performing Arts Center
Small Professional Theater Contract Level 7

Seeking

EINAT / TALIA / DAREEN
30-45, Israeli actress and author; warm and engaging with an iron will. One of the roles she describes playing (and then performs) is that of a woman who moves back to Israel after a long absence. Remorseful. Was in a committed relationship with Samer, but thought he was Jewish. She is guilty for having falsely accused “Him” of rape after learning he was actually Palestinian; now seeks to make amends.

MORAD / SAMER
30-45, Palestinian actor and director; stoic and tautly wound; an Arab living in Israel. One of the roles he describes working with is that of a Palestinian prisoner accused of being a terrorist; along with another prisoner, Samer, released from prison; a man with a facade of being put together, but one who bears suppressed anguish over what was done to him. He was in a relationship with Talia even as he lied about being Jewish. After Talia found out and went to the police, Samer was imprisoned when Talia told authorities and the court that Samer had raped her. He’s been living with a new identity ever since.
__________________

NATIVE SON
By Richard Wright; Adapted by Nambi E. Kelley
Directed By Psalmeyene 24
1st Rehearsal Monday February 25, 2019
1st Preview Wednesday March 27, 2019
Closing Sunday April 21, 2019
Lang Theater, Atlas Performing Arts Center
Small Professional Theater Contract Level 8

Chicago’s South Side, the 1930s. Bigger Thomas struggles to find a place for himself in a world whose prejudice has shut him out. After taking a job in a wealthy white man's house, he unwittingly unleashes a series of events that violently and irrevocably seal his fate. Native Son is an unforgettable theatrical experience that captures the power of Richard Wright's iconic novel about oppression, freedom, and justice.

Seeking:

BIGGER
African-American, male, 20-29. Little education; lives in poverty with family in Chicago.

THE BLACK RAT
African-American, male, 20-29. The voice inside Bigger’s head; the physical manifestation of Bigger’s double consciousness, or how Bigger sees himself through the eyes of others.

MARY DALTON
Caucasian, female, 20-24. Privileged; pretty; wants to change the world; communist sympathizer.

JAN
Caucasian, male, 30-39. Communist; well-intentioned with an edge; in a relationship with Mary. Also plays Store Owner, Police #2, and others.

HANNAH
African-American, female, 40-44. Bigger’s mother; tough, broken; the edge of anger; little education.

BUDDY
African-American, male, 18+. Follower; Bigger's brother. Also plays Negro Clerk, Jackson.

BESSIE
African-American female, 20-30. Alcoholic, tough living. Little education. Unconventionally pretty. In-and-out of a relationship with Bigger. Also plays Vera as a teenager and Leslie.

MRS. DALTON
Caucasian female, 50-54. Blind. Upscale and well intentioned, compassionate. Also plays Agent and others.

BRITTEN
Caucasian male, 40-59 Trench-coat wearing detective with attitude. Also plays Newsreel V.O., Movie V.O., Police #1, and others.
_________________

SOONER/LATER
By Allyson Curran
Directed By
1st Rehearsal Monday April 15, 2019
1st Preview Wednesday May 15, 2019
Closing Sunday June 16, 2019
Sprenger Theater, Atlas Performing Arts Center
Small Professional Theater Contract Level 7

Synopsis: When teenage daughter Lexie helps her reluctant single mother, Nora, re-enter the dating scene, an unlikely suitor emerges in Griff – the guy at the coffee shop who inadvertently witnesses Nora’s string of unsuccessful dates. As choices collide with coincidences and longing mixes with reality, each character must face the complications that always arise in the search for intimacy and the closeness of family. This captivating new play with a metaphysical twist navigates the paths of romance, marriage and parenting while exploring the pains and pleasures of all three.

Seeking:

NORA
Female, 40-50, any ethnicity. The mother to teenage Lexie. Frazzled, anxious, feminist, not good at dating. Overwhelmed and unable to deal with Lexie as a troubled teen. She has a good sense of humor, comic timing and a good deal of charm.

GRIFF
Male, 40-50, any ethnicity. Nora’s husband and Lexie’s father. Down to earth, loving, funny with a good sense of humor, comic timing and a good deal of charm.

LEXIE
Female, 18+, any ethnicity to play 14-18. Teenage daughter of Nora. In Act One, is extremely nurturing and loving towards her mother, wanting desperately for her to be happy. In Act Two, a belligerent teenager who lashes out at her mother after her father’s death. She is smart, poetics, with a good sense of humor, comic timing and a good deal of charm.
________________

TWISTED MELODIES: THE DONNY HATHAWAY STORY
Written and Performed by Kelvin Roston Jr.
Directed By Derrick Sander
1st Rehearsal Monday June 10, 2019
1st Preview Wednesday June 19, 2019
Closing Sunday July 21, 2019
Lang Theater, Atlas Performing Arts Center
Small Professional Theater Contract Level 8
A co-production with Baltimore Center Stage and The Apollo Theater

Seeking:

DONNY HATHAWAY
Role is CAST. Seeking understudy. African American male 30s. Great musician with mental health issues.


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.

Sign Up for Audition Alerts

Get the latest auditions by email.

Videos