Call Type Equity Principal
Date of Audition 12/16/2011
Location La Jolla Playhouse 2910 La Jolla Village Drive La Jolla, CA 92037 Parking Pass can be purchased from Gilman Drive Info Kiosk or street park
Time(s) Friday, December 16th 10am-6pm Lunch from 1-2pm.
· A monitor will not be provided. The producer will run all aspects of this audition.
Appointments N/A - Open Call
|
Contract LORT Non-Rep $765/week
Seeking Male and female Equity Actors for the 2012-2013 season.
Preparation Please prepare either a brief contemporary monologue or a short contemporary musical theater song and a brief monologue. (3 min max for both) Bring sheet music; accompanist provided. Please bring a picture and resume, stapled together.
Other Dates Please see breakdown.
Other
www.lajollaplayhouse.org
Personnel Local Casting Director - Marike Fitzgerald
|
Breakdown
HANDS ON A HARDBODY Rehearse - March 20, 2012 Preview - April 27, 2012 Close - June 10, 2012 UNTITLED LA JOLLA PLAYHOUSE PRODUCTION #1 Rehearse - June 19, 2012 Preview - July 31, 2012 Closing - September 19, 2012 AN ILIAD Rehearse - July 17, 2012 Preview - August 14, 2012 Close - September 9, 2012 UNTITLED LA JOLLA PLAYHOUSE PRODUCTION #2 Rehearse - September 18, 2012 Preview - November 6, 2012 Close - December 16, 2012 GLENGARRY GLEN ROSS Rehearse - January 1, 2013 Preview - February 5, 2013 Closing - March 3, 2013 **An additional, yet-to-be-determined production will be announced at a later date HANDS ON A HARDBODY - Roles of Mike Ferris, Cindy Barnes, Norma Valverde, Janis Curtis, Don Curtis/Dr. Stokes, Chris Alvaro, Frank Nugent, Jesus Pena and Kelli Mangrum have been cast. All other roles open. Breakdown below. UNTITLED LA JOLLA PRODUCTION #1 - All roles available AN ILIAD - Solo show - role available. UNTITLED LA JOLLA PRODUCTION #2 - All roles available. GLENGARRY GLEN ROSS - All roles available -------------------------------------------------------------------------------------------------- HANDS ON A HARDBODY Produced by La Jolla Playhouse (Christopher Ashley, Artistic Director) Directed by Neil Pepe Book by Doug Wright Music by Amanda Green & Trey Anastasio Lyrics by Amanda Green Choreography by Benjamin Millpied Music Director: Matt Gallagher Casting by Telsey + Company, Rachel Hoffman HANDS ON A HARDBODY is a musical based on the documentary film of the same name, about a truck competition in rural East Texas. In the contest, hardscrabble contestants are invited to a local car dealership, to place their hands on a new Nissan truck. The contestant who can stand the longest without removing his or her hand from the vehicle gets to drive it off the lot. What initially seems like a frivolous, even kitschy stunt becomes a true test of wills. Actors should have authentic, skilled country/folk voices and genuine acting chops. It is a strong ensemble piece CHARACTERS: [BENNY PERKINS] – Male, Caucasian, 35-45. Benny is the “ringmaster” of the piece, and a returning champ who won the contest a few years earlier. He’s a self-proclaimed expert on the contest, not to mention All Things Texas and most other matters besides. He can spin tall tales with the best of ‘em. In Benny’s hands a game of darts at the local dive bar can become a mythic story, a regular HIGH NOON. He’s always got a twinkle in his eye and a ready joke, but underneath his “good old boy” demeanor, he’s ferociously ambitious. He won the contest three years ago, and he’s back to triumph again. He’s recovering from a failed marriage, a non-existent career, an alcohol problem, and currently he lives in the garage apartment behind his Mama’s house. But if he can win, he’ll prove that he’s still got what it takes to compete in the world. In an ensemble show, Benny is our lead. Needs a lived-in, earthy Baritone voice. PRINCIPAL [J.D. DREW] – Male, Caucasian, 55-70. J.D. is the oldest contestant. He’s got a weathered, Gary Cooper handsomeness, and he’s a real man’s man. J.D. plays things close to the vest – he’s not a touchy-feely type, not at all – but can still win you over with a well-timed grin. An injury on an oil rig has forced him into early retirement. He’s a proud man who’s always pulled himself up by the bootstraps, and the loss of his job makes him secretly ache. Voice should have a lived-in, conversational, gritty, earthy singing quality. PRINCIPAL [RONALD MCCOWAN] – Male, African-American, 35-45. Ronald is from the Louisiana bayou, with an accent that’s as thick as gumbo. Ronald is compulsively good-natured, and a self-styled ladies’ man, with girlfriends in three states. He’s a big, expansive talker, with a touch of braggadocio, but sometimes undermines himself with fatalistic doubts; suppose there’s a thunderstorm? Suppose his knees give out? What if he wore the wrong shoes? Like the cowardly lion, Ronald can pivot from cocksure to crumbling with dizzying speed. Strong baritone or baritenor voice. PRINCIPAL [GREG WILHOTE] – Male, Caucasian, 20-28. Greg is a sweet, lanky, freckle-faced kid whose counter-cultural, Beastie Boys instincts make him in outsider in this land of cowboys. He’s the only resident of Longview who drives a VW Bug…and it’s his mother’s used one at that. Underneath his “freak flag” façade, Greg would dearly love to fit in. Around town, he just feels like an oddball. Currently, Greg is unemployed. Sweet, pure Tenor voice. PRINCIPAL [HEATHER STOVALL] – Female, Caucasian, 24-30. Heather still derives her glory – and her reputation – from her days as head varsity cheerleader at Spring Hill High. Heather is an unashamed “girly girl” and her biggest fear about the competition is her inability to shower and re-apply her makeup. Every man she meets is the Daddy she always wanted. Good singer comfortable singing in alto and soprano range. PRINCIPAL [VIRGINIA DREW] – Female, Caucasian, 50-65. Virginia is the aging but still very attractive wife of contestant J.D. Drew. After three decades of marriage, she’s more worried than ever about the future. She sees her beloved husband at loose ends, out of his job, his very purpose in life, frittering his evenings on the couch and his Saturdays out hunting, coming home distracted and empty-handed. More than anything, she wants him back. It’s her turn to see his well being for a change; but she fears his stubborn pride will cause him to turn on her instead, and that this contest will wreck his already fragile health. Alto/soprano vocal range. PRINCIPAL.
|