KINKY BOOTS Equity Principal Auditions - Arts Center of Coastal Carolina Auditions

Posted December 10, 2019
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KINKY BOOTS - Arts Center of Coastal Carolina

KINKY BOOTS - Hilton Head Island, SC EPA

Arts Center of Coastal Carolina


AUDITION DATE

Sun, Jan 05, 2020

11:00 am - 6:00 pm (EST)

No scheduled lunch break

APPOINTMENTS

AEA members contact Gail Ragland, 843-686-3945 ext. 202, gragland@artshhi.com. M - F 9:00AM - 1:00PM

CONTRACT

SPT SPT 7; $546/week

SEEKING

Equity actor/singers for various roles. See breakdown.

PREPARATION

Please Bring a headshot and resume. Actors should wear dance attire and jazz shoes and prepare a song in the style of the show. Singing from the show is welcome. An Accompanist will be provided.

LOCATION

Arts Center of Coastal Carolina

14 Shelter Cove Ln

Hilton Head Island, SC 29928-3543

PERSONNEL

Expected at the Equity Principal Call:
Richard Feldman, Vice President & General Manager
Evan Pappas, Director
Eric Alsford, Musical Director (not at the Audition)
Eugenio Contenti, Choreographer (Not at the Audition)

OTHER DATES

1st Rehearsal - April 7, 1st Preview - April 29, Opening - May 1, Closing - May 24.
Performances Tuesday - Saturday 8:00PM & Sunday 2:00PM.

OTHER

www.artshhi.com

An Equity Monitor will not be provided. The producer will run all aspects of audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

BREAKDOWN

Charlie Price: late 20s – early 30s, Caucasian. Just out of university, a really nice guy who has no clue what to do with the rest of his life. He’s handsome, lovable, but there’s a temper right under the skin. Henpecked by his girlfriend and a little lost. Must have a great rock voice, ability to move and be a strong actor.

Lola/Simon: early 30’s, African-American. An emotionally and physically challenging role requires the body of a boxer, with the soul of a Diva to play this scene-stealing drag performer. Must have a killer voice with power blues and gospel chops. Lola dances in very high heels and so has to move well. Physically challenging role; requiring an incredible performer comfortable wearing everything from full glamour drag to nothing but boxing trunks.

Lauren: 20’s. Mezzo-soprano. Beautiful, but quirky working class girl who works in the shoe factory. Funny and smart. Terrific comedic actress, with great singing voice.

Nicola: 20’s. Mezzo-soprano. Character is female. Charlie’s girlfriend since school. Sophisticated looks. She is driven and uncompromising. She knows what she wants and goes for it. Must have a great pop voice

Pat: 25-40. Mezzo-Soprano. Officious office manager who will let loose her wild side when allowed. Lola's love interest.

George: 30-50. Factory manager keeping up traditions. Reserved.

Don: 30s – 40s, Rich bari-tenor voice with a strong falsetto. Lola’s nemesis. Burly hyper- masculine bear of a factory worker. Has a menacing physicality. Least likely to be seen on a runway in kinky boots. Strong actor required.

Trish: Female, 40s, any ethnicity. Factory worker with a husband and kids to worry over.

Young Charlie: Boy, to play 10 years old. Caucasian. This is Charlie as a ten year old boy. Lost, quiet, reflective. Must have a great voice.

Young Lola: Boy, to play 10 years old. African-American. This is Lola as a ten year old boy who's father wants him to be a boxer, but he already knows he’s destined to wear high heels. Must have a great voice and comfortable wearing high heels during the show.


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.

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