I'M BLACK WHEN I'M SINGING... EQUITY VIDEO SUBMISSIONS - Third Rail Repertory Theatre Auditions

Posted August 29, 2022
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I'M BLACK WHEN I'M SINGING... - Third Rail Repertory Theatre

I'M BLACK WHEN I'M SINGING... - EQUITY VIDEO SUBMISSIONS
Third Rail Repertory Theatre

CONTRACT
SPT
$501.50 weekly minimum (SPT 5)

SEEKING
Equity actors for roles in I'M BLACK WHEN I'M SINGING, I'M BLUE WHEN I AIN'T (see breakdown).

This play by legendary writer, activist, and scholar Sonia Sanchez was written in 1982 and still resonates today. We meet Reena, the main character, as she is being treated for multiple personality disorder that manifests as the embodiment of four iconic Black singers: Bessie Smith, Billie Holiday, Nina Simone, and Dianne Reeves. A professional world premiere production grounded in revolution, social justice, and hope.

INSTRUCTIONS
Please prepare two contrasting contemporary monologues (3-min. max.) Please also sing an a cappella song (3mins max.) to show off your vocal range. Please email Michelle Kashinsky your headshot/resume and video submission.

Deadline: Fri, Sep 9, 2022

BREAKDOWN

SEEKING:

Some roles will be understudied.

REENA MAMAB, Female.

TONI, Main Female Character.

MALIKA DOCTOR, Male.

ATTENDANT, Nurse. Male or Female.

SAM, Mama B's Husband.

CATHOLIC MATRON, At Girl's Home.

BUSINESS MANAGER, For Mama B, Toni, and Reena. Male.

MARY, Toni's Mother.

JOHN, Reena's Husband.

JOSEPHINE, Reena's Mother.

CHORUS/DANCERS, 2 Males, 4 Females.



SUBMIT TO
michelle@thirdrailrep.org

PERSONNEL
Viewing auditions:
Dawn Monique Williams, Director
Maureen Porter, Managing Artistic Director
Michelle Kashinsky, Associate Producer

OTHER DATES
1st Rehearsal: 2/6/23
Paid Preview: 3/16/23
Opening: 3/17/23
Closing: 4/2/23
3 week run, 5 shows/week

OTHER

www.thirdrailrep.org

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

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